<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="http://archive.oes.edu/items?output=omeka-xml&amp;page=5&amp;sort_field=Dublin+Core%2CCreator" accessDate="2026-08-15T23:34:22+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>5</pageNumber>
      <perPage>10</perPage>
      <totalResults>538</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="202" public="1" featured="0">
    <fileContainer>
      <file fileId="95">
        <src>http://archive.oes.edu/files/original/1118e7a8e70ff36cfbc6b406136e9034.jpeg</src>
        <authentication>6bc263bd8b60c2fff0f1e54fcda07a70</authentication>
      </file>
      <file fileId="96">
        <src>http://archive.oes.edu/files/original/0bff3fb9d80c6c43cdd59bc486f62508.jpeg</src>
        <authentication>19e186c64d426739520d01ca7c4410aa</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1673">
                  <text>Oregon Episcopal School Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1674">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1675">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1676">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1677">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1678">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1679">
                  <text>Teachers</text>
                </elementText>
                <elementText elementTextId="1680">
                  <text>Alumnae and alumni</text>
                </elementText>
                <elementText elementTextId="1681">
                  <text>High schools</text>
                </elementText>
                <elementText elementTextId="1682">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1683">
                  <text>This is a collection of photographs from the Oregon Episcopal School (OES). Photographs from the 1880s-1960s are primarily of St. Helen's Hall students, events, and buildings. Photographs from the late-1960s onward include Bishop Dagwell Hall and, later, OES students and activities.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1684">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="1685">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1686">
                  <text>1880s-1990s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1687">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1688">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="1689">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="3059">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="3060">
                <text>photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3061">
                <text>Bishop Dagwell Hall Graduating Class of 1970</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3062">
                <text>Schools</text>
              </elementText>
              <elementText elementTextId="3063">
                <text> Students</text>
              </elementText>
              <elementText elementTextId="3064">
                <text> Photographs</text>
              </elementText>
              <elementText elementTextId="3065">
                <text> Men</text>
              </elementText>
              <elementText elementTextId="3066">
                <text> School graduation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3067">
                <text>Sixteen young men from Bishop Dagwell Hall pose outside. This group of men are the graduating class of 1970.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3068">
                <text>Lake Oswego Photographers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3069">
                <text>1970</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3070">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3071">
                <text>oes_photo_000099a.jpeg</text>
              </elementText>
              <elementText elementTextId="3072">
                <text> oes_photo_000099b.jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="68">
        <name>Schools; Students; Photographs; Men; School graduation</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="275" public="1" featured="1">
    <fileContainer>
      <file fileId="342">
        <src>http://archive.oes.edu/files/original/1f4a39a717cacdb7fcc09cf5c7ac4a75.jpg</src>
        <authentication>9c46ad28ac2fdfd555a77da5bb9bcfc5</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1673">
                  <text>Oregon Episcopal School Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1674">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1675">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1676">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1677">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1678">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1679">
                  <text>Teachers</text>
                </elementText>
                <elementText elementTextId="1680">
                  <text>Alumnae and alumni</text>
                </elementText>
                <elementText elementTextId="1681">
                  <text>High schools</text>
                </elementText>
                <elementText elementTextId="1682">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1683">
                  <text>This is a collection of photographs from the Oregon Episcopal School (OES). Photographs from the 1880s-1960s are primarily of St. Helen's Hall students, events, and buildings. Photographs from the late-1960s onward include Bishop Dagwell Hall and, later, OES students and activities.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1684">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="1685">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1686">
                  <text>1880s-1990s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1687">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1688">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="1689">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="4047">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="4048">
                <text>photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4049">
                <text>St. Helen's Hall Student Perform 'The Key of David' Christmas Play in 1964</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4050">
                <text>Women</text>
              </elementText>
              <elementText elementTextId="4051">
                <text> Schools</text>
              </elementText>
              <elementText elementTextId="4052">
                <text> Students</text>
              </elementText>
              <elementText elementTextId="4053">
                <text> Photographs</text>
              </elementText>
              <elementText elementTextId="4054">
                <text> Student activities</text>
              </elementText>
              <elementText elementTextId="4055">
                <text> Theatre</text>
              </elementText>
              <elementText elementTextId="4056">
                <text> Holiday</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4057">
                <text>Stained glass windows present imposing background for "The Key of David" by St. Helen's Hall students. Windows in the Great Hall were created by students in school's art class of paper colored with crayon and treated with linseed oil to make them translucent. Shown, from left, are Lucilla (Diana Beebe), Rebecca (Jan Pennington), Mary (Jayne Lilles), Joanna (Ellen Hafner) and Miriam (Mary Lampson).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4058">
                <text>Les Ordeman</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4059">
                <text>1964</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4060">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4061">
                <text>oes_photo_000134.jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="110">
        <name>Women; Schools; Students; Photographs; Student activities; Theatre; Holiday</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="381" public="1" featured="1">
    <fileContainer>
      <file fileId="466">
        <src>http://archive.oes.edu/files/original/328bd34ed7027c2e6c2278d802073914.jpg</src>
        <authentication>7035b503e7f5d064b3da1ecd3ab23c5c</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1673">
                  <text>Oregon Episcopal School Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1674">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1675">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1676">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1677">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1678">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1679">
                  <text>Teachers</text>
                </elementText>
                <elementText elementTextId="1680">
                  <text>Alumnae and alumni</text>
                </elementText>
                <elementText elementTextId="1681">
                  <text>High schools</text>
                </elementText>
                <elementText elementTextId="1682">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1683">
                  <text>This is a collection of photographs from the Oregon Episcopal School (OES). Photographs from the 1880s-1960s are primarily of St. Helen's Hall students, events, and buildings. Photographs from the late-1960s onward include Bishop Dagwell Hall and, later, OES students and activities.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1684">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="1685">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1686">
                  <text>1880s-1990s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1687">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1688">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="1689">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="5458">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="5459">
                <text>photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5460">
                <text>Two Students with Toy Models at 1958 St. Helen's Hall Hobby Show</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5461">
                <text>Schools</text>
              </elementText>
              <elementText elementTextId="5462">
                <text> Photographs</text>
              </elementText>
              <elementText elementTextId="5463">
                <text> Students</text>
              </elementText>
              <elementText elementTextId="5464">
                <text> Children</text>
              </elementText>
              <elementText elementTextId="5465">
                <text> Student activities</text>
              </elementText>
              <elementText elementTextId="5466">
                <text> Hobby show</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5467">
                <text>St. Helen's Hall students Judd Moore and Jess Haitman show off their model airplanes and rockets at the 1958 hobby show. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5468">
                <text>Mather</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5469">
                <text>1958</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5470">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="5471">
                <text>oes_photo_000246.jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="190">
        <name>Schools; Photographs; Students; Children; Student activities; Hobby show</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="481" public="1" featured="1">
    <fileContainer>
      <file fileId="488">
        <src>http://archive.oes.edu/files/original/d192f050cd3b8bf0f8bd693373bd5ec4.jpg</src>
        <authentication>78e1b54a0637fe51c3bd71a2fd936749</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1673">
                  <text>Oregon Episcopal School Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1674">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1675">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1676">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1677">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1678">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1679">
                  <text>Teachers</text>
                </elementText>
                <elementText elementTextId="1680">
                  <text>Alumnae and alumni</text>
                </elementText>
                <elementText elementTextId="1681">
                  <text>High schools</text>
                </elementText>
                <elementText elementTextId="1682">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1683">
                  <text>This is a collection of photographs from the Oregon Episcopal School (OES). Photographs from the 1880s-1960s are primarily of St. Helen's Hall students, events, and buildings. Photographs from the late-1960s onward include Bishop Dagwell Hall and, later, OES students and activities.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1684">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="1685">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1686">
                  <text>1880s-1990s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1687">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1688">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="1689">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="6855">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="6856">
                <text>photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6857">
                <text>1954 St. Helen's Hall Old Girl New Girl Tea</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6858">
                <text>Women</text>
              </elementText>
              <elementText elementTextId="6859">
                <text> Schools</text>
              </elementText>
              <elementText elementTextId="6860">
                <text> Photographs</text>
              </elementText>
              <elementText elementTextId="6861">
                <text> Students</text>
              </elementText>
              <elementText elementTextId="6862">
                <text> Alumna</text>
              </elementText>
              <elementText elementTextId="6863">
                <text> Student activities</text>
              </elementText>
              <elementText elementTextId="6864">
                <text> Outside</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6865">
                <text>Girls line up to receive punch at the St. Helen's Hall Old Girl/New Girl Tea out in front of the 13th and Hall campus on September 9th, 1954.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6866">
                <text>Mather</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6867">
                <text>1954</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6868">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="6869">
                <text>oes_photo_000353.jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="273">
        <name>Women; Schools; Photographs; Students; Alumna; Student activities; Outside</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="115" public="1" featured="0">
    <fileContainer>
      <file fileId="251">
        <src>http://archive.oes.edu/files/original/fec2571141453773c498932e12e9e275.jpeg</src>
        <authentication>5c80e40f234ffeb350767d18133817c9</authentication>
      </file>
      <file fileId="252">
        <src>http://archive.oes.edu/files/original/e9af31d45fb22e9334d365a347e150da.jpeg</src>
        <authentication>c84c3061e63f5c3276b7f31108621d47</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1673">
                  <text>Oregon Episcopal School Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1674">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1675">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1676">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1677">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1678">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1679">
                  <text>Teachers</text>
                </elementText>
                <elementText elementTextId="1680">
                  <text>Alumnae and alumni</text>
                </elementText>
                <elementText elementTextId="1681">
                  <text>High schools</text>
                </elementText>
                <elementText elementTextId="1682">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1683">
                  <text>This is a collection of photographs from the Oregon Episcopal School (OES). Photographs from the 1880s-1960s are primarily of St. Helen's Hall students, events, and buildings. Photographs from the late-1960s onward include Bishop Dagwell Hall and, later, OES students and activities.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1684">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="1685">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1686">
                  <text>1880s-1990s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1687">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1688">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="1689">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1824">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1825">
                <text>photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1826">
                <text>Portrait of Mary (Minnie) H. Couch</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1827">
                <text>Women</text>
              </elementText>
              <elementText elementTextId="1828">
                <text> Schools</text>
              </elementText>
              <elementText elementTextId="1829">
                <text> Students</text>
              </elementText>
              <elementText elementTextId="1830">
                <text> Photographs</text>
              </elementText>
              <elementText elementTextId="1831">
                <text> Pioneers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1832">
                <text>A portrait of Mary (Minnie) H. Couch, a graduate of St. Helen's Hall. The back of the photograph states that Minnie Couch is from a pioneer family and aunt of Mrs. W.J. Burns.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1833">
                <text>Morse's</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1834">
                <text>1872</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1835">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="1836">
                <text>oes_photo_000010a.jpeg</text>
              </elementText>
              <elementText elementTextId="1837">
                <text> oes_photo_000010b.jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="21">
        <name>Women; Schools; Students; Photographs; Pioneers</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="121" public="1" featured="0">
    <fileContainer>
      <file fileId="240">
        <src>http://archive.oes.edu/files/original/278de5a19894243090effd79df91d071.jpeg</src>
        <authentication>02e82b134e90cf0b18fd5a1e23c76e99</authentication>
      </file>
      <file fileId="241">
        <src>http://archive.oes.edu/files/original/5d03ddb23ff2d5d4a99c8b2f4a64e27e.jpeg</src>
        <authentication>813e145b5113bf781fe05a54eb2a3ba4</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1673">
                  <text>Oregon Episcopal School Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1674">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1675">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1676">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1677">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1678">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1679">
                  <text>Teachers</text>
                </elementText>
                <elementText elementTextId="1680">
                  <text>Alumnae and alumni</text>
                </elementText>
                <elementText elementTextId="1681">
                  <text>High schools</text>
                </elementText>
                <elementText elementTextId="1682">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1683">
                  <text>This is a collection of photographs from the Oregon Episcopal School (OES). Photographs from the 1880s-1960s are primarily of St. Helen's Hall students, events, and buildings. Photographs from the late-1960s onward include Bishop Dagwell Hall and, later, OES students and activities.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1684">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="1685">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1686">
                  <text>1880s-1990s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1687">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1688">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="1689">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1908">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1909">
                <text>photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1910">
                <text>St. Helen's Hall 1926 Commencement Procession</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1911">
                <text>Women</text>
              </elementText>
              <elementText elementTextId="1912">
                <text> Schools</text>
              </elementText>
              <elementText elementTextId="1913">
                <text> Students</text>
              </elementText>
              <elementText elementTextId="1914">
                <text> Photographs</text>
              </elementText>
              <elementText elementTextId="1915">
                <text> Commencement ceremonies</text>
              </elementText>
              <elementText elementTextId="1916">
                <text> School graduation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1917">
                <text>This is an iconic photograph showcasing St. Helen's Hall women during the commencement procession. The photograph states: Dorothy Mautz on the left front, leading.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1918">
                <text>Norr &amp; Vincent</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1919">
                <text>1926</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1920">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="1921">
                <text>oes_photo_000016a.jpeg</text>
              </elementText>
              <elementText elementTextId="1922">
                <text> oes_photo_000016b.jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="25">
        <name>Women; Schools; Students; Photographs; Commencement ceremonies; School graduation</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1" public="1" featured="0">
    <fileContainer>
      <file fileId="1">
        <src>http://archive.oes.edu/files/original/88eaefc113bd6822a8911b2fc93ae183.pdf</src>
        <authentication>10e35b4b3b671571e3c0e6f78be41eb9</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="92">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="12">
                    <text>— rS
&gt;

4?

■:

H

:'A
!

D

V

:
:

i

'A

vy

y ¥•

1

9
:

i

i

i

i

-&lt;2
*■

_r'

Ko

1

:t•

*% .

I

.

'\:3S

m

.
■■

4

;•

. '

■

•

'

. .. ;• ...

-

.
-■

:

;;

X

'•r

MtBfi
. S

%?&lt;■'

:

•-

var-i
'

,

■

-•f. :

■r'*M

vJ

:

-r

;

.
X•

.

■

■

l

■

,

-

.&lt;4

■
■

.ilZri-i .(

XV

xxv:--'

■

Vr‘V •'
.

?'\r

*V' '

.

•■■■■

f.

•. •

o£y

'

■

:

�fir./

m.....v

mSBS&amp;Z-o*": :■

���1

Delphic Staft
EDITOR-IN-CHIEF.......................................

........Elva Mervy

LITERARY EDITOR.....................................

. . .Edna Burton

ASSISTANT LITERARY EDITOR..........
KALENDAR........ ............................................

. Edith Chandler
Elizabeth Patton

EXCHANGES.......................

. .Thyra St. Clair
........Janet House

BUSINESS MANAGER...............................

........Laura Reed

OLD GIRL NOTES.....................................

ADVERTISING MANAGERS

\ Adalyn Mayer
I Dorothy Carpenter

CLASS REPORTERS
SIXTH

FORM

FIFTH FORM
FOURTH FORM
THIRD FORM

( Helen Winter
(. Florence Kuhn
\ Margaret Boyer
^ Frances Spaulding
( Helen Lamar
) Bess Allen
Jean Muir

�Table of Contents
Page.
5

Editorial...................
6
Tennis....................
On Seeming Wise ....
To My Mother.........
7
To Our Seniors
8
Class History .........
Comparison Between the Florentine and the Venetian Schools
of Painting .................................................................................. ^
.... 10
Dimp’s Problem ...................................................
11
The Firefly .....
12
A Future Star .....................................................
14
George Washington
17
Class Will ...........................................
18
As You Like It ....................................................
The Mission of Santa Barbara...........................
The Fairies in Our Garden.................................
The Sweet Girl Graduate.....................................
Class Prophecy .........................................
The Baby’s First Airing
The Organ Grinder..............................................
The Broken Teacup .............................................
A Mysterious Box ...... ............ ...........................
Contrast Between Macbeth and Hamlet..........
The Rising Bell....................................................
An Exciting Adventure in Our Lumber Camp.
Adventures in Friendship.......................
The $20,000 Coffroth Handicap........................
Poems by Mrs. E. L. Wood
.....
Athletics ..............................................................
Kalendar .............................
Old Girl Notes ....................................................
Exchanges ............................................................

20

24
... 25
26

29
29
30

31
32

. 34
34
36
..... 37

40
46
48
..... 51
..... 53

��I

DICI.I'll IC is published two times during the school year, Contributions arc solicited
from all the students.
Literary communications should be addressed to the Editor-in-Chief- Business letters
ami subscriptions to the Business Manager.
Subscription: $1.00 a year.
VOL. 25

JUNE.

1921

No. 1

En Avant Tou.jours! Our class motto! What does that
mean to us? Shall we think of it next month, next year, in all
the years to come? Will our college life, home life, business
life, or whatever life we shall choose, be moulded on “Onward
Forever?”
This motto means much to us graduating this year. For
when we chose it, we all agreed to make it our standard for
building up our lives, characters, thoughts, deeds and actions,
if we do this, then we shall be advancing. For to go onward
means to progress with the times, not in the sense of being up
to date, but in the sense of growing spiritually and intellectually
keeping our minds alert and ourselves young.
We want to develop into thinking persons, not just women
who accept things as a matter of fact and fall into the hum­
drum of everyday life. No! We want to keep our minds always
thinking, our vision, always broadening, and looking ahead, and
our enthusiasm always alive.

�6

■

i

DELPHIC

We have innumerable ways for mental advancement. For
instance, we could resolve to read and study each year after we
have finished school some different subject, think about it and
1 orm opinions. In doing so, we are keeping our intellects ever
alert. Whenever we have an idea worth while for some club or
organization, we should work it up into a definite plan which
will be of some service to our community or college. To carry
out these plans we must put forth all our vigor and strength
and arouse the utmost enthusiasm in others. To advance spirit­
ually, we must live up to our ideals and principles, always keep­
ing them in mind. But should we cease for one day from our
aim, then we would fall back, for there is no midway; we must
either go forward or backward.
In going onward, we must not let our thoughts of advance­
ment be purely for self, for then we would not be living up to
the real meaning of the motto (the Knight Templars’ motto),
•.
Onward Forever” in service for others.

TENNIS.
Up to this year tennis has been played in the school merely
for pleasure. But this spring the tournament has been formed,
cups have been presented, and all the girls have become eagerly
enthusiastic. Rivalry, without jealousy, has been aroused.
Tennis offers unlimited advantages to one, not only physi­
cally but mentally and morally as well. There is no better game
for good, free exercise than tennis, which takes one into the
open air, brings the whole body into swinging, graceful move­
ment ; which makes one alert, quick witted, and trains his eye for
accuracy. Entire concentration is necessary to the successful ten­
nis player. As in all clean athletics, one must be a good sports­
man and ever engage in fair play. In our tennis tournaments
there is no place for the selfish individual; he plays not for
himself, but for the school, in the spirit of good fellowship and
unity.

�7

DELPHIC
ON SEEMING WISE.

Whether it be true or not that the French, as a people, are
wiser than they seem, and the Spanish seem wiser than they
are, this distinction certainly is true among certain classes of
men. There are people who have very little knowledge or judg­
ment, and yet wish to pose as having great intellects. They take
so much pains to seem wise and to impress others with their wis­
dom that they make themselves ridiculous. Some appear so re­
served that they impress others with the idea that they know a
great deal and yet are keeping back knowledge that they might
express with regard to the subject under discussion.
Some by signs and gestures attempt to convey much that
they could say if they would. A shrug of the shoulders or a
contemptuous sneer often defeats the most carefully prepared
arguments. Some by loud and noisy assertion, others by ridicule,
and others still by dwelling on small and unimportant details win
the reputation of being wise. Such men nearly always take the
negative side, for it is much easier to deny than to prove an argu­
ment. These seemingly wise are like men heavily involved in
debt, who make a great show of wealth in order that their pov­
erty may not be discovered.
A SENIOR, ’21.
TO MY MOTHER.
0, mother of mine, so fine and true,
I want to live to be worthy of you.
A life as good, as worth the while;
You’re all the world, dear; just your smile.
— I.M. J.,’22.

TO OUR SENIORS
All Gracious! Grant to those who bear
A Senior’s part, the strength and light
To help them lead their steps with care
In ways of love, and truth, and right.
E. HOLBROOK, ’22.

�8

DELPHIC
CLASS HISTORY, *21.

I

The present class of ’21 was started in the seventh grade in
1916 with Edna Burton and Helen Winter. Then they little knew
what a great class they had founded.
The next year they were joined by Evelyn Thatcher, Elva
Mervy, Dorothy Carpenter and Edith Chandler, who at first spent
most of their time trying not to break rules and getting used to
things. Then, their greatest ambition was to be a Senior. Thvra
St. Clair came at mid-year and our class grew in fame and in
numbers. We were just becoming used to bowing before Seniors
and upper class girls when school closed and we were Sophomores.
The next year the school celebrated its fiftieth anniversary
and moved into the new building. Here we added Janice Parker,
not yet laboring under the shadow of Bryn Mawr, and Laura
Reed, whom we honored with the office of extorting class dues
and other fees. At the same time Evelyn Thatcher was elected
president of class ’21. This year the whole school celebrated the
fiftieth anniversary with a pageant telling the history of the
school from the beginning, in which the Sophomore class played
its part.
The following September we all returned with great dignity
for were we not Juniors? More classmates were welcomed:
Janet House, Florence Kuhn, and Adelyn Mayer, and Elva Mervy
who had been away for a year, returned, By this time we had
a large and promising class, and spent most of our time looking
forward to the next year. By way of realizing that we were
almost Seniors we gave the Senior class of ’20 a fine send off with
a luncheon which we Juniors considered one of the greatest and
most important events of the year.
Our Senior year has been made eventful by the return of
Elizabeth Patton to be graduated in our class; by the change of the
Quarterly to the Delphic, which is now issued twice a year, for
which we expect the Senior classes for years to come will thank
us ; by the choice of a wise Delphic staff; by the attainment of
great Senior dignity; and by the fact that the fatal number
thirteen has greatly added to the fame of the thirteen members ol
this illustrious class.
CLASS SCRIBE.

�DELPHIC

9

■

COMPARISON BETWEEN THE FLORENTINE AND
VENETIAN SCHOOLS OF PAINTING.
The early paintings of the Venetian school differed little
from the Florentine, save in color. But as art advanced, many
differences became noticeable. There was slight study of the
antique in the Venetian school. Nothing in the education of the
Venetians called for the severe or intellectual. The Florentine
treatment of the nude was always modelled after the Greeks
and was of statuesque type, while the Venetian nudes were
voluptuous. There was no revival of classic learning as in Flor­
ence. This revival of classicism was partly due to the intel­
lectual and social influences of Florence, and partly to the clas­
sic trend of the painters.
There was a severity and austerity about the Florentine
school, even when art was at its climax, It was never too sensual, as in the Venetian school, but rather exact and intellectual.
Line and composition were thought by the Florentines to ex­
press abstract thought better than color. The Florentine colors
are always cool and simple. The demand in the Venetian school
was for rich colors. Line and form were not so well suited to
them as color, the most sensuous of all mediums. Color pre­
vailed through Venetian art from the very beginning, and was
its chief characteristic, Venice derived this color-sense and
much of her luxurious and material view of life from the Mohammedan East.
By the disposition of her people, Venice was not a devout
or learned city. Religion, though the chief subject, was not the
chief spirit of Venetian art. In Titian’s (of the Venetian
school) pictures we do not find the same effort to portray
spiritual feeling as in the works of Raphael, and others of the
Venetian school. The Venetian pictures seem conceived only to
represent a group of noble, tranquil and magnificently dressed

�10

’

DELPHIC

people. In the Sistine Madonna of Raphael, we recognize a
divine mother and child, and any one with a spirit of reverence
would feel like falling on his knees before it; while in the Ma­
donnas and church pictures of the Venetian school the beauty
was of such a physical type that one sees only the beautiful
models garbed as sacred characters, well drawn and easily
painted, but with little devotional feeling about them.
In the Venetian school, landscape painting was practiced.
The backgrounds of the pictures were wonderfully executed;
sometimes they surpass the central subject. But in the Floren­
tine school the backgrounds were only a means of bringing out
the principal subject, and not much attention was paid them.
JOSEPHINE SMITH, ’22.
DIMP’S PROBLEM
Dimp Clemens sat on his mother’s back porch steps in quiet
contemplation, which was a very unusual thing for Dimp.
His teachers never saw him motionless, and his mother
could remember of two specific instances, other than when he
was sleeping; once when their neighbor’s little girl presented her
dainty person, habited in a pink sunbonnet and apron, to ask
Dimp to have luncheon with her, and, again, when he was caught
in the act of putting a frog in the milk pan for the hired girl to
find.
The explanation of this unwonted inactivity was at the foot
of the steps in the person of a small, white terrier, who wagged
his tail in approbation and looked up at Dimp with imploring, yet
confident eyes. Occasionally the dog glanced away in the other
direction. The wagging of the tail would almost cease. Then his
eyes coming back to the figure on the steps, the tail would vigor­
ously wag again.
Dimp was solving a question of some import. Mr. Clemens
had decreed that all dogs, cats, and other animals brought home
by his son, must be taken care of by that person, and also fed by
him with his own money. Dimp estimated his allowance and the
cost of meat; the allowance sank into insignificance. There was
only one solution—work. Work wasn’t so bad if it didn’t take
a fellow’s baseball time. He visualized Bud Stevens pitching and
fanning the fellows with squeals of the girls on the side lines—
and himself home chopping wood and weeding the garden. Still,
Saturday might be sacrificed. He could still give up Saturday
and continue to enjoy life.

�DELPHIC

11

His elbows on his knees, Dimp held his chin in the cup of his
hand and looked at the dog.
The white tail wagged faster; one ear came forward. The
terrier turned his head sideways and regarded the boy’s face
seriously.
Presently Dimp leaned forward, took hold of the white ter­
rier’s fore paws and pulled him up on the step beside him.
The one of the imploring eyes gave a contented wiggle and
settled down with an expression of satisfaction on his face. The
dog was pleased with all things in general, and particularly with
him who scratched his nose.

LEAH ESTELLE ROSE, ’22.
THE FIREFLY
What is that in the pine grove?
A tiny, flickering light,
That shines and darts in the darkness
Of the softly gathering night.
A gleaming jewel of fire,
A sparkling, glittering gem;
Set in the folds of twilight
In a wondrous diadem.
Floating hither and thither,
With a start, a twirl, and a sway;
Like a star dropped down from the heavens
Trying to find its way.
’Tis a firefly with its lantern;
A fluttering, dancing fay,
Whose cheery light is a-twinkle
Just at the close of day.
Thank you, bright little fairy,
For teaching me now, this night,
Through the sorrow and grief of this planet
To always keep cheery and bright.
May I, when the days are dreary,
And the nights are without a moon,
Keep my little lantern shining
Out through the mist and the gloom.
PHILIPPA SHERMAN, ’22.

�12

DELPHIC
A FUTURE STAR.

I am nearly seventeen. I have finished my Grammar and
High School courses, so am fitted with the ordinary education.
In two months I am going to start a career for which many
girls will envy me. I envy myself in a little bit of a way. I am
going into the “movies.” I can't quite believe it. I have heard
people say, “What a shock it must be to her proud family!” and
many other things like that. But I do not mind. I have to
earn some money and as I have had this offer, 1 am going to take
it. Now, I am going to tell you how it came to me.
When 1 was told that because of financial trouble 1 would
not be able to go to boarding school, as I had planned, 1 was for
a moment disappointed. Then I commenced to wonder just what
I was expected to do. Upon inquiry, I found a short course in a
business college would be most advisable. I did not especially
like the idea, but as I could see nothing else to do 1 immediately
went to register. As I was entering the elevator of the building,
I met an old friend of mine, who is a very fine photographer. He
has taken my pictures for years and always with success. He
stopped me, and said:
“Louise Haughton! Just the person I am looking tor. I
have been trying to reach you for days.”
“You know we have sold our old home, and are living in an
apartment now, so of course you couldn’t reach me,” I explained.
“Were you coming up to the studio?” he questioned. His
studio happened to be in the same building as the business
college.
“No, I am on my way to business college. Don’t you think
I’ll make a model stenographer?” I asked, with a smile.
“Never. But come, I want to talk with you,” he said, and
with that we entered the elevator and went up to his studio.
Then he told me of how he had sent my pictures to a
director of a movie company who was a friend of his in New
Y ork. The director had replied that I looked like a good subject
and when he came to Los Angeles he would have an interview
with me. It was quite a shock to me, but I stood it bravely,
and went with Mr. Emerson to see the director, who had arrived
a week ago.
The interview was very interesting, and so was the trial
photographing. I was very thrilled when I saw myself on the
screen. I signed a contract and then went home to break the

�DELPHIC

13

My
news . On the whole, everyone was very happy about it.
mother.
She
had
brother was delighted, of course, and so was
studied to be an actress, so she knew that since her own dream
couldn’t come true to herself, it could come to her through her
daughter. Father and Laura, my sister, were a little harder to
console.
“It’s not an honest way of earning one’s living! exclaimed
father.
“Any profession is honest, Daddy, if it is done honestly, I
told him.
“To think of an ordinary movie actress in our family,”
moaned Laura. “It’s shocking!”
“Forget it,” I said, “I’m not ordinary, and as for an actress,
she is just as respectable as anyone else, if she has any head at
All she has to do is to behave herself and mind her own
all.
business, squelch anyone she doesn’t want around and there
you are.”
“Oh, yes, it’s very easy to talk, but wait until it comes to
really doing it,” replied Laura, “I don't see why you didn’t go
in a respectful business position.”
I gave up talking to her and went to my room to talk with
mother, who always understands everything.
“It will be very hard work, little girl,” she commenced.
“Oh, Mother, I know, but think how interesting! I’ll be all
the different people I ever wanted to be in my life!”
“You must not forget your director, dear. You know, you
will have to do 'ust as exactly as he wishes — and that wont
always be very pleasing to you,” said mother.
“Yes, I know,” I admitted. “That part won’t be very pleas­
ant, but then after I’m a real star, he won’t do anything that
displeases me as much as when I’m only taking minor parts.
“Perhaps not as much, but more than you expect, ’ smiled
mother, knowingly. “Directors will probably be the largest thorn
in your bouquet of happiness.”
“Yes, I know it; at least 1 think I do considering what I’ve
heard other people have said about them. But I’m not going to
think of them, now. There are so many nicer things to think
about.”
After we had talked it over backwards and forwards, mother
went out and I settled down in a big arm chair to dream of my
future, which was to be so different from the one I had planned.
MARION FARRELL,’22.

i

�14

DELPHIC
GEORGE WASHINGTON

• r ^Every year, on February 22, each girl is asked to write a theme on the
• ife and character of George Washington. These compositions are rei.d before
the assembly as part of the patriotic celebration of Washington’s birthday.
The two themes printed below were considered worthy of a place in the
Delphic. Many others were interesting and worth while, but space does no.
permit of their publication.)

The example of George Washington’s life and character is
greatest inheritance. We owe him a debt of gratitude for
laws he made, the victories he won, and for the founding oi
government. But the influence of his character on Ameri­
youth can not be estimated.
He was a man of such a powerful and vivid character that
we hardly know in what capacity to admire him most. We sel­
dom think of him first as a soldier, in spite of his wonderful
military career and its wonderful achievement; nor was he a
statesman alone, but he seems to combine both of these char­
acters, and even more.
His most marked characteristic was sound judgment and
balance. He had great physical courage, and in the midst of
battle he could give orders calmly. He also had moral courage.
During the darkest hours of the war, with money gone and
doubts on every side, his courage did not fail.
He was deeply religious. He never hesitated at the most
difficult task, and was always guided by his strict sense of moral
right.
The influence of his life has been felt through generations,
and the reason that we celebrate his birthday, and write and
read about him today, is that we may hand this wonderful influ­
ence down to posterity.
JEAN MUIR, ’24.

our
the
our
can

In reading a true life of George Washington, we find that
lie was as human as the rest of us; he had his faults as well as
In's virtues, but these faults he overcame by his great strength
of character. This character is an example of one in which re­
ligion played an extremely important part, and it was through
the teachings of a devoted mother that religion had its influ­
ence on the life of Washington. As a boy, he was taught hon­
esty, high morals, and respect and love for his elders; and
throughout all his life his mother’s instructions remained in his

�DELPHIC

15

mind to guide him, to strengthen him in doubt, and encourage
him when disconsolate, His mother, the second wife of Augustine Washington, lived to see him become President, and it
must have been with pride that she thought of her son. His
father died when George was eleven.
The life of George Washington needs no detailed account.
He was born at Westmoreland, Virginia, in 1732, and there he
spent his boyhood days in which we find an indication of the
type of man Washington would be. Early he showed tendencies
to truthfulness, as shown by many little stories, and early he
proved himself a leader, for his companions always followed him
in play and sought his judgment in a dispute. He lived exactly
like the usual Virginia boy,—always in the outdoors, attended
school and studied well; but the education in those days was
lacking, and, through no fault of his, he was somewhat deficient.
For mathematics he showed a liking and taught himself a great
deal in that subject.
Born of a military family, he desired to enter service; his
half-brother, Lawrence, furthered this desire by procuring a
position in the English navy. The boy George would have taken
it, but here his love and obedience for his mother interfered
when he realized that she would greatly miss him; so he gave
up the idea and stayed with her.
The next few years were important ones in Washington’s
life, for in them the character of the man was moulded, At sixteen he set out to earn his own living. This he did by surveying the immense estate of Lord Fairfax. He made himself very
skilled in that work, Next he devoted himself to negotiations
with the Indians, and, having finished that, he turned to fight­
ing them and the French. Then began his military life which
lasted for several years. First he was appointed adjutant of
Virginia troops; then later commander of the Northern military
district by Lieutenant-Governor Dinwiddie. For some time he
was engaged in driving away the French from Pennsylvania;
soon he was made commander-in-chief of the Virginia forces.
After successfully carrying out his work, he resigned the com­
mission.
He passed the next twenty years in retirement at Mount
Vernon, which had been left to him by the death of his brother,
Lawrence, who was a great admirer of Admiral Vernon and
named the place after him. In this period Washington married

�16

DELPHIC

a widow, — Martha Custis. Little is known of his marriage except that it was a very happy one. Like other Virginian planters, he attended the legislature, where he made himself quite im­
portant by his ability to manage affairs and shoulder responsi­
bilities. When signs of war with England appeared, he was
unanimously elected commander-in-chief of the entire American
forces. His was the difficult task of disciplining the troops, but
soon he had them ready for fighting. From history we know
his next movements: his operation in the Jerseys, his attack
at Trenton and Princeton, and Morristown, and finally the viclory over Cornwallis. Through all we see his military genius
and his perseverence against many trials.
With the war ended and affairs on a peaceful basis, he gave
up his commission and retired to Mount Vernon, but the people
would not let him rest. He was chosen presiding officer of the
Federal convention, 1787, and after the Constitution had been
drawn up, he was unanimously elected first President of the
United States, and again in 1792 was re-elected, After fulfilling two terms of Presidency, he was offered the third term, but
refused, and ever since all our Presidents have followed his ex­
ample.
In 1797 he retired to Mount Vernon, where he passed the
remainder of his days until 1799, when he died a peaceful death,
much beloved by all who knew him.
A true American in every sense of the word was Washing­
ton. Every interest he had was for the new country, of which
he might truly be called “the father.” For so he was; he helped
the new government through many trials, bringing it safely
over many obstacles. Another man could never have done what
Washington did. He was a born statesman, with a broad vision,
keen perception, openness of mind, and a strong character of
high morals established in his youth under his mother’s care.
One of the greatest joys of the American people should be
to visit Mt. Vernon and see the home of our George Washington.
It is a beautiful place and overlooks the broad Potomac, which
sweeps down majestically in front of it. Washington’s tomb is
there, and it is with awe that one stands near it and thinks of
the great man whom this country had for its first President.
ELVA MERVY, ’21.

�DELPHIC

17

CLASS WILL.
We, the Senior Class of St. Helen’s Hall, do hereby will and
bequeath our merits and good luck to the succeeding class, loping they will have as good a time managing and seeming mate­
rial for our honorable school paper, the “Delphic. Our sobiiety
and serious mindedness we willingly donate to the sophomoies.
We sincerely hope that the freshmen class may not end with the
calamity of thirteen, as was the fate of the Seniors.
Individual bequests:
I, Edna Burton, leave my quiet manners and senior-like dig­
nity to Helen Holmes.
I, Thyra St. Clair, willingly bestow my “giggles” to Peggy
Boyer.
I, Elizabeth Patton, leave my numerous love affairs to
Esther Benson.
I, Evelyn Thatcher, bequeath my dancing ability to Leah
Rose.
I, Adalyn Mayer, leave my promptness in managing to get
to chapel to Virginia Edwards.
-----'I, Laura Reed, wish that my last words be respected in ref­
erence to note books.
/ I, Florence Kuhn, honor Frances Ford with my “grammar.”
I, Edith Chandler, leave my Caesar, Cicero, and Virgil to any
pupil who can aspire to my fame.
-j-1, Janet House, leave my fiery eyes to some good purpose.
^c-I, Elva Mervy, bestow my excellent editorship to anyone who
is brave enough to undertake the task.
-j- I, Dorothy Carpenter, leave my Physics drawings to be
framed in the Hall of Fame.
I, Helen Winter, leave with regret my wide acquaintance to
the envious.
-1, Janice Parker, hand on my worries over Bryn Mawr
exams to Catherine Overbeck.
We, the undersigned, do hereby set our hand and seal this
15th day of May, 1921.
THE CLASS OF ’21.
Witnesses:
Janet House, ’21.
Evelyn Thatcher, ’21.

i

i

�18

DELPHIC
AS YOU LIKE IT
Once a noble duke was banished
From his kingdom dear.
And went to live, so history says,
In a forest that was near.
He had a child named Rosalind,
Whose face was fair to see;
Her cousin Celia lovely was,
But not as fair as she.

I

These maidens loved each other dearly,
As e’er two cousins could;
They loved to walk together oft,
But never near the wood.
Then came Orlando to the court,
The wrestler Charles to fight;
And in a mighty combat there,
Felled him with all his might.
A nobler man you never saw,
And finely built was he;
He was in love with Rosalind,
As one could plainly see.
The duke banish’d Orlando then,
And poor Rosalind, also.
When Celia heard her coz had gone,
Then with her did she go.
They went into a forest near,
And bought a shepherd’s house;
Rosalind as Ganymede,
And Aliena, his spouse.

i

Then did they see Orlando there;
He saw those shepherds fair;
A prettier pair you never spied
In woods so cold and bare.

�19

DELPHIC
Gan’mede saw it was her love,
And spoke to him straightway.
“Good sire, what wish you in these woods
On this, our wedding day ?”
Then to the house the twain did go,
And talked as some folks may;
Then said Gan’mede to Orlando,
“Let us love sonnets say.
I will be your Rosalind,
Let us love songs repeat;
And I will cure you of this one,—
You’ll learn to keep trees neat.
Orlando’s brother Ol’ver came
Into these woods one day;
He had been saved from cruel death,
So do some people say.
Repenting of his cruelty,
Oliver asked his brother home.
Orlando’s love for Rosalind
Caused him the woods to roam.
Then Ganymede did tell Orlando
That he would bring his love
Into the forest that next day
At the waking of the dove.
Now at this certain time of day
Ganymede appeared,
Without Orlando’s fair Ros’lind,
And for the worst he feared.
Oliver loved fair Celia so;
Orlando, Rosalind, too.
Two other characters did wed,—
Cupid had much to do.
When happiness was at its height,
A herald from the king
Announced that Rosalind was queen;
Then did they dance and sing.

ROBERTA DOUTY, ’24.

�20

DELPHIC
THE MISSION OF SANTA BARBARA.

I

■

From the bay, or crest of the range, the old Franciscan Mis­
sion of Santa Barbara at once attracts attention. Built of stone
and adobe, painted white, it is outlined in bold relief against the
neighboring hills, and commands a view of the entire valley.
hrom every part of the town the twin towers and long wing are
distinctly seen, while long after Santa Barbara itself is lost to
view, as one follows up the valley, the walls of the church still
remain in sight.
Time and man have dealt kindly with the Mission, It is
scarred here and there, and some of its older attributes of inter­
est have been lost. But the building presents essentially the
same appearance that it did nearly a century ago. Standing
beside the broad facade to which leads a flight of low stone steps,
and listening to the noisy clanging of the trio of Spanish bells
that are rung by Fathers dressed in the coarse woollen gowns
of their order, one recalls the time when the church was a seat
of power, and the Fathers were the temporal as well as spiritual
rulers of the land. In early days their wealth was enormous and
their power undisputed.
The foundation of the Mission Santa Barbara had been con­
templated by Father Junipero in 1782. But by the death of that
zealous missionary and other circumstances, its erection was
delayed until 1786, when the corner-stone of an adobe church
was laid by Father Antonio Paterna. The ceremonies, consisting
of little more than the erection of a cross and celebration of
Mass, took place on the 4th of December. The work of construc­
tion was at once begun, and in 1774 the building was completed.
It did not have the proportions of the present Mission, which
was not finished until 1820. The first church was hastily built,
and was constantly being added to and improved. In 1806 it was
injured by an earthquake, and in 1812 was nearly destroyed by
a similar visitation. But repairs were at once made, and the
original plans of the designers were executed as rapidly as
possible.
The work proceeded but slowly; for there were few skilled
artisans, and the Indian builders had to be taught to cut the
stone, burn the brick and lime, and make the mortar. The
necessary stone was found in a neighboring canon, but the timber
had to be brought from the mountains, forty miles away.

�DELPHIC

21

Nearly all the California Missions were built after the same
plan, being arranged in the form of a square, with a courtyard
in the center. The church formed one side of the enclosure,
and a long corridor supported by stone pillars, and covered by
a low, red-tiled roof, the other. The two remaining sides were
made by the buildings used as dormitories and workshops, and
by a high adobe wall, Near the Mission, and forming a village
of considerable size, were the cabins of the neophytes, beyond
which extended the farms, vineyards, and olive-groves.
The Indians were divided into squads of laborers, At sunrise the Angelus bell was sounded, and Mass held in the church.
At its conclusion breakfast was had; after which the work of
the day began. From eleven until two o’clock there was a
recess, or siesta, during which dinner was served. The evening
Angelus was rung an hour before sunset, when the Indians had
supper and attended Mass; after which they amused them­
selves with dancing and games. The relation of the Fathers
to the Indians was always paternal; they labored to develop
within them the moral instinct, and taste for labor. In clear
and forcible language they succeeded in making them compre­
hend some of the principles of the religion that was taught. To
encourage faithful work in the fields the Fathers were accus­
tomed to distribute gifts among the laborers when the season
of gathering the crops was ended, Persuasion, rather than
force, was generally used, and as a result the condition of the
Indians was radically superior to that usually enjoyed by a
conquered race.
To the refusal of a few of the Franciscans to obey the law
for their expulsion is due the excellent preservation of the Santa
Barbara Mission, It is in far better condition than any other of
the numerous churches then built. The Padres never left it
during all the years of their persecution. After their partial
return to power they began at once to repair, as nearly as possible,
whatever damage had been done. In late years the building has
been still further restored, and is now presided over by a halfdozen Franciscans, who wear the coarse robes of the order, and
conduct regular services for the benefit of the few worshippers
who cling to the church of their ancestors. Restrained by the
uicta of the Catholic Church, and limited in means, they pursue
in quiet unobtrusiveness the dull routine of their daily life, and
by their presence lend an additional picturesqueness to the

�22

DELP II I C

Mission which their predecessors worked so hard to build, and
suffered so severely to protect. With shaven faces and closely
cropped hair, sandalled and girded, they ring the Angelus from
the towers, sleep in narrow cells, chant prayers at the altar,
wander about their flower-grown garden, tend the few cattle
they possess, and take solitary walks among the grass-grown
orchards that were once the very models of neatness and of
thrift.
The story that they suggest is one tinged with melancholy.
The order they belong to, which was once rich, is now poor; the
power that was great, today is gone. When the towers that
still stand beside the ornamental facade were finished, and the
work of years was ended, the Mission was surrounded by a
village of devoted Indians. Near by was a garden filled with
trees, bearing delicious fruits; beside it stretched a vineyard
which gave the Fathers a rich supply of wine, In front of the
church, was a series of stone fountains, with round, deep basins,
and carven images from which spouted streams of water brought
from the neighboring canyon. It flowed from fountain to foun­
tain to the statue of a bear, and from the mouth of the animal
fell into a reservoir of solid masonry, six feet wide and seventy
long.
Above the church an aqueduct of stone reached to a moun­
tain stream; in another direction was a tan-yard supplied with
water that coursed along an aqueduct built on the crest of a
high, thick wall. A little further up the hill was an adobe bath­
house, from the facade of which projected a lion’s head, whose
open mouth gave forth a stream of crystal water; and not far
away, again, was the Padres’ grist-mill, near which was another
reservoir, twenty feet deep by one hundred and twenty square.
Ornamenting different parts of the Mission were statues of
Saints and Apostles, while crowning the apex of the gable and
the tops of the towers were huge wooden crosses, before which
the Indians were taught to bow.
But the old perfection no longer exists. The village is in
ruins, and only two of the many adobes now remain. Of all the
fountains, only one is left. There is but a single reservoir, and
that a small one; the aqueducts are replaced by a wooden flume;
many of the walls have fallen; the gardens and orchards are
dilapidated; a modern roof has replaced the ancient red-tiled
one of the wing; the grist-mill and the statue of the bear have

�DELPHIC

23

disappeared, and those of the Saints and Apostles are chippec
and scarred. The Indians, once so numerous, have all departed.
Only the main building, with a few of its riches, remains as it
was originally built.
And yet, the view of the valley and mountains, of the bay
and islands, is as beautiful today as ever; and the church, sug­
gestive of a time so different from this, still has much of its
former glory, and all of its interest, A fresh layer of mortar
has robbed the facade of its ancient look, and, worse than all, of
the swallows’ nests that used to fill every crevice among the
stones; and a coat of red paint has somewhat changed the
former appearance of the tower taps, But these innovations
were necessary, and the interior continues to retain its delight­
ful mellowness.
The church is long and narrow, At one end of the nave
is the altar, guarded by a wooden railing, and at the other is the
choir. On either side are two small chapels, each with its shrine
and ornaments. Midway between them and the altar is a nar­
row doorway, opening into the cemetery; and from the sacristy
to the left of the altar, one passes to the Padres’ garden. The
nave is lighted by six small windows, set high above the wellworn floor. The walls are eight feet thick and forty feet
high. The sacristy is a large room, and around the walls are
queer old chests of drawers and cases containing a rich col­
lection of vestments and the various paraphernalia belonging to
the church. Adjoining the sacristy is a smaller room, in which
are many of the articles made by the Indians who were em­
ployed in building the Mission.
The cemetery is limited in area, and occupies a space en­
closed by the east side of the church and by the high stone wall
that borders the road to Mission Canon. The doorway leading
from it into the church is somewhat below the level of the
ground, and is ornamented with three human skulls and crossbones set in the solid masonry. On either side of the door are
thick buttresses of stone, which support the walls and the slop­
ing red-tiled roof of the church.
The ground is thickly covered with graves, and the sur­
rounding walls are damp and green with moss, Tombs have
been built along the side of the church, between the buttresses,
and also in other parts of the cemetery. In former years the
Indians were buried in a common trench, defined by walls six
feet apart. When this was filled the skeletons were exhumed

�24

DELPHIC

imd deposited in a little building occupying one corner of the
premises. But few interments are now made, and the cemetery
is overgrown and neglected, and an almost oppressive stillness
lingers about the graves of the departed Fathers and the forgot­
ten Indians. Vines have crept up and over the outer walls, and
swallows and doves have built their nests in the quiet nooks be­
neath the overhanging eaves.
The garden of the Mission possesses charming originality of
design and aspect. Wandering about the narrow paths that
radiate from the center, where stands a splashing fountain, one
is far away from what is modern America. It is filled with
trees and flowering shrubs. Over the sides of the church and
the high adobe walls grows the dark green ivy; far overhead
rise the towers, with their clanging bells; near by is a corridor
with open arches and red-tiled roof. Birds sing among the
trees, doves flutter about the housetops; the air is laden with
the perfume of roses and heliotrope, and, in midwinter, of
orange, lemon and almond blossoms, The garden is sacred to
man. No woman is allowed to enter it. It is the resting place
of the Padres. In its shaded corners, the thick walls of their
church sheltering them from the outside hurry of modern life,
they are monks indeed, isolated from the cares of the world,
dwelling in peace and quiet, kind, sedate, and in this prosaic
century, picturesque and interesting.
VIRGINIA PITTOCK, ’22.

THE FAIRIES IN OUR GARDEN
Our garden is just like fairyland. Along the stone wall are
the hollyhocks and climbing roses, which seem to look down on
the other flowers from their high seats of honor. I believe the
black hollyhock is the king and the pink one the queen, for they
are taller than the rest. The pansies in the large, round bed,
directly in front of the wall, act as pages. They wear gay velvet­
like suits just like those in fairy pictures. Standing erect and
obediently, along the other sides of the wall, are the zinnias and
French marigolds. These are the lords and ladies of the court.
Everyone is watching the fairy primroses in their bright yellow
dresses, as they dance gayly on the soft green carpet of grass.
F. E. S., ’22.

�DELPHIC
THE SWEET GIRL GRADUATE
Along the wide, dim, old church aisle
They march in slow, unbroken file,
And, as these pure white maids appear,
Each type of girl is present here.
The quiet pensive miss demure,
With downcast eyes and thoughts so pure,
Will go thru life unseen, unheard,
But many aid by deed and word.
S'

_

The J°Ny lass with manner sly,
y And merry twinkle in her eye,
/ Will cheer all with her happy way,
And help to keep this old world gay.

The genius of the studious looks,
Who's always delving deep in books,
We'll soon find in the Hall of Fame,
Where she will make herself a name.
The butterfly comes next in train,
Is winsome, dainty, flighty, vain;
But many hearts she’ll surely win
By her Eternal Feminine.
The suffragette with head held high,
And firm, determined step and eye,
Will be the women’s champion,
A rightly fighting Amazon.
And so they each start out in life
To meet with joy and also strife,
But whatso’er shall be her fate,
She’s now the Sweet Girl Graduate.
PHILIPPA SHERMAN, ’22.

25

�26

DELPHIC
CLASS PROPHECY

The wind was moaning without and a dismal rain beat
monotonously on the roof. Polly parrot was blinking sleepily.
and my precious tabby cat was slumbering sweetly before the
hearth. I had been thinking of my old classmates ’way back in
21. What happy days those had been! What had happened
to the girls?
Suddenly—buzz! buzz! came from my pocket where I kept
my mentograph which picked up thought waves and trans­
mitted the messages. It was someone calling me. I answered
and heard: “Ah, ha!” The person spoke with a British accent,
and warned me to listen carefully lest she refuse to divulge
what she knew of my old classmates.
Edna Burton she spoke of first, and went on to tell of hei
struggles to convert the savage Lilliputians of the Antartic re­
gions. Her latest effort, it seems, was to introduce Greek poetry
into the kindergarten which she had established there.
Then came the name of Dorothy Carpenter, followed by
some name I could not quite make out; something like Corporal,
I think. She had had a sad story; her husband had died while
they were still at college, and our gay old Dot became the col­
lege widow. She had spent the remainder of her college life
cheering sad youths on their way. Now she was presiding over
a house for “Hopeless Mechanical Drawing Artists,’’ in memory
of her beloved husband.
Edith Chandler was mentioned next. She was carrying out
the brilliant promise of her school days. From a small hospital
where she received her training as a nurse, she had gone to
New York, where she became one of the most noted doctors,
famous for her work among the poor.
The transmitter buzzed again and gave the name of Janetski Houseski, who was at the present time established, accord­
ing to the latest reports, at Moscow, Russia, Her brilliant
career as soapbox orator in New York had been followed by a
trip to Russia, where her ardent supporters rallied around to
welcome her. In gratitude for the services she had rendered
them, they generously presented her with the royal title and
office of “Chief Cheese Server” for Trotski.
The receiver clicked impatiently and then gave the name of
Florence Kuhn, the proprietress of the fashionable “La petite
Boutique pour la Femme Fastidieuse.” She designed her own

�DELPHIC

27
l

costumes and bonnets, and numbered the elite of society among
her customers.
Here the transmitter stopped. I thought that it had fi 11ished its message for the time, but no. In a few moments I
heard, “I’m sorry to be late, but please excuse me.” Ah! Aclalyn Mayer—made her advent, She was happily esconsed in a
beautiful West Side home in Portland. Here she welcomed a
tired business man every evening, worn out from tramping back
and forth on the main floor of a great department store all day.
After feeding him well and laying out his dress suit (the mentograph continued), the customary question arises, “Hubby, dear,
where do we go tonight?” and the reply inevitably comes,
“What, again? Well, where do you want to go?”
At this point the mentograph acted most strangely and
transmitted queer words, which were most foreign to me. At
last I managed to decipher the name of Elva Mervy, and then
the unknown author of these communications went on to inform
me that Elva had distinguished herself by introducing Esper­
anto, the new language, into a Western college, where she
seems to have established herself after leaving our dear old
Hall. Students came from far and wide to hear her talk and to
converse with her in the new language.
The mentograph suddenly grew impatient,—someone else
was trying to make a connection. Then Helen Winter made her­
self known. She had made the name of Winter famous by her
ballet dancing in a cage of wild lions. While traveling in Africa
she had discovered that she had a wonderful power over wild
animals. So the idea came to her to turn this power into a
money-making proposition. She had captured twelve lions and
tigers that had been under her spell ever since, On arriving
in the States, the greatest circus in the country had presented
her with a contract to sign. She had been with the circus since
The receiver began to kangaroo hop and shake at this point,
and I heard the name of Elizabeth Patton, the famous come­
dian, well known on the Orpheum circuit as “Jazzin’ Liz.” Her
gallant strivings had made the heart of many a T. B. M. beat
faster, and the eyes of many a little wife grow wide with fear,
when her dear husband appeared too fascinated, Whoever
would have thought of our quiet, saintly Elizabeth with her
name in electric lights ten feet high on Broadway?

1

;

r
;

V
I

r
!
}

,

�28

DELPHIC

But, list! On we must go! From whom do we hear now?
The voice of authority is speaking through the instrument. Reed,
the governor of Oregon, speaks. It’s really Lolly, our old Lolly,
who now says what shall be done, and what shall not be done,
in this State of Oregon. She has done many things to make school
children ever grateful to her. One of these is the passing of a bill
which declares that no school shall take up before ten o’clock, or
let out later than twelve. Another bill is that no foreign languages
shall be taught in the schools; and yet another, that no instruc­
tor should contradict a student.
Next followed Thyra St. Clair, to whom grateful housewives
extend their blessings; for our old schoolmate has become mar­
ket supervisor,—the one who drove the H. C. of L. far, far away.
Every day she jaunts down to market and inspects every prod­
uct offered, lest some poor, innocent be overcharged. It was
while in pursuit of her duties that she became inspired with the
idea from which grew her wonderful invention, “The Bargain
Hunter’s Friend.”
Lastly, but by no means least, the far-famed name ol
Evelyn Thatcher Van de Culver was spoken, When traveling
abroad with her parents she had met and married her famous
husband. At the time he was representing his country at the
^rreat conference at Geneva, which had been called together to
decide the weighty question of how the cost of the trans-Atlantic
bridge should be divided among the nations. In the meantime
Evelyn had been purchasing gowns in Paris, and the modiste
from whom she wanted a particularly gorgeous gown being at
Geneva on a vacation, she pursued him there. On her arrival
she had lost her way, and taking the house of the conference
for a designer’s salon, had walked into a most embarrassing sit­
uation. However, the gallant Van de Culver had come to the
rescue and the escapade resulted most happily, Here the un­
known voice died away, thus signifying that the person who had
.so kindly picked up my thought waves had no more to say and
I had to be satisfied with this meager information.

�DELPHIC

29

THE BABY’S FIRST AIRING
On my way home from school one day last fall, I saw a
small object crossing the road, It was a mother squirrel carrying her baby. She was running on three legs, while with the
third she held the little squirrel. The baby was a cunning little
fuzzy thing with a beautiful fluffy tail. He had bright little
black eyes that looked like buttons. The mother squirrel paused
panting in the roadway and looked quickly around. She then
scampered across the sidewalk and up the trunk of a large pine
tree. She climbed to one of the higher limbs and there set the
baby down so she could rest. The little one started to climb on
up without his mother, and, oh, what a scolding he received!
After a few seconds the mother squirrel picked up the baby
again and went on her way. I held my breath at the daring
leaps she made as she jumped from tree to tree, always alighting
on the very tip end of the branches, causing them to sway up
and down, and making me think that she would surely fall. I
watched her doing this until she was lost to sight.
FRANCES LUCRETIA EFFINGER, ’22.
THE ORGAN-GRINDER
Every morning an old man appears in the street with a
hand-organ, a cup and a funny monkey. The monkey wears a
red coat with brass buttons on it, and a green cap with many
little bells on it. All day long the organ-grinder walks up and
down the street, while the monkey performs to eager, excited
children. The “organ man,” as the children call him, wears as
gaudy clothes as the monkey does. He has all of the character­
istics of an Italian of low degree, broad forehead, swarthy com­
plexion, black, wavy hair, a rather large nose, and pearly white
teeth that gleam when he laughs. His upper lip is covered by a
straggly mustache as black as his hair.
Although the children gather ’round dancing and laughing
when he appears, he seems not to notice them. He is solely in­
tent upon watching his monkey and grinding out the tune me­
chanically. His manner shows no great interest except to gain
a few pennies to satisfy his small personal wants. His thoughts
are apparently on the memories of his earlier years in sunny
Italy.
FLORENCE NILES, ’23.

:
!

�30

.

DELPHIC

THE BROKEN TEACUP
When you are going to give a perfectly respectable tea party
for two young ladies and their dolls, it is very embarrassing not
to have enough teacups to go around; and when you know they
will be arriving soon, you feel like borrowing one of mother’s big
ones. You take a big wicker chair and stand on it, knowing
that you are safe, because mother is out. You peer with wideopen eyes over the top shelf of the cupboard. You see one of
mother’s best gilded teacups. “That will be just the thing,” you
think. You have a hard time reaching it, and just reach your
lingers around the handle and carefully lift it down, Oh, horrors! the cup slowly slips out of your grasp, and the first thing
you know it falls to the floor with a crash and smashes to a
thousand bits. The door bells rings; you jump to the floor and
run to the door to take Madeline and Edith upstairs to the nurs­
ery. You tell them that you will be back in a minute. You rush
downstairs and sweep up the broken pieces of china as best you
can. Your only resource is to use a kitchen cup for yourself.
You carefully carry the cocoa and cake upstairs, and apologize
for keeping your company waiting.
“Excuse the kitchen cup, but—er—a—I haven’t any more
of the good ones. I will use it myself,” you say, tremblingly.
“Why, of course,” they answer agreebly.
The afternoon wears on. You know that your mother will
be home at five, and then the horrible feeling of having to ex­
plain about the broken cup keeps on your mind. While the other
girls dress their dolls and play house, you sit and think, getting
more and more frightened every minute, You don’t have the
good time you had looked forward to having. At four forty-five
the girls say that they will have to leave, and you go with them
down to the door.
“Good-bye, Elizabeth; we had a very good time, You will
come to see me tomorrow, won’t you?” Edith says. You smile,
and they leave. The time is drawing near. You sit down on the
couch. Your heart beats rapidly. You hear your mother’s foot­
steps on the porch. She enters the house smiling.
“Hello, dearie; did you have a good time this afternoon?’
“Y-e-s, mother,” you stammer feebly. She notices that you
are frightened.
“What’s the matter, dear? Tell me.” She looks rather worried.

�DELPHIC

31

“Oh, n-nothing; w-well, I b-broke a cup, and it was your
b-best one,” you falter.
You look up; mother is smiling.
“Why, dear, did you think mother would scold you for that?
You know she does not care that much about a cup.”
ELIZABETH DU MOND, ’24.

A MYSTERIOUS BOX
One day when I was trudging home from the store at Oracle,
Mr. Ladd asked me to ride home. The horse was a lazy, old
fellow, and he ambled along like a tortoise; so when my friend
asked me to hold the reins while he went in to get a box, I was
not the least afraid. Soon he came out, carrying a great pack­
age, which seemed to be very heavy. He carried it so carefully
that my curiosity was excited and I said, “that is a very nice
box of apples you are carrying.” He looked dubiously at it as he
set it gingerly beneath the seat upon which 1 was sitting and re­
plied : “No, they are not apples.” As he volunteered no further
information, I asked no other questions. I noticed, however, that
he kept peering at the box in a most extraordinary manner.
Just then a jackrabbit scurried across the road, This
startled the gentle nag, and rousing what energy he had left,
forgetting his years and dignity, he pranced about like a young
colt. I was not the least afraid and I was quite surprised to
see that Mr. Ladd, who was usually so at home with horses,
seemed excited and peered uneasily at the apple box, which
rested under the bench.
When we got home I teased him about being afraid of the
gentle horse, but what was my astonishment when he drawled.
“Well, you see, it wasn’t so much the horse; but there is dyna­
mite in that box you were sitting on, and I was afraid it would
go olT if it was jolted.”
JEAN MUIR, ’24.

�32

DELPHIC
CONTRAST BETWEEN MACBETH AND HAMLET

Probably two of the greatest tragedies of Shakespeare which
more vividly portray types of character than any other of his
plays are Hamlet and Macbeth. Both reveal the inner lives of
the principal characters and show how the desires and the ideals
of these influence their outward actions. The ruling motives in
the lives of the heroes are widely different, from whatever point
of view we look at them, The ruling motive in Macbeth is ambition; in Hamlet it is the desire to avenge the wrong done to
his father and at the same time to satisfy his own conscience.
Macbeth is a practical man and all his training and experi­
ence as a military man and as a leader in politics have given him
the experience and power to bend everything to his will and de­
sires. He is cold and heartless, although Lady Macbeth, in urg­
ing him on to the accomplishment of his plans, declares that she
fears his nature “is too full of the milk of human kindness to
catch the nearest way.” We see, however, few evidences of
kindness according to our interpretation of the word in any ol
the acts of Macbeth. While he is strong and capable in plan­
ning, after the deed is committed in each case he becomes weak
and despondent. Unlike Hamlet, he is not a student or a thinker
and is always surprised at, and unable to meet, the results of his
actions. He is easily swayed by the superstition of his age, and
is constantly the victim of supernatural imaginings, His hair
rises at times and he comments on a night shriek “that would
cool the senses.” He never doubts the reality of the supei
natural appearances with which he comes in contact. The plan
to assassinate Duncan and make himself king was already dimly
outlined in his own mind, but the prediction of the witches,
which he trusts implicitly, further roused his latent ambitions
and are simply an outside expression of his own inner thoughts.
Throughout the entire play the superstitious belief in witches,
ghosts and other supernatural appearances forms a distinct char­
acteristic of this otherwise practical man. To the very end,
when defeat stares him in the face on every side, this same
superstitious faith in the supernatural urges him to consult the
witches and listen to the worst.
Much has been said of the affection shown between hus­
band and wife in many of the scenes, but one looks in vain for
the higher type of affection that is associated with a simple

�DELPHIC

33

trust and confidence in each other, and in the future that conies
with devoted service for one’s country which we see in the char­
acters of some of the husbands and wives of Shakespeare. She
was formerly his helpmate in his first crime, now she is entiiely
ignorant of later ones, for, seeing the encroaching weakness on
her part, he forms his own designs and makes no confidant of
his wife; but Macbeth to the last retains affection for her, and
at least never reproaches her that she drove him on to his first
crime. Both are impelled by one selfish purpose,—the desire for
power.
The killing of Macbeth by Macduff was as purely an act of
patriotism on the part of the Scottish chief as was the assassina­
tion of Caesar in the mind of Brutus and his fellow conspirators,
and it freed Scotland from a rule far more tyrannical than
Caesar would ever have imposed upon Rome.
The character of Hamlet is much more noble, and his ambition more unselfish, than that of Macbeth, I-Iamlet rarely
acts for himself, but the one ambition of his life, to perform the
duty of a faithful and loyal son, controls the man and furnishes
a motive for every act. Unlike Macbeth, he is lacking in firm­
ness, is impractical and apparently unmanly and cowardly at
times. In meeting his uncle and accusing him of the crime, he
shows a courage that we expect will bring results; but when the
opportunity comes to perform what he believes is the sacred
duty imposed on him by his father, he is weak and vacillating.
Macbeth has been influenced by his wife, but no woman has the
slightest power over the thoughts and actions of Hamlet. From
the beginning to the end the commands of his father’s ghost,
to avenge the crime committed by the present king, control Ham­
let; but otherwise throughout the play there is little to show
that he is influenced by any outside or supernatural beliefs.
Both deaths are tragedies, but Hamlet’s is very different
from that of Macbeth. Hamlet has our sympathy throughout
the entire play. We feel he has acted from noble motives and
has only failed of accomplishing his purpose in full, and earlier
because of his intense self distrust and fear of consequences.
Macbeth met his end in true heroism, but a feeling of content­
ment follows in our minds, for a tyrant king has yielded his life
before a true patriot.
E. T., ’21.

�34

DELPHIC
THE RISING HELL

No one ever wonders how early “Becky,” the ever-faithful
mistress of the household, rises and enters upon her duties; but
all boarders do know just when 6:40 comes. Down in the basement the mere touching of the “cowbell” sends forth a warning
that “the worst is yet to come”; and as “Becky” climbs the trod­
den stairs to the slumbering inmates, the clanging becomes
louder and louder and penetrates the ears of those who are
inclined to sleep with their heads beneath the pillow or under
the fat comforters. However, “Becky” leaves no doubt in their
minds as to whether or not the bell has rung, for at each dormi­
tory door she halts and sends forth the message of her morning
serenade:
“Everybody up in here?”
A BOARDER, ’22.

AN EXCITING ADVENTURE IN OUR LUMBER CAMP
“Good-night, everyone!”
“Good-night!”
“Remember, first one to hit the water tomorrow gets the
first plate of hot cakes!”
“Bon nuit!”
“Sleep tight!”
At last the little camp, which snuggled at the edge of the
moonlight lake, lay quiet and dark under the giant protecting
pines. All through the day it had been a scene of hustle and
bustle, from the time breakfast was ready until the songs and
twanging ukelele music floated out from the cheery circle of
firelight when darkness fell. And with a long, hard hike up the
Pan Handle Trail in the morning, and swimming and fishing
that afternoon, we were all ready for a long, glorious, uninter­
rupted sleep.
A huge lemon-colored moon flared up from behind Lone
Squaw Mountain, and with it came the myriad of cold, sparkling
stars and an icy little breeze that rocked the pines back and
forth, as if swaying them to sleep. Everything was just drift­
ing into that dreamy, drowsy state, which steals over one just
before sleep wraps one in her soft cloak.
Suddenly — this peace and calm was broken sharply by a
shrill, piercing scream, which came from the region near our

�DELPHIC

35

camp, and which echoed and echoed over the silent lake and into
the distant hills! Just once — and then silence! Everyone sat
bolt upright in her cot reaching for her gun, and slipping
hurriedly into a coat and slippers, A woman was being murdered, surely, our numbed senses told us. By the time we were
outside, the guide was hastily throwing wood on the slowly
dying fire, and making a torch, By the light of this we followed
him a ways further into the pine grove, until, there in the dark­
ness two flaming yellow eyes glared at us from — space. T hen
as our eyes grew accustomed to the semi-darkness, we saw with
horror, the lean, crouching figure of a tawny wild cat. It was
perched on the limb of a tree, not twenty feet from us! We all
stood back in fright, and, if it hadn’t been for our guide, I'm
sure we would have all “took to our heels and run.” But the
latter person laughed outright in such a stupid fashion, we
were all thoroughly disgusted with him and decided he must be
a lunatic.
“Ho, ho! Just as I thought, only I was half asleep myself
and didn't think much, Scared you-all nearly to death, didn’t
it? Wal, I reckon it won’t harm you-all none, them things
never do,—mostly cowards. They won't pick on no one 'less
they’re cornered, but seeing as how you-all’s nervous I’ll plug
him, and then you-all ull feel safer, huh?”
Before our startled senses could return, a sharp report rang
out in the air, and the cat fell limp and lifeless to the ground.
“There, that’s wot you-all gits fer screeching so loud and
scarying nice young ladies out of their wits,” said the bi^ave
guide, a hero now in our eyes, as he dragged the lifeless t&gt;ody
into camp with the aid of his massive Airdale, “Hootch.”
As you may imagine, it was quite a time before everyone
was asleep again, and it was “high sun” before the first one
“hit the water” the next morning. After a hearty breakfast,
we felt just as ever, and the whole day was centered about the
exciting adventure of last night.
The day wore on, however, and, as night fell, we all gath­
ered around the fire to sing and play the miniature Victrola—
very loud (for it helped to keep one’s spirits up). Everyone
seemed to dread going to bed, but, as the guide and Mrs. Curtess,
the chaperone, informed us there was absolutely no danger, we
all went to our tents and at last were snug in bed, although half
the cots were empty and the other half harbored two frightened

i

i

t

Ll

�36

DELPHIC

girls instead of one. 1 was lucky in coaxing “Hootch" into my
tent to sleep near the door, so I and my partner felt even safer.
then again all was silent, and all through the night not a
soul was disturbed from slightly troubled dreams.
As dawn, grey and misty, broke over the lake and the sum­
mer sun shot shafts of gold across the shimmering water, I awoke
with a start. Something cold was against my face and sniffing
at me. Slowly, with a sinking heart, I opened my eyes, and, in
the dim light, could see a big, bulky, shadowy, tawny form
standing at the side of my cot, licking my ashen face, cold with
an icy perspiration. I lay still, not daring to move, thinking any
moment my nose would be bitten off, when to my startled ears a
coaxing whine broke forth from the supposed wild cat. I sat up
in bed and then fell back in sheer surprise and joyful relief. I
even threw my arms around the “wild cat’s" neck, and half
sobbed, half laughed, “Hootch, you surely gave me a thrill. Talk
about seeing red snakes with champagne, I saw wild cats with
plain old Hootch!"
Of course I told the gang about it later, but first I went
down and “hit the water" and won the first plate of hot cakes,
which I shared with Hootch.
PHILIPPA SHERMAN, 22.

“ADVENTURES IN FRIENDSHIP"—DAVID GRAYSON
This book is made up of a series of twelve short stories.
The author, David Grayson, uses himself and his life as the
background of the adventures in which he found many friends.
All the characters are his neighbors, whom he meets in his ad­
ventures. One of the most interesting chapters is:
THE MOWING.
The mowing of his clover was an important and memorable
day in the author’s life. He hired young Dick Sheridan to come
on Saturday, and Dick arrived bright and early with his scythe
over his shoulder. It was cool working in the morning, and this
coolness was helped along by a Jug of cold water that rested in
the grass under a shady tree at one end of the field. But near
noon it got unbearably hot and soon they were about to decide
on going to the house, when Harriet blew the horn for dinner.
Dick and David answered that call joyfully, and how good it felt
to let the cold water from the pump drizzle down their hot faces

�I
DELPHIC

37

and then quench their dry, parched throats with a glass of icecold water. They reposed under the shade of the spreading
maple until Ann Spencer called them into dinner. And what a
dinner they had! Oh, I hate to say it! Hot fried chicken,—
Ann’s specialty; brown beans with crispy strips of pork; baked
potatoes with their snowy-white insides showing, and two towers of Harriet’s famous bread, just out of the oven; tea and
buttermilk; and, lastly, a great, big, red, juicy shortcake, with
a mountain of raspberries heaped all over it. They ate their
dinner out on the east porch, where it was cool and shady. A
catbird sang sweetly from among a thicket of lilacs, and the
honeysuckle vines smiled and nodded to them as they dined.
As Dick went down the long lane, David watched him with
a pleasant, friendly feeling. They had worked together and
were weary together. What a pleasant companionship this was.
David had made another friend and was happy for this.
It is not the substance of what we say to one another that
makes us friends, nor because we entertain the same views or
respond to the same emotions, All these things may serve to
bring us nearer together, but no one of them can in itself kindle
the divine fire of friendship. A friend is one with whom we
are fond of being when no business is afoot nor any entertainment contemplated. It is a miraculous tact that when a
man’s heart really opens to a friend he finds there room for two.
And when he takes in the second, behold the world grows wider,
and he finds there room for two more.
So let it be with our friendships!
BESS ALLEN, 23.

-

i

THE $20,000 COFFROTH HANDICAP
On the border of Old Mexico lies the wide and fateful circle
of Tia Juana’s track, whose dusty course is hardening under the
trampling hoofs of speed kings. And looking down on it from a
great sand dome stands its paddock, beneath whose creaking
roof rested Sailor, the uncrowned king of the trotting turf.
Throughout America his name had sounded in triumph, and on
him men staked their souls and dollars, and women their lives
and hopes.
Oh! What a horse this Sailor was, with a coat like silk,
hoofs like polished ivory, and a broad breast that inhaled the air

.

:

�38

i

I

I

.

DELPHIC

like bellows; but his nobleness outweighed even his speed and
beauty. He was proud, but docile, and loving with all his spirit.
Beside him stood his rival, Be Frank, with the notorious,
rough riding jockey, who valued the glory of the turf higher
than life, and perhaps higher than money.
That night the rivals slept undaunted while all San Diego
knew that the morning would see the race of races, in which
were entered, Be Frank, War Mask, Sailor, Veteran, Wysewood,
Peerless One, Ike Harvey, Riffle and Edwina, the temperamental
but sturdy little Miss of the Hoge string, considered Be Franks
greatest competitor.
The day came and with it sportsmen from far and near,
for the name of the little town of Tia Juana had echoed from
coast to coast and back.
Quickly the crowds filled the grandstand, and among them
an old man said, “This takes me back to the days of Thorton
Stakes”; and then above the buzz and chatter the orchestra
struck up its thrilling notes, and the horses, with their gaily
costumed jockeys up, pranced in for better, or for worse, watched
by those whose lives were dedicated to the Tartars of the Turf.
Slowly they formed for the race. Be Frank moved close to
cne side of the fence, while Riffle hugged the other. The music
stopped. Followed by the stirring cry, “they're off!" the barrier was raised and the impatient speedsters sprang forward to
battle for the crown.
Cheer upon cheer sweeled Tia Juana’s dusty air, and with
them blended the voice of a woman, all her hopes embodied in
the cry, “Sailor! Sailor!”
Suddenly, Be Frank, with speed that would have put light­
ening to shame, if there had been lightening to see it, darted
from his place at one side of the rail, while on the other side Riffie did the same, In the center of the road they struck head to
head, forming a triangle. Into the triangle rushed a race-maddened horse. He stopped short and went down on his haunches,
and Edwina, Be Frank’s great competitor, pitched over the fallen
horse, hurling her jockey into the inner field.
In a moment a third horse had gone down, and all three had
risen with their knees cracked and bleeding; while two of the
jockeys lay prostrate before the coming horses. Many a sportsin an quaked, and screams of frightened women took the place
of the cheers of the previous moment. Could the horses stop or
would they rush on over the other riders? Lo! they stopped.

�DELPHIC

39

The horse in the lead of the crazed Tartars had valued the lives
of men more than his glory and had slackened his speed, com­
pelling those behind him to do likewise, What horse in that
crazed band was so composed? It was Sailor, and now he was
trying to regain his place. Far ahead, nearing the post, ran Be
Frank, fast passing Riffle, and vainly Sailor tried to capture his
lost place, but he didn’t have it in his stout heart and fleet legs
to cope with a horse so far ahead of him. So the best he could
do was to extend his bloodshot nostrils beyond the nose of Vet­
eran and come in a doubtful third.
Again the music struck up, and with the cheers and praises
of the people, Be Frank, triumphant, returned to the judges’
stand, and after him, with his head held high and a grand defiant gleam in his eyes, came Sailor, Unnoticed, he passed the
judges’ stand to the paddock. Sailor, the fallen kind, who had
laid upon the altar of a horse’s duty, the crown and glory of the
turf.
CECILIE APPLEGATH, ’25.

■

■

•;

'
:
I

;

I

�40

DELPHIC

ST. STEPHEN’S CHAPEL.
A dream of my childhood
That heaven’s gates opened
With pale purpling colors
That flowed from the windows
O’er chancel and font,
At entrance and exit,
The soft-colored glory
That colored our prayers.
May heaven’s real entrance
Have the peace and the mercy
The clean, holy truth,
Majesty, as well.
The beauty of priesthood
The sweetness of goodness
Which flowed with the service
As Bishop Morris knelt.
B. Wistar Morris,
Thy soul ranks the highest,
Thy works dwell among
The holy on high.
Thy deeds we see blazoned
Heraldy peerless,
Gold-lettered on parchment
By saints in the sky.
Thy mercies manifold
Enfold thy diocese;
We still know the pride
And the glory of thee.
E.L. W., 1890.

�DELPHIC
THE GARDEN.
The shaded walk
With its prim, square-cornered walls,
High and thick, shutting off the world
Of street and rushing train.
While within were
Bordering trees, apple trees,
Dripping bloom,
And always from the heat
Of daily life to this retreat
Came its lover, crooning
Poetry, and even herself more fair
Than blooming tree
That sheltered beds of violets
And iris boldly upright,
With full grace was she,
Miss Clementina,
E. L. W., 1890.

MR. SUTHERLAND.
Can you hear the shuffling still
Down the hall, up the stairway,
Hear the half-hour bell
On the landing of the stairs?
See old Sutherland, lame and bended
Creeping down to mop up ink
Or spade the violets
With the dew of spring upon them.
And the breath of earth still clinging
As he finds among the leaves
One first blossom, subtle augury,
Of earth’s heart beats pulsing through.
In its lustre and its fragrance
As his goodness pulses through
All the simple duties, freely done
For service to the world and God.
E. L. W., 1890.

41

1

�42

DELPHIC

MARY B. RODNEY.
Lift up a picture of her,
Let us all see;
The lines of her dignity,
The calm of her glance,
The charm of her smile,
Rare, quick to divine.
The gift of her hands,
Strong, yet rare molded.
The width of her brow,
The smoothness of skin
With the fairness of snow,
Health radiant on cheek.
Hair not yet faded,
Not graying or roughened.
The smooth-banded hair
Looped low to the ears.
The charm of her gestures,
The gracious, cool voice;
Oh, the gift of its praise!
And the bite of its blame.
The pride we knew glowing
Deep in our young hearts
When she flowed in smoothly
To her seat at the desk.

t

.

s

And knclt, meet yet lofty,
With dignity’s bearing
To bow to her God.
Oh, Mary B. Rodney!
Sweet Justice you balanced
Herald your name!

E. L. W.. 1890.

�DELPHIC

43

MISS LYDIA RODNEY.
Yours was not fineness of form
But Fineness clasped your mind
When you were born.
Belle lettres and Shakespeare,
Tragedy and comedy
Excited wit and admiration
In your high spirit.
Yes, you were ever soundly sweet
So born, so lived, so worked,
And at the end, unthanked by
Most your pupils and forgotten
You did lonely die; but live
Will ever in the lessons taught,
The truth wrought into finer lace
In your quick fancy.
We read with you—yes, Shakespeare,
The history of the church,
The poetry of moderns, and ancient lore,
That dripped like honey from your lips
So full of richness of the ages you were
And would pass on to others.
We laughed with you, loved your blush
Which swept from throat to hair
Delicately at word or thought or jest
Or any whimsery
You were a Rodney, born and bred,
And lived it in your sweetness
And your gentle teaching spirit.
E. L. W., 1890.

i

■

.

�44

DELPHIC
SUSAN.
Dear olcl Susan, busy Susan,
Tiny, dutiful and old,
Plain of feature, meek and lowly,
Doing patiently the drudgery
Duties, duties manifold.
Yet your memory stands out boldly
Susan lowly, long grown aged,
And now gathered to your fathers;
Yet St. Helen’s Hall’s old boarders
Fragile, weak, and strong, and bold,
Some were homesick, some were naughty,
Some were stupid, some were cold,
But old Susan knew them, each one,
Each cajoled, and teased and sought her
For a tidbit, for a respite,
For a cover when ’twas cold
Dear old Susan, lost all other
Name but Susan; where best thou?
If I could to thy grave wander
I would deck with bloom thy brow.
E. L. W., 1890.
WISTERIA TOWER.
(Old St. Helen’s Hall.)
Can’t you see it, wreathing upward,
Suppliant, graceful, ever upward,
Wreathed with violet, fire of starlight,
Misted with elusive sweet breath
As from Heaven had come its clouding,
Wisteria! Wisteria!
Wreathing, climbing, clothed the belfry,
Beautiful and flashed afar;
Breathing glory, Heaven’s ecstasy,
Spring-time bounty, and fall’s lavish,
Colorful and pendulous waving,
Wisteria! Wisteria!

8

�DELPHIC

45

Who designed thee, massive climber?
Who thought out thy splendid mantle,
Who spent color, form and strength’s fire
To erect thee to the stars?
Now thy heart glows, violet paling,
Wisteria! Wisteria!
Violet, purpling to the deepest,
Who selected lavish tendrils,
Silk, elastic, till embracing
All the belfry, tall, majestic,
With the cloud of starlight blooming,
Wisteria! Wisteria!
Belfry summit, supreme crowning
Lifts a head above the rapture
Of the royal purple swathing,
With calm eye on Nature’s love robe,
Nature’s feast of splendor falling,
Wisteria! Wisteria!
Graceful, sweeping, clinging, climbing,
Purpling, deepening, radiant color,
Vine ethereal, vine of strong clasp,
Vine of symmetry, of broidery,
With the midnight feast upon it, linking
Wisteria! Wisteria!
E. L. W., 1890.

'

:

:

�46

DELPHIC

IaTHLETIcs
i—Twn —mi nr

t-~ttrr

March 21.—A successful season of basket-ball, under the
direction of Mrs. N. A. Knapp, closed today with a big champion­
ship game between the “Reds” and the “Blues.” The “Blues
won by a score of 30 to 28, which in itself is proof of the hard
work on the part of both teams, The winners were presented
with the silver cup, which was played for from 1906 to 1914,
when the old building on Vista avenue burned.
The girls playing on the “Blue” team were, Dorothy Gay,
center; Florence Niles and Helen Lamar, forwards; Harriet
Breyman and Ann Wentworth, guards. On the “Red team
were, Annabelle Batis, center; Margaret Spencer and Lillian
Luders, forwards; Virginia Edwards and Frances Spaulding,
guards.
April 10.—The tennis season opened with this month’s first
good weather, and both the ground court and gymnasium shed
have been in use almost continually since then.
April 15.—The aesthetic dancing classes were organized this
month, under Miss Kathrine Laidlaw, who has taught dancing
here for some time now. There are two classes,—one of begin­
ners, and the other of advanced dancers,—and each class is
*•

�D E L P II I C

'17

learning an attractive dance to be given during commencement
week.
May 3.—A croquet set arrived and has afforded a great deal
of pleasure to the boarders, Helen Lamar has the honor of bemg the first to break a mallet.
May 25.—Today the Tennis Tournament filled the minds of
all the girls. Those who did not wield the rackets were, outwardlv at least, more excited than the players themselves.
Catherine Martin won two sets from Kathleen Bristow in
one of the swiftest games of the tournament, Catherine is going to have a mighty serve some day. The Junior cup was pre­
sented to her.
In the doubles, Catherine Martin and Helen Lamar carried
off the honors of the boarders by winning from Evelyn Thatcher'
and Helen Parker, who represented the Days. Despite the fact
that Evelyn was out of practice, the Days put up a good fight.
The Beginners’ match, between Jean Muir and Agnes Wilkinson, was played in good form, Jean won the tennis pin. Pei-haps her arms are longer than our game little Britisher s.
The most doubtful match was between Janice Parker and
Margaret Spencer. Their scores kept almost even until the last
set, when Margaret came out ahead.
This tournament brought to a close the year’s athletics,
which have proved that our girls can make a success of sports.

*
;*

i

:
'

■

�DELPHIC

KALENDAR.
February 5.—Mid-year’s dance.
March 27.—Easter. Great day for the boarders, and espe­
cially for the “small fry” when we had the Easter egg hunt.
March 28.—The Lenten offering of dresses for Alaskan
children was sent off last week.
Ma ch 28.—Lent is over!
April 4.—The return! Some late! All rested and ready lor
work ?
April 28.—The birthdays of Hazel Fairservice, Irene Brix, and
Rdith Bain were celebrated at dinner last night. The color scheme
was in pink and green, carried out by streamers of crepe paper
extending from the center of the table, and by candles on the
birthday cakes.
May 1.—Dean Young, of Reed College, visited the English
classes today. We hope that she enjoyed visiting us as much as
we enjoyed having her with us.
May 2.—Sister announced that school is to close on the 7th,
instead of the 14th. It means work, girls; but it’s worth it!
May 8.—The Seniors enjoyed “Reed Day” immensely, espe­
cially the canoe races, tennis tournament, the play, and the infoi-mal dance in the evening. They also enjoyed getting ac-

i

�DELPHIC

49

luainted with the Seniors from other high schools in Portland
who were invited.
May 11.—Birthday celebrations at dinner for Laura Reed
Elizabeth Hawkinson, and Elizabeth Du Mond! Attractive deco­
rations in blue and yellow were used on the tables and electric
lights.
May 11.—After seeing the Bohn Ballet, at the Heilig, the
boarders have been trying to develop “hidden talent, anc ve
wonder that the house has held up.
May 13.—Several of the boarders went horseback riding
today, for the first time this season, That explains why some
young ladies were so fond of pillows.
May 14.—Dorothy Carpenter entertained the Seniors with a
delightful luncheon, a day or two ago, at the Waverly Countly
Club. The table was beautifully decorated and, afterwards, Mrs.
Carpenter chaperoned the party to a movie.
May 16.—Juniors! The praises of the luncheon you gave
today at Waverly Club for the Senior class are heard on all
sides. The attractive flowers and adorable place-cards, repre­
senting the “sweet girl graduate,’’ cleverly decorated the table.
May 17, 18, 19, 20.—Debates have been held in Mrs. Collins’
English class. Among the subjects for discussion have beer.
Resolved That children should be taught to believe in Santa
Claus; Resolved, That movies, in their present state, do more
harm than good.
May 18.—This evening the Bishop called and wandered into
uur study hall. Result, no more study hall.
May 21.—Today Evelyn Thatcher entertained the Senior
class with a charming luncheon at her home, We wonder that
we could ever eat again after all those good things.
May 25.—Four girls,—Florence Pangle, Medora Howard,
Catherine Martin, and Julia Cameron,—were confirmed this
morning. They looked very sweet in their pretty white dresses
and veils. The Bishop gave a short address on the “Seven Gifts.”
May 26.—Everyone is sad and blue. Why? Examinations
began today. The darkness will continue until June 3.

I

�50

DELPHIC

June 2.—The musicale and Spanish play came off today.
The Spanish play, “Felicedad,” under Miss Pierce’s supervision,
was unusually attractive. The costuming and stage setting were
a true portrayal of romantic Spanish life. Susita (Elva Mervy),
and Don Fernando (Hazel Fairservice) were true Spanish lovers.
June 4.—A few scenes from the comedy, “Les Precieuses
Ridicules,” by Moliere, was given today, under Mile. Lancon s
direction. The dancing, singing and music helped to make the
play a success. Everyone enjoyed each girl’s interpretation of
her part.
Miss Laidlaw’s classes in aesthetic dancing gave an exhibition. The advanced class as old-fashioned girls, danced among
bright-colored blossoms in a flower bed formed by the beginners
class.
The Lower III, IV, V, and VI grades gave two little dances.
June 6.—Janice Parker feted the Seniors at a luncheon.
This evening came the gay Senior prom. About 125 people
were present at the Portland Heights Club, where the dance was
given.
“The Mouse Trap” was played by the II Uppers, and made us
all laugh. The main characters were Julie Cameron, Catherine
Martin, Kathryn Hennagin, and Mayanna Sargent, and were well
supported by the rest of the cast.
The lower grades gave a very humorous little French play,
Lecon en Francaise.” Leanna Faurote, Betty de Pencier, Rosalie
Jones, Constance Fox, Rhoda Jane Gantenbein, Barbara Clark,
Elsie Hackett, and Evelyn Hutchins showed promise of brilliant
futures.
i.

June 7.—The final rehearsal at church. The last prepara­
tion for the greatest event in thirteen girls’ lives. Commence­
ment! Are there any words to describe it? One hundred and
fifty girls in their white dresses and veils, the trembling gradu­
ates, with their flowers, walking slowly up the aisle to the music
of “Ancient of Days.”

�DELPHIC

51

Miss Hazel Haines, ’18, was married the last of April to Mr.
Dorman Johnson Leonard. The young couple are now living in
Portland.
Those of the old girls who knew Mrs. Chester Kennedy
(Eleanor Cram, ’18), were glad to see her again when she
brought her baby daughter to visit the Hall not long ago.

Miss Consuelo McMillan, ’17, will be graduated from Reed
College in June, She has been an active and enthusiastic student at Reed during her whole college course.

Mr. and Mrs. Clifford Cornwall (Elizabeth Huber), who were
recently married, have gone to make their home in New York
City.
Miss Ethel Abbot was visiting in this city lately and saw
many of her old friends from St. Helen’s Hall.

�52

DELPHIC

Mrs. Garrel Svvigert, ’17 (Dorine Wyld), is living in hei
attractive home on Willamette Heights, We hope that she will
bring baby Phyllis to call on us soon.
Dora N. Taylor, ’87, who is a graduate of Vassal*, was re­
cently visiting Miss Foulkes.
We have heard from her fond aunt much of little Barbaia
Thomson, daughter of Mrs. Edward Thompson (Charlotte
Breyman).
A little daughter has come to brighten the home of Mrs.
Knowlton (nee Ruth Whitmore).
Helen Ballard, ’18, is now in Salem,
to a government position.

She has been appointed

Miriam Flagler, ’18, has returned from New York, where
she has been taking a librarian course, She expects to remain
at home for the present.
Philena Bartlett, ’20, is the society reporter on an Astoria
paper.
Mrs. Lowell Paget (Beatrice Thurston, T5), is living in
Portland.
Mrs. Lester Wade (Lucille Brown, ’17) is now the happy
mother of a baby daughter. We hope this means a future St.
Helen’s Hall student.
Helen vom Cleff is now staying at her home in Vancouver.
Some of the girls of the class of ’20 have returned from col­
lege and already have visited us during these last busy days at the
Hall. We hope to see each last year girl as she returns to Port­
land from her respective school.

�DELPHIC

53

The Delphic finds many old friends and some new ones
among her exchanges for this issue, We are very glad to see
them and hope they will remember us next year.
“Echoes” from the Holy Angel High School is a very good
number. “Shadows” is a pretty little poem and the “Moonlight
Sonata” is most enjoyable.
“It
From St. Margaret’s School conies “The Magpie.
Started in the Subway” is an amusing story, although in our
opinion is a little over drawn, “What Shall I Do?” is clever and
duite real.
For the first time this year we find “Cadet Days from St.
John’s Military Academy in our mail box and we enjoyed it very
much. Your Athletic Department is particularly well arranged.
Why don’t you have a table of contents?
The “Johannean” of St. John’s School has an abundance of
good material in the last issue, Your “Play Reviews” is a
clever idea.
St. Katherine’s “Wheel” is welcomed with interest. “St.
Kit’s Papers” with your idea of your school life is extremely
clever.
The “Academia” of St. Mary’s has its usual good collection
of poems and articles, “Spring Blossoms” is c ertainly deserving
of praise.
The Cardinal of Lincoln High School is full of pep and spirit
as always.

�54

DELPHIC

The “Oracle” of Renssalear High School comes again to The
X)elphic. The “Coveted Accolade” is a very good piece oi work.
All through, your Literary Department is excellent. Why not
have more poetry?
We wish to acknowledge with thanks the following con­
tributions:
Jefferson High School “Spectrum.”
Oregon “Emerald.”
Reed College “Guest.”
Camp “Idyle Wyld.”
Oregon Churchman.
“Acorn” Oak Hall.
Renssalear “Poly.”
Come again.

�[

i

.

Calendar 1921-1922

if

Registration of Pupils, Sept. 9 -10.
The Fifty-third Year begins Sept. 13.
Thanksgiving Day and succeeding Friday,
Nov. 24-25, Holidays.
Christmas Vacation, Dec. 16-Jan. 3.
Second Term begins Jan. 30.
Washington's Birthday, Feb. 22, Holiday.
Easter Vacation, April 17-24.

!

Decoration Day, May 30, Holiday.
I

Commencement, June 6.

!
&lt;
!

■

i

I

■

�We Ask You
To Patronize
Our Advertisers
i

«

1

�^“Merchandise of

&lt;&amp; (?o,

Merit Only

CANDIES
—The same sweets which royalty in Eu­
rope favored, made by the same artist who
enjoyed the patronage of kings and queens.

Rue De La Paix
CHOCOLATES
—RUE DE LA PAIX CANDIES were the most popular con­
fections with many crowned heads of Europe when our con­
fectioner produced his little masterpiece in candy abroad.
' He is a native of Budapest, the noted capital of Hungary. There for
many years lie made candies much sought by royalty, among whom
were
Queen of Greece, Queen of Roumania,
Queen of Holland, Emperor Franz Joseph,
King of Serhia and others.
' But this creator of sweets no longer makes candy for kings and
queens. He now presides in our candy kitchen on the Eighth Floor,
where he creates even better candy, because better ingredients are
available.
' And what are Rue de la Paix Candies, and what docs Rue de la Paix
signify?
There is a wonder-street in Paris — a street that is world-renowned
for its production of only the very finest things in the world — Rue de
la Paix. These candies were wisely named, for Rue de la Paix Boxes
contain only the most delicious and most wholesome confections — no
other candy equals them, and their price, considering the quality, is
very reasonable.

1

■
T

�THE CITIZENS BANK
Grand Ave. and East Alder St.
Established 1890

Seiberling-Lucas Music Co.
125-127 Fourth Street
Between Washington and Alder
V1CTROLAS
RECORDS
If it’s Music or Musical Merchandise of any kind, we have it.

PIANOS

PORTLAND’S BIG MUSIC STORE

JONES' MAKKE1
FOURTH AND ALDER
TELEPHONE—MARSHALL 1; AUTOMATIC 562-81
The Market of Cleanliness and Sanitary Surroundings

JONES’ QUALITY MEATS
Fresh and Cured Fish in Season
Milk-Fed Poultry

i

ALSO

That Famous Skamokawa Butter
Cash or Credit

We Deliver

�Martin &amp;- Forbes
Company
FLORISTS
354 Washington Street
Main 269; A 1269
Portland, Ore.

School Books
BOUGHT, SOLD AND
EXCHANGED.

Hyland’s
Book Store
204 Fourth Street
Between Taylor and Salmon
Red Front
Main 6281

Weatherly
Ice Cream Co.
Eat a plate a day
it’s good for you

Hal H. Moor
Dispensing Optician

107 Selling Building

Portland, Ore.

THE

IRWINH0DS0N
COMPANY
PRINTERS
STATIONERS
Rubber Stamps
387 WASHINGTON ST.
Pittock Bldg.

Art Students
AND OTHERS
who are interested in Oriental art
and fine weaving are welcome to
visit our store for information and
ideas. We will show you how the
Oriental rugs are made by native
weavers.
— You can do us a
favor by reminding
your parents ar.d
friends that we are
authorities on Ori­
ental rugs and have the largest
imported assortment in the West.

Cartozian Bros.,Inc.
Importers of Oriental Rugs
Pittock Block
Est. 1906
393 Washington St., Portland

�&amp;

Motor Car
Company
COMPLETE MOTOR
CAR SERVICE

Portland’s
Exclusive
Corset
Shop
CORSETS —
Lily of France
Bien-Jolie
Twotone
Elastic
UNDERWEAR
HOSIERY
BLOUSES
BRASSIERES
UMBRELLAS

Dodge and Cadillac
Automobiles
316 Washington St., Morgan Bldg.
Phone Main 1015
This little advertisement is worth
50 cents if presented at our store
on the purchase price of any Foun­
tain Pen you may select from our
well assorted stock: WATERMAN,
SHEAFFER, CONKLIN, MOORE
or “EVERSHARP” Pencils.
Open a charge account with us
and take your Trading Stamps

L. Mayer
&amp; Company
Staple and Fancy

Groceries
Telephones:

Woodard,
Clarke
Co.
Woodlark Bldg.—Alder at W. Park
S. H. H. Delphic

Main 9432

A 4432

166 FIFTH STREET
Portland, Oregon

�“Service with a Smile”
at

PENS

KODAKS

SANDY'S

121 Broadway

PORTLAND'S KODAK AND PENMAN
329 Washington St.
Two Stores

INMAN - POULSEN LUMBER CO.
LUMBER MANUFACTURERS
Portland, Oregon

Cat n Fiddle
on Broadway — 145 — Theatre Row
Featuring Dainty Luncheons, Afternoon Teas
Millards Hot Chocolate — French Pastry

m Importers and

&amp;

P
MAT SHOP

Designers of
Exclusive Millinery

HEILIG BUILDING —191 BROADWAY

Phone Auto. 511-96

PORTLAND. ORE

West Park and Washington Streets
Portland, Oregon
*
■

�KEYSTONE

Smiths

Flower
Shop

CONFECTIONERY
&amp; CREAM STORE
Comer 23d and Washington Streets
Phones Main 2916, A4831
Wc carry a fine line of Candies,
Ice Cream, Sodas, Bakery and
Lunch Goods, Periodicals, L

Thomas Luke, Proprietor

“ Your Florist ”
\\V/i Sixth

Main 7215

BERGER STUDIO
ADVANCED PORTRAITURES
327 Pittock Block
SUNDAY BY APPOINTMENT
Broadway 4544

WE CUT STONES
SPECTACLES SCIENTIFICALLY FITTED

;

Staples
TRADE

|the|
MARK

MANUFACTURING

JEWELER. WATCHMAKER
AND OPTICIAN

I

326 MORRISON STREET, PORTLAND, OREGON

�KNIVES

SAWS

0^DS MPq
“The Saw Makers”
San Francisco,
Cal.

Portland,
Ore.

Seattle.
Wash.

FILES

HACK SAWS

STEEL

FAILURE TO Hazelwood Candy
Chocolates, Caramels and
ENJOY STUDY DeliciousHomemade
Specials
may be due to
need for glasses.
Examination
of your eyes
will determine
the matter
definitely and
if you do not
need them, we
will frankly tell
you so.

COLUMBIAN

dainty gift packages

in a variety of sizes and shapes
Sweet Grass Baskets
Myrtle Wood Boxes
Hand Painted Satin and
Straw Baskets
When you buy “Hazelwood” you
secure the best there is in candy

Hazelwood

Optical Company

Confectionery and Restaurant

Floyd F. Brower, Mgr.

388 Washington St.

145 Sixth

127 Broadway

�Headquarters for the Famous

PHOENIX HOSE
The most reliable, best looking and best value of any Silk Hose made
Originators of Fern Crest Biouse — ideal for school wear and outing
Best makes of Gloves, including Reyner, Centemerie, Fowies, Bacius
HANDKERCHIEFS — UNDERWEAR — UMBRELLAS

pennon’s
rfOR 6LOVES A/YD UMBRELLAZp

309 MORRISON STREET
C. F. BERG, Manager
Vogue Patterns at Waist Shop —
Lennon’s Annex, Portland Hotel Court

The Flynn
Gift Shop
Seventh Floor Northwestern Bank Building
Morrison Street — Opposite Portland Hotel

GIFTS FOK ALL OCCASIONS

At Your Service

F. L. Freeburg
I

LUNCHES
FRUIT

CONFECTIONS
STATIONERY

Across the Way

�Cleva Fashions
for the College Girl
Smartest
FROCKS
COATS
SUITS
BLOUSES
always in variety at this big store for
misses.

FURS
Established 1880

149-151
BROADWAY

Main 9394

DAVIES
STUDIO

MgdeF-

i

flowers

1

107 Broadway
Liberty Theater Building
Special Rates to Students

Morrison Street

■

Opposite Corbett Buillding

THE BREYMAN
LEATHER CO.
Patronize
Our
Advertisers

&lt;

LEATHER SHOE FINDINGS
SHOE STORE SUPPLIES
SHOE MACHINERY
Phone Main 7108
N. E. Cor Second and Oak Sts.
Portland, Oregon

I

:

!

�m%rison strjdeet at west park

PHONE MAIN 482
CORSETS
Special attention to the growing girl
BLOUSES, ACCESSORIES

JoceEyn Foulkes
PIANO
Conservatory Announcement
The Oregon Conser - vatory of Music is thor­
oughly equipped ^r^vith Teachers, Instru­
ments and materiaHI for imparting Musical
Kno\v]edge, in the
shortest time possible,
consistent with
intelligent understand­
ing of theory, tcchnnique and performance
for Beginners, Inte 1 :rmediatc. Advanced and
Diploma Graduates... on cither Piano, Voice,
Violin, Mand l olin, Guitar, Etc.
Parents or Student: s seeking correct meth­
ods of instruction,
inspiring musical train­
ing, artistic manne : rism of expression and
withal cultured ass««ociations. arc invited to
call a ^ xtd confer.

Oregon Conservatory of Music

165§ 4th St., Near

Morrison, Portland. Or.

I-he
M. I— Kline
Co.
wholesalers
“FAULTLESS” PLUMBING,
HEATING
STEAM

AND MILL

SUPPLIES
Distrih±Dutors for
POWELUL. VALVES
sand
SPECIALTIES
84-86-87-89

Front Street

F

Instructed in Lcochctizky
Method by Malwine Brce
of Vienna.
Specialized in Modern Music
and Pedagogy with Percy
Grainger, Summer of 1920

INK STUDIO
Character
Portraiture

PERSONALITY AND EXPRESSION

Fliedner Building
Washington Street at Tenth
Broadway 1545

FAMOUS FOR OUR LUNCHES

ICE CREAM AND
CONFECTIONS
Delivered to all parts of the city.

TWO STORES:
11th and Washington
Broadway and Washington

Grand Electric
Company
House Wiring and Supplies
Designers and Manufacturers of
Electric Fixtures
This Ad is good for $10.00 on the
NEW COLUMBIA WASHING
MACHINE
127 Grand Avenue
Portland, Ore.

�Perfection
IN THE ENGRAVING ART

N this art, as in all others of such par­
ticular nature, perfection is attained
only by skilled and careful workers de­
voting their entire energies to the consum­
mation of an ideal. This ideal, crowned with
that intangible but indispensable quality—
“Gill service’'—is realized by us in our fault­
less engraving of cards, announcements, in­
vitations, etc.
Once your engraver, always your engraver.

The J. K. Gill Co.
Third and Alder Streets

�a

a

1-

�:*
■

i

■ S3

i;

.
•i

1
* i.

/

f

r
!
!

5

/iVr*

*

-»

•

^iV; v‘IV
*-

1-^4.

;

* +'

i*

I ■

;
sv;
v . :

A. * ,

j'-i

,&lt;A-

1

. ?

: £*&lt;■

^,^3!

i

I !

♦ I

--- v&gt;
&gt;

i

■

“Si.™

&amp;gfiS
•-. mMS£.

-

*■

rf

I
»

��</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Oregon Episcopal School Yearbooks</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>This is a collection of yearbooks from the Oregon Episcopal School (OES). The bulk of the yearbooks are from St. Helen's Hall, with yearbooks also from the Junior College as well as Bishop Dagwell Hall. The title for the OES yearbook evolved from The Delphic to The Legend-Delphic. The title for the Junior College Yearbook was The Scintilla.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="4">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5">
                  <text>1921-1923; 1931-1995</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>Yearbooks</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="78">
              <name>Extent</name>
              <description>The size or duration of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="10">
                  <text>85</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="79">
              <name>Medium</name>
              <description>The material or physical carrier of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="11">
                  <text>bound volumes</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1298">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1299">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1300">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1301">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1302">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1303">
                  <text>Student publications</text>
                </elementText>
                <elementText elementTextId="1304">
                  <text>Teachers</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13">
                <text>The Delphic - Commencement 1921</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14">
                <text>School yearbooks</text>
              </elementText>
              <elementText elementTextId="263">
                <text>Students</text>
              </elementText>
              <elementText elementTextId="264">
                <text>High school student activities</text>
              </elementText>
              <elementText elementTextId="265">
                <text>Student publications</text>
              </elementText>
              <elementText elementTextId="266">
                <text>Teachers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15">
                <text>This is one of the oldest OES yearbooks, dated 1921. The yearbooks were published annually after 1925. Yearbooks from 1921-1968 were known as The Delphic and were created by St. Helen's Hall students attending in their high school years. St. Helen's Hall was an all-girls school that pre-dated Oregon Episcopal School. In 1969, the yearbook evolved into The Legend-Delphic with the addition of Bishop Dagwell Hall and male student attendees. After 1986 the yearbook branding begins to singularly list "OES" with a few volumes referencing "The Delphic" or "The Legend Delphic". Yearbooks helped to chronicle the school year's events and activities, in addition to listing each student and staff member.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16">
                <text>Oregon Episcopal School</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17">
                <text>1921</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="20">
                <text>oes_delphic_christmas1921-compressed.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="21">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="22">
                <text>bound volume</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="2" public="1" featured="0">
    <fileContainer>
      <file fileId="2">
        <src>http://archive.oes.edu/files/original/66ad5a178de24bf8fbdf0b2a73760aec.pdf</src>
        <authentication>57bde4494982c667b20bd36f86f43251</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="92">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="33">
                    <text>���'
: i I;:
r';

e

!
!
'

i

.

'
!
■

I
.1
;

l
■

i

I
;
i

!

:

i

;i

:
:!

■

•I

1
:

�•»&gt;
I

;

f

1

i

i
.
;
4

ii
►

§

Printed by the
Conger Printing Company
Portland, Oregon

�I

Hdjiljtr £s&gt;taff
Editor-in-Chief
Literary Editor .
Assistant Literary Editor

• .

K a lander
Old Girl Notes
Athletics
Art
Exchanges
Business Managers
;i

Advertising Ma nagers

i
;

I

!

.\ 1A R&lt;; A RET Si*encer
Dorothy Haradon
Bess Allen
Virginia Hull
Pearl Biehn
Jean Muir
Fiorence Niles
Consuelo Hamer
Dorothea Scarborough
G ERTRUDE I R ELA N D

Bess Edwards
[ Hazelmary Price
^
Lillian Luders

�Wr

:ir—

%

•rJ

'$

r
SWinU*

fj

CONTENTS

0?
( t
-

PACE

Editorials...............................................................

11

A Garden Romance....................
The Man In the Moon..........................................
Dialogue Between a Hairwreath and A Tidy...........
An Indian Legend

7

...................................... ......................

14
15
17

The Bad Little Boy's Visit To the Land Of Conscience .

19

A Moonlit Garden.................................

21

The Smugglers..........................................................................
Little Inspirations From the Lower School...........................
Athletics

...................................................................................

Just Between You and Me
Cartoons....................................................................................
Kalendar

.............

Old Girl Notes
Exchanges
Gifts to the Hall.
School Honors

.

.....................................

22

25
26

:i %

27

1

28

: &amp;

29
31
33
34

■1 f
;

: • SI

35

:

'i

I

'
*
i

�I

'

i

r

■

'

l

i
«
;:
}

!

Delphic is published twice during the school year.
students should subscribe.

All

Literary communications should be addressed to the
Editor-in-Chief. Business letters and subscriptions to the
Business Manager.
I )■

:&lt;

Subscription, Si.oo a year.

1

\\

■8

!

.

I
’

1

!

Vo i. 26.

December, 1922

No. 3

�ij

-

a
D r l;i li i r

r
• y

s.
\i

, *. Vr

.n

-

•'

£;

gi

i
i
&amp;

t
.

Y

&amp; fr'i

Iziiitonals
I ABOR! What is labor? Is it the tedious, grinding, tiresome, thing that
JLv many people think it? Or is it, as our dreamers see it, the very thread of
our existence ? Would life be empty if we had nothing to do; no goal to attain ?
I he happiest hours of our life are spent at some congenial task. Those
who indulge only in pleasure, who have no ambition or thought for the serious
and beautiful side of life, soon find themselves out of touch with the world and
its activities. Happiness attained through earnest labor attends the man who
works.
Labor, then, would seem ideal. Is there anything better? It is through
our experiences; through our every day tasks, that we learn of something really
finer. This something is service. For it not only enriches man materially, but
develops character. “It contemplates performance of duty” to society, to home,
to school, to God, and to our country. It is an ideal toward which we all should
work.
Were we placed on thi° earth merely to be? Or, were we put here to fulfill
some purpose in life ? Every individual has some personal talent. Should we

Ji

:

it-

i

VC

3*

AV-

*

$
:

i

A

A
-&gt;

�!

n

D r 14-1 It t r

not discover that talent, and do every thing in
i our power to develop it? We
would be dull beings, indeed, had we no ideal toward which to work; and after
working for this ideal, nothing to offer to our friends, our homes, our schools,
God, or our country.

!

'Rejoice, we are allied
To that which doth provide
And not partake, effect and not receive!

1

A spark disturbs our clod;
Nearer we hold of God,
Who gives, than of His tribes that take, I must believe.”

SCHOOL opened with the usual excitement and enthusiasm. There were an
exceedingly large number of new girls among us, particularly in the third
upper form. A great many of our mothers and former graduates accompanied
us to chapel, where the Bishop managed to be with us again, in spite of all his
duties at the Episcopal convention. He gave a very interesting address on up­
holding the ideals of the Hall. The class of nineteen twenty-three, feeling its
responsibilities and the fine example set by former classes, is trying to put into
practice his suggestions.

| 'HE Episcopal Convention brought many distinguished visitors to St,
Helen’s Hall. The first to address the school was Bishop Johnson of Los
Angeles, who told us about his association with the Community of St. John
Baptist in the East,
Several days later we had with us Father Sill, of the Holy Cross, headmaster
of the Kent School for Boys, in Kent, Connecticut. He endeavored to inspire
in us the same spirit of self-help and co-operation,which has made Kent famous
and trained Kent boys so splendidly for their life work. At Kent, as at St.
Helen’s,order in the school-room is maintained by self-government, and the school
is actuated by ideals of democratic service.
Dr, Van Allen, from the Church of the Advent, Boston, also spoke to the
school while attending the Convention. All the girls enjoyed his address im­
mensely, for he seemed to know girls very well. He tried to impress upon us
that we must always be ladies, a thing which a great many seem to forget. He
spoke on a quotation from Shakespeare’s “King Lear,” a remark made by the

■

�I

r

I

r.

3 i» l

Ij i r

9

£
King about his favorite daughter, Cordelia, after her death, "Her voice was
ever solt, gentle, and low; an excellent thing in woman.” He also told us to
forget about imitating the boys and to acquire those qualities for which all women
who possess them, are admired.
The F.nglish Bishop of Jerusalem spoke to the girls, on a verv different
topic. He told us all about Palestine, describing it as having a fertile valley on
the west coast, a very high ridge of mountains in the center, and the Jordan
valley on the east. While Jerusalem, on the snow-capped mountain range, is
almost three thousand feet above sea level, the surface of the Dead Sea, a few
miles east, is almost thirteen hundred feet below sea level. T his is the deepest
depression in the earth’s surface. The Jordan River flows out of the Sea of
Galilee, into the Dead Sea. As this sea has no outlet, the sun evaporates the
water, and all the minerals rise to the top. The Bishop told us that he has a
photograph of a friend sitting on the Dead Sea, reading a book, with an umbrella
over him. There is so much salt in the water that it makes this kind of thing
possible.
He also told us that the peasants still live as they did in the days of Our
Lord. They use simple, home-made farming implements, travel with camels
and mules, and wear their long flowing robes. They fashion their coats of sheep­
skin, wearing the fur out in summer to keep off the heat, and inside in winter
to warm their bodies. The Bishop said that his work seemed so much more
impressive to him because he was preaching the Gospel in the very same places
where Jesus preached.
Bishop Roe of Alaska told us about his mission schools and how he built
his own boat last year in order to take supplies to the Eskimaux. He does a
great deal of missionary work among the poor. One instance was of five small
children, whose father had left them to be gone five days, in order to take one
of the older children to the mission school. While he was away the mother
died. The oldest girl, about seven, cooked warm food for the other little ones
and cared for them the best she could. One day the Bishop happened to pass by
their hut, and stopped to pay them a visit. He found the five little ones without
mother or father. He buried the mother, and took all five children to the
mission school. It is to these unfortunate ones, and others like them, that
the girls of St. Helen’s Hall send their Lenten Offering of woolen dresses and the
money saved for their mite-boxes. He told us of many more cases with which
he has to deal, and of how eager the little Eskimaux are for learning.
Father Hughson of the Order of the Holy Cross, from West Park on the
Hudson, gave a very interesting talk and amused even the little ones. He told
us a fairy story about a little rabbit-engine, so-called because it jumped from

a£
r* ;&gt;

:r

p

■

a

%
%

3‘A
'

'fiz

!;i:
.
-

1

•I

1&amp;

$

:

k

■

$

■■

�D r l y Ij i r

in

one track to another while pulling the cars around the big depot. It hauled
the stalled milk train into the city during a blizzard, after all the big engines had
refused. After being hitched onto the milk-train, it started up the steep hill,
puffing and blowing because of the heavy weight. The throng of spectators
heard it saying to itself, “I think I can, 1 think I can,” louder and harder as it
slowly pulled the train up the hill, and just as it reached the top and started on
the long easy grade down into the city they heard it say, "I thought I could, I
thought I could.” Father Hughson told us this story to show us that we must
try to do our duty, the same way the little rabbit-engine did. It girls begin their
lessons by saying to themselves, “I just know 1 can’t do this, and there s no
use trying,” they never will be able to do them; but if they will always sav what
the little rabbit-engine said, ‘I think I can,” they will always end up bv saying,
”1 thought I could, and I did.
Bess Allen, ’23.

j

It

;

■

■

'•
:
;;
1

;
;

i

�•j

3 r l p It t r
)

mm

K

11

'i

O

OJ

'

j

'
lo

a

A (Barton SLnnaurr

Iii

%

!

‘r.

j

TN a corner of the garden lived a pretty little maiden, Sweet Alyssum. She
was an orphan, so she stayed with her grandfather, Sage. They lived happily
together in the shade of a great rosebush, surrounded by hyacinths.
Some thought this was the prettiest spot in the garden. Along the fence
there was a row of statelv Hollyhocks, that whispered and nodded in the breeze.
In the vegetable garden there were several jolly Sunflowers. They peeked over
and bent as near as possible, to grin at the grand dames on the other side of the
fence.
In one corner near the home of Grandfather Sage, was a little pool where
a beautiful, white Pond Lily sunned her golden hair all day long. The other
inhabitants looked on her with awe, because she could not be reached. They
knew this because young Cocks Combe, a mischevious young chap, had trieci
to reach her so hard that he got his feet wet,—and was severely reproved by
Granny Cat Tail, who lived near. When Lily spoke, which she seldom did, all
gossip was stopped to hear her silvery voice.
A voung gallant, Jack Rose, lived in the rose bush that was near Sweet
Alyssum’s home. Since he was the greenest of buds, he had had enough manners
to protect the dainty little Miss from the heavy rains. As he grew older, he
became so accustomed to her that he began to think seriously of asking to be
her protector for life. Jack was a very likeable chap, but his was a very jealous
nature, and he hated anyone who paid unwonted attention to his love.
Once in the early summer, a saucy young dandy, Mr. Lion, had sprung up
by grandfather Sage’s door-step. All day long he peaked in upon Sweet Alyssum,
as she tripped about her household tasks. The next day, and the next, the
intruder gazed upon the Sweet Alyssum’s fair face. Poor Jack Rose was almost
consumed by jealousy. One morning Mr. Lion woke up with white hair, and
much to his chagrin, a rollicking breeze came along and blew it all away. He
was so overcome by grief, that he withered up and died. Jack was happy once
again.

Zc

■

.
I
‘

•; t
.

i

i

'
!

v_

£

“

‘

.1

&gt;
ia

!

£
1

�12

i

I
!

!

I

:

D r l \.\ 1) i r

It was known all over the garden that poor Jack Rose was passionately in
love with Old Sage’s granddaughter. Many believed that the feeling was
mutual, but there was quite a little antagonism on this point, and heated dis­
putes often ensued from perfectly harmless arguments.
One day Miss Mary Gold said to Miss Hair, also a maiden lady, who was
staying with her for the summer, “I can't see why people call that spoiled young
snip, Miss Alyssum, sweet. Of course Jack Rose is in love with her,as anyone
can plainly see, but I can’t understand why a handsome young man like him
should care for a conceited young prig like her. It would be different if he
lavished his love on little Miss Anne Emone, whom everyone knows is a good
obedient child. But why, it was only yesterday that Crimson Rambler leaned
over and said to me, 'Do you know that that Alyssum girl has been flirting
openly and shamelessly with Nast UrtiumB’ And she isn’t the only one in this
garden who has a lover either,” she added “Did you hear that William is sweet
on Susan? You know the one with black eyes.”
“Why, Miss Mary, you really don’t think so do you?” asked Miss Lark
Spurr in a surprised tone. The two old maids laughed to themselves, for they
knew that Miss Spur was blue, because she couldn’t gain William’s affections.
Lilac nodded her plumes in a condescending manner, at the blue one and
said, “Really, Miss Spurr, what difference does it make? I think you ladies
are becoming confirmed gossips, Miss Mary!”
“I think they are horrid to Larky,” said Pansy to Lily of the Valley.
“So do I,” whispered her little friend, “Here’s Violet, let’s get her and play
hide and go seek.”
There was talk in other parts of the garden. Tulip, a stately, Dutch lady,
who lived hear the pond, bent over and said to Lily, “Did you know dat dot
Yack Rose, he vass cratzy over dat der sveet Alyssumb?”
“No, really, do you think so?” asked Lily in her silvery voice.
“Isn’t that funny, that’s what I’ve heard too!” put in Buttercup from the
opposite bank.
“Well of all silly things,” said the golden-haired lady.
Little blue eyed grass stared over at Jack Rose in wonder. “How do they
know?” she asked Burr Dock, a young Scotchman, near.
“Weel, Ma lassy, ye see its this way. They’s some that ken lie’s a ben
courtin her this twa-mcnth. An they’s some that thinks as how they’ll be
married afore long.”
One fine morning a few days later, Jack Rose leaned over to grandfather
Sage in a condescending manner, and in a tone far from humble, asked the old
man for the hand of his granddaughter in marriage.

�%

D v l p li i r

*

13

V;

Just then they heard the Canterbury bell ringing. Johnny, who had been
sitting quietly, jumped up “Ha! Ha,” he laughed, “there’s that Cocks Comb
again. He is always up to some mischief.”
“The young scoundrel,” screeched Grandfather Sage. “I wish I had the
discipline of him fcr a week. I’ll tell you he wouldn’t be so uppish ” To ring
Canterbury’s bell was considered a sacrilege, on account of the sacred origin of
the name. The old man became so excited, at this shocking occurence, that he
refused the splendid offer for his granddaughter’s hand.
“I’ll have none of your bangin' round this here place,” he sputtered. “Ye’re
a climer besides, and the quicker you climb away the better.”
When Sweet Alvssum heard of his cruel decision, she became listless, lost
her spirit and her dainty, youthful, beauty. Lady Hollyhock whispered to
Madame Dahlia, “Do you know, I think it is a perfect shame the way that
Alyssum girl lets herself go. It’s disgraceful, that’s what it is. She doesn’t
seem to care either. Me, oh my! Her skin’s getting yellower and yellower every
day. As I was saying to Sunflower yesterday when he leaned over the fence, its
no wonder Jack Rose doesn’t marry her.”
“Don’t you know that the old man refused to let them marry?” asked
Madame Dahlia “He said he didn’t like the climbers. In a way you can’t blame
him you know, because we society ladies can’t bear people that have social
aspirations. They say,” she added, as if imparting some particularly savory
piece of news, “that he has had to call in Doctor Digi Tabs because he had had
one of these severe attacks of his old enemy the Grub.”
“M— m, he is jealous of that Alyssum person!”
"No,” replied Madame Dahlia, “you’re mistaken there. He has no reason
to be since Mr. Lion lost his silvery locks in the breeze and finally died. He need
not fear Xast Urtium, because he has become quite seedy.”
“Yes, that’s so,” replied Lady Hollyhock.
A few days later Sweet Alyssum faded and died. All the old gossips,who
had talked about her when she was alive, were doomed to die too. Jack Frost
came and nipped their toes and froze their noses for a punishment. Jack Rose
took off his crimson robes at the death of his love, and in a few days followed her
to the flower heaven. Dr. Digi Talis who had no room in his heart for romance,
and was accustomed to pooh! pooh! broken hearts, said that his death was
caused from another attack of the grub. Grandfather Sage knew better, because
once when he was young he had also loved, and now he regretted the radical
step he had taken.
Fvery night at sunset, the flowers come back to light up the sky. If one
looks carefully he may see the two lovers hand in hand among the hosts of the
departed flowers.
Roberta Douty, ’24.

s

'4.

K?

'

v.

$
%
-

rs
£

!i$

%

2
I
:

7
;;

.

■'x-

m

�A

;i

14

0 r l p l) t r

(iUjp llHan in tlir dHoim
i. c

•;

r-;

I

i •

.

T'

.

:
I
!

■

.

J OOK at the moon,"said mother, pointing to the huge bright disc in the
1—/ heavens, which was covered with such strange markings, "It reminds
me of a story about a king, and a magical army.
In the country of the king there lived a great magician, named Bom. He
owned a splendid castle, and many magical instruments, but his most wonderful
possession was a minature army, so small that it could be carried in a hand*
kerchief. Although it was so tiny, at a word from its master it would become
the most powerful army in the world.
Bom lived in a peaceful kingdom, ruled by a crafty, ambitious king, who
only refrained from constant war because of the weakness of his army, and the
peaceful disposition of his subjects.
“If," thought the king, "I only had the magician’s army, I could rule the
world.”
Sharing the Magician’s castle, and treasured above all his possessions.was
his only daughter, a beautiful maiden deeply in love with the king’s son.
At last, the Prince, prevailed upon by his crafty father, secured the promise
of the Magician’s daughter to obtain the precious army. It was to be given to
the king, upon the night of the grand ball.
The night fell. The King was there, nervously stroking his beard. The
Prince was there, regretting his part in the plot. The maiden was there, with
the magical army in her purse. And the Magician was there, who being very
old and wise, smiled to himself.
During the first dance, the girl placed the purse in the hands ol the Prince.
When the dance ended, he gave it to his father and the King hurried home, ready
to start his conquest on the morrow.
In the King’s palace, great excitement reigned the next morning. His
Majesty had disappeared, and did not return during the day. The Prince was
surprised to find that he felt no sorrow, at the loss of his father. Instead he felt
relieved, even happy, for he dreaded wars, and the sufferings they brought on
his beloved subjects.
That evening the Magician called upon the Prince. The old man led the
boy out upon the balcony, and showed him the strange new markings on the
moon, whose surface heretofore had been blank.
“My son," he said, “Look!—there is your father, leading his army across
the surface of the barren world, vainly seeking conquests. And for eternity,

�it

A'

D r l \\ It i r

1
It
vi

15

there he will remain as an example and warning to chose who would bring a
cruel and merciless war on a quiet and peaceful world.”
"And,” said mother, ‘‘There he is still, as he has been for these thousands
of years, seeking for things he shouldn’t have.”

f:
■

Susabeth Bruce, ’24.
3?.

I

1! M
P( •

lutlngur Urtiunut a fijairuirrath anil a tilihu
F^O begin with, I am neither a hairwreath nor a tidy! I am "What Not” who
L lives in the parlor, I am a very important piece of furniture, somewhat
like a table, only in place of having one top, 1 have two. Perhaps I should call
them shelves. I am very honorable, for upon me rest many heirlooms, and
symbols of family traditions, such as samples, a picture of cousin Jean’s two sons,
both boys,—and a little statue of George Washington chopping down a cherry
tree. So you see 1 am very venerable, and you can believe everything I tell you.
This is the dialogue I heard yesterday, between Tidy and Hairwreath.
"Good morning,” said Hairwreath, “glad to see you back.”
“Good morning, Hairwreath, how are you this fine morning?”
"What a silly question! Tidy, you bore me. Just as it I haven’t been the
same for the last fifty years.”
"Yes, you are old,”replied Tidy, "But, in our town, people are too lazy
tn die. If a man under eighty-five dies, they pin a piece of white crepe on the
door, and carve a little lamb on his tombstone.”
“Shocking,” screamed Hairwreath, "absolutely irreverent! ! ! You should
be punished. The first interior decorator, who comes into this town, will have
vou discarded. Then you’ll not laugh at people who die, or don t die, when
ycu know that you’re to travel the same road. You know as well as I do, that
Judge Brown’s son’s going to Harvard, and the chances are very good that
he’ll take up interior decorating. However, let’s quit arguing and scolding. I
suppose you saw a great deal, during your process of laundering. The clothes
line affords such an excellent view of the world. Tell me about it.”
“Oh yes, 1 learned that Jack Dolittle’s grand-uncle's apple tree died last
fall, and a mule dropped dead yesterday. It couldn’t have been much of an
effort for them, or they wouldn’t have done it.”
“There you go again making fun of the dead.”
“What else is there to make fun of, in this dead place?”

m

m

r

i
!; -

;! ri'­

ll

Ik

; ft
"r

-A

$

M

'

IS
■

**Vv

:

■;&gt;:

■a

is
3

�i
'!
•:
l

ic

!
i

.

&gt;1
I

u

I

;

j’i

1
i

[

0 r l p Ij t r

There’s Miss Elizabeth trying to make an impression on the new Judge.
^ ou could make fun of that, without being disrespectful.”
"The judge, Hairwreath?”
“Yes, the judge! He came for tea yesterday afternoon and brought his horse
with him. Very romantic! But 1 thought Miss Elizabeth should have fetched
her smelling salts for the poor steed. It was the bay, that sheriff used to ride.
"Ride,” sneered Tidy, "Do you mean that old bay he used to lead on his
man hunts? They were a funny pair. Do you remember the pistol the sheriff
used to carry with him? He never needed it, but he always said, ‘One never
can tell,’ so he stuck it in a special pocket. That was rather inconvenient, for
it took ten minutes or so to excavate it, but as he said, no one could get his gun
away from him without some struggle.”
"Tidy, I fear that you will become sarcastic. Do you not realize, that you
yourself are old?”
“Yes, Hairwreath, I know that 1 am old enough to be a grandmother.
"Grandmother!” laughed Hairwreath, “Why, you’re old enough to be an
ancestor! Your’e every day as old as that pistol, and ammunition can only be
bought for that in a curio shop.”
“Well, that’s a great way for you to talk, after the way you have lectured
me. I at least would not say the things that you say about people. If I can t
say anything nice, I don’t say anything, but I don’t see any harm in a little
joke.”
“Do you call ridiculing a horse a joke?” asked Hairwreath.
“You started it,” answered Tidy.
"I didn’t mean to ridicule him, but when an old horse is an old horse, well,
he has got to be an old Horse,” stammered Hairwreath.
“Very clever indeed,” said the haughty Tidy, "Such grammar.
“You could do better I suppose.”
"Huh! When I discover that I cannot, 1 will cease speaking.
"Oh my dear Tidy, I think it is time for you to start ceasing.”
“What do you mean?”
"I mean that I believe it is time for the ending to start.”
"Hairwreath, I hate to quarrel with my inferiors, but 1 d like
Tidy didn’t finish her sentence, for she saw Miss Elizabeth coming in from
the garden. I’m afraid that she intended to say nothing pleasant, for they
haven’t been on speaking terms since.
Cecilie Applegath, ’25.

:

�Drlphtr

y&lt;

17

%

Ait Jufciau ICnjrnii
I,l-.(il Nl) is a tradition; a storv of life; but it is not a verified story and so
1 v s not believed by many people. Some legends are purely imaginary, while
some contain bits of true history, However, as life is ever more gripping than
products of the imagination, let us accept as the truth as much of our legendary
lore as we can.
Tennyson created a man, King Arthur, and a court of followers, who
although thev were probably men of his imagination, have lived to many people.
This group of imaginary men, has given to humans happy hours, in which to
live a life entirely foreign to their own, but pleasant because of its throbbing
action and idealism. Kveryonc has an ideal and, at least in a measure, trie; to
live up to it. A perfect example of right and goodness was once given to us, and
man is constantly striving to attain that ideal.
This story is a legend, and so may not be acceptable as absolute history,
but at least it is ours for enjoyment.
Once, not many years ago, there lived a mighty and noble man; by name,
Chief Multnomah. He was an Indian, but he was a man with a mind and ideals
such as are created only a few times in the history of our race. He gathered
around him thirty warriors who trusted and believed in him; young braves, all
from the tribe of Multnomah. It had always been the custom of this tribe to
pay homage to the Gods, and to work for their favor very diligently. The tribe
seemed to receive no favor, for it decreased, and became increasingly poor and
miserable.
After working faithfully for many years, to better the condition of their
people, Chief Multnomah and his braves set out to the Great Tombs to meditate
for a time, and to consider what they could do to better their condition. The
white men were constantly advancing, and they realized that the life of their
tribe was limited After a few days travel, they came to the Great River and to
the Tombs. At the meeting of their first ceremonial councils they related, in a
chant, as was their custom, the story of the anger of the Gods. Among the
expressions was the story of the Bridge of the Gods.
A bridge once extended across the Great River, from the Table Mountain,
on one side, to the Little Bald on the other. This was used for many years by
all the tribes of the Indians, who had occasion to cross the great river. Small
disputes over the use and the possession of the Bridge arose at times; but always
died down, because it was acknowledged that the Bridge belonged to the Gods.

I

A1-

■

-yr

I
y

I

li

SB

Ic

|; 'J.

■

-V

-

'k
;

-x:

Vf
: -

7.

■

I

I- -

£

&gt;-

£

2

�I
f

1

IB

I
i

■

1

\
■

r

0 r l p lj i r

At one time, however, two tribes of Indians disdained this, and each claimed
the span. They quarreled furiously, and at last the leaders met at the center
of the bridge, to decide the controversy. They seemed unable to come to any
decision, and so, upon the very structure over which they were quarreling, a
great massacre began. This angered the Gods, and they caused a great storm,
which rent the country, as no thousand vicious winters could have done. I he
day became night, and above the thunder, a noise was heard, which has never
been equalled. It shook the earth for miles around and, when the light came
back to reveal the havoc, the bridge had fallen. No sign remained, of what had
been one of the marvels of the world, except the Tombs in the river-bed below.
One of the quarreling tribes, those many years ago, had been a part ol the
tribe of Multnomah. On the day of Chief Multnomah’s Council, this guilt
of their forefather’s seemed to rest on them more heavily than ever before.
That night, just at the termination of the meeting, when the last rays of the
sun were fading from the sparkling waters of the Great River; and the small
valleys below Table Mountain and Little Bald were shadowy and mystical, a
voice seemed to rise from the Tombs and speak to the warriors. It was not the
voice of the river, but it blended with the murmur of the water which washed
over and around the Tombs.
“The Bridge of the Gods was destroyed by a quarreling people, and must
be rebuilt by them, if they are to prosper. God has forgiven them, but they will
die because of their torturing conscience, and because they have not the power
to rebuild the bridge. It is willed that another race will accomplish that work,
after the last man of the tribe of Multnomah has died. No member ol the tribe
will be allowed to live to see and rejoice in its surpassing beauty.”
The Chief and his braves heard these words, and returned to their waiting
people with sad hearts. They did not tell them of this prophecy, of their future,
but spent the rest of their lives trying to atone for the great sin ot their ancestors.
No bridge has ever been built from Table Mountain to Little Bald because,
I suppose, the last member of the tribe of Multnomah has not yet passed on to
the happy hunting grounds. The prophecy that came from the Tombs to Chief
Multnomah promised, however, that some day a new and surpassingly beautiful
wonder would span the Great River.
Dorothy Haradon, ‘23

�I

:3

5D r l v Ip r

1
a

in

®I|i' Hah Hittlr Iny s Uisit tn tlir Haith
of (Emtsrimtrr
^\NCE upon a time, there lived a little boy, who was cruel to animals. Every
time he saw a cloy; or cat, he would throw stones at it, just to see it run. A
lady came to visit this little boy’s mother, and she brought with her, Thomas.
Now Thomas was a little, fluffy, white kitten, Everv time this bad little boy
saw the kitten, he would tease it. He did everything he could to make Thomas
miserable.
One day, his mother told him that if he pulled the kitten’s tail again, he would
be taken to the land of conscience, and severely punished.
The bad little bov said he didn’t care. To prove it, he pulled the cat s

tail.
At twelve o’clock that night, the witching hour, when Spooks and Goblins
and Fairies appear, the little boy awoke. He heard something meowing; the
sound of a car walking up and down outside his room, The sound drew nearer
and nearer. Peeping from under the covers, he saw Thomas, and beside him
stood the queerest little man. He had big round eyes, a long pointed nose, and
big hands dangled from little skinny arms, This little man was dressed all in
black, and carried a stick much bigger than himself.
The little boy shivered and said, “What do you want?”
‘A ou have been a bad little boy,” said the queer little man, in a thin
squeekv voice. “You have tormented this poor little kitten, and 1 have come
to take you to the land of conscience.”
The little bov looked at the tiny wee man and said, ‘A ou are much smaller
than I. I’m nor afraid.”
“Hokus Pokus,” said the little man and there appeared forty Tittle men
just like the first little man.
The Tittle boy was terrified and screamed, “Don’t touch me or I’ll shriek
and my mother and father will come and chase you away.”
In spite of his entreaties, the Tittle men flew away with the bad Tittle boy
to the land of conscience.
They flew for seven hours, and the little boy was very tired, for he had never
flown before. At last they came to a gate, and on this gate, in large letters,was
printed, “The Land of Conscience,” and underneath were the words, “When
people are not punished on earth as they should be, they are brought to the
Land of Conscience, and here they are punished as little or as much as they
deserve. Enter all ye wrong doers.”

&lt;s.

;g
m
--

1 '

£

m

&amp;

m
O:

&gt;:■

&amp;

1
m
'if &amp;
fi

11

ii

•I! . —

; -;A'

SB

c;:-

■

3it

i: A

I 5:A

IA

■¥

I

'■

-

!

:A

�an
t

D r l p Ij i r

All around this gate stood little men. They opened the gate, and walked
down a narrow lane. All of the little men followed the bad little boy and poked
him, and pointed their fingers at him. When the) came to the end of the lane,
they entered a dark, gloomy cave. In it, on a huge black stone sat another
little man. I his little man had a long grey beard. It was wound in and out,
and under and around, all the rocks, and sticks, and stones, in the cave. On
each side of this little man was another little man holding a torch, which cast a
spooky green light about the cave.
The little man sitting on a stone said, in a gruff voice, "What! another
bad little boy? I’m so tired! There are so many bad little boys. Proceed with
the case. What has this one been doing?”
The tiny wee man who had brought the little boy said/'Oh king and punisher
of all bad little boys! He has been pulling the tail of this poor little white kitten.
He throws stones at all the cats and dogs he sees, and once 1 saw him drown a
little baby chicken.”
The King’s face turned a livid green, and he said, “What, a baby chicken '
A chicken that could neither scratch or bark? Little boy, what have you to say
for yourself?”
The little boy was so frightened by this time, that his knees were all wobbly.
He said in a small, small voice, "Oh please sir, I’ll be good!”
"Well,” said the little man reluctantly, "as this is the first offense, 1 will
deal leniently with you. But I warn you, take care! Punishment number twentysix! You of the funny ears! Take charge of this little boy/’
At this, a little, shriveled up, old man with huge flapping ears hobbled
forward. He threw a ball of twine to another little man, and together they
began wrapping it around the little boy. The bad little boy screamed, and cried,
and kicked, but it did no good. When they had finished winding the twine
around him, they carried the little boy to the gate and pushed him off into the
darkness. The little boy fell, and fell and fell. He fell right past the moon,
and the stars, and the house-tops; and he fell into his own little room and his
own little bed!
Never again did that little boy pull a cat’s tail, or throw stones at dogs.
He didn’t wish ever to return to the Land of Conscience.

'•

.

I

Frances Rogers, ’25.

j
=

1

-2

1
j

1

�a r l *1 lit r

V;‘.

21

I

A Moonlit dmriten
T had flic pleasure of receiving an invitation to attend the annual reception
of the Countesse De Sarlande, and felt greatly honored, as this was to be the
social event of the season.
I may admit that 1 felt a bit conceited, when, at the appointed time, the
Countesse thoughtfully sent Jacques, the butler, for me. Being driven directly
to the front entrance by a span of beautiful horses, I alighted with a great deal
of dignity. Jacques escorted me to the kitchen, where the chief caterer wished
to ask my advice about the refreshments. Feeling rather overheated after the
important ordeal, I asked Jacques to escort me to the balcony. l ie immediately
fulfilled mv desire, by escorting me to a marble veranda, where I remained for
the rest of the evening.
Below me dreamed an old fashioned garden, carressed by the silvery splen­
dour of the moon. Would that I might have seen the wonders beyond that tall
brick wall, so completely hidden by merrily dancing hollyhocks.
The odjr of yiolets told me that a tiny breeze had floated up, to pay me his
respects. Clinging sweet-peas nodded their sleepy heads, as he lazily wandered
by; and the stately lilies of the valley, almost hidden by moss covered rocks,
tossed their heads as if to say, “We resent caresses.”
Mow I envied those garden people, who could bathe themselves in the
mellow warmth of the moon.
What was that? Out of a bush tumbled a small white kitten, completely
covered with burrs! How playful and carefree she looked, tossing and scolding
at those naughty clinging things.
A graceful willow bowed to it’s own reflection in the bright ripples of the
pond; only to have it’s vanity rudely interrupted by a frog who jumped into the
cool depths, to tell his playmates of the garden’s loveliness.
Now, you needn’t believe me if you don’t want to, but I saw tiny elves danc­
ing on emerald blades of grass, to the escaping strains of music.
What was that disturbing noise, that came to marr the beauty of the
night? Oh! Jacques! Why haven’t your shoes rubber soles? Must I go? Oh!
wretched creature! How dare you so rudely break in upon my dreams.
But temper didn’t remedy matters, and reluctantly 1 let him carry me away.
He took me to the kitchen where I was washed and polished, as I had never
been before or since.
Surely you are very stupid, if you haven’t guessed that I am the most
important person at all receptions of note, Madamoiselie Punch Glass.
Mayanna Sargent, ’25.

'

rC.vl

m
i§i

IU
A.

•-

j! 'K

-

!i *

i

i a-

-

1
%

; if-

3

j*

1

l!

1:

Av

s

Is
.

15$:
V

1

sc

%
::__

ii

�J

;!
!

i

|

0rlphir

22

Oil|p ^nuujgirrs
i
I

:
t

-

i
w

0
:
:
i

i

N Oricale, Arizona, the usual morning crowd lounged around the “Perry and
Lawson, Post Office and General Merchandise.” Mr. Perry, in his shirt
sleeves, was looking over the mail, reading with care all the postal cards, and
holding the letters up to the light, hoping to decipher their contents. Seated
on the counter was Mr. Seaboth, arguing hotly with Stanley Wilson, the young
forest ranger, upon the best way to cure a horse of balking, while an interested
group of cow-boys lounged nearby. On the floor, behind the stove, several
Mexicans were gambling, their eager faces strained forward.
A fresh arrival was heralded by the yapping of the numerous, hairless dogs,
which lolled about the room. This new-comer was a large Mexican, with faintly
curling mustache and a swaggering gait, who sauntered over to the group
behind the stove, and was soon wrapped up in the game
The forest ranger eyed him for some time, and finally asked, “Who is that
fellow who just came in?”
Oh that’s Pedro Ruez. He drives a burro train to the mines near Phoenix
with provisions,” some cowboy volunteered.
Where does he get all his money? If a pack train pays as well as that, I II
stop forest ranging poco beintot.”
“Why he’s as poor as Job’s turkey. What made you think he was rich?
“Well, look at him bet. He’s got five hundred down now, and going strong.
Is his the only pack train around here?”
“Yeah, but why so interested in Pedro all at once?”
“Oh, I thought you said he went to Phoenix, and every week from my
cabin in the mountains, I see a pack train pass headed tor Mexico.”
“You’re dreaming, Bo. There’s only one pack train this side of Tuscon.”
“Well, then it goes to Mex col”
“Nonsense,” the cowboy laughed. "Hey Pedro, don’t you drive to Phoenix
every week?”
Pedro looked up quickly. “Si, Signor. But Signor wan’ that I should
bring him somethin’ from there, with out doubt?” He smiled ingratiatingly.
“No, I was just wondering” the cow puncher answered, “Well Stanley, are
* ‘

i

vou downed?”
“I wouldn’t be apt to imagine a pack train you know,” the ranger growled,
with the umbrage one usually feels when worsted in an argument.
Just then the mail team from Tuscon arrived, and everyone rushed out to
get the mail and hear the news. To-day the excitement was over the arrest of

?

�m

i

i
9rl

li i r

'is-

23

S./I

cv

a smuggler, who was caught taking ammunition to Mexico, However, the
hubbub soon ceased, and the group scattered. Pedro whistled to his pup and
swaggered down the dusty road, to his little adobe hut, and the ranger on his
Indian pony loped off toward his cabin in the hills.
A tew days after the conversation in the store, Stanley trudged over the
plains in a very bad humor. A compulsory walk of twenty miles is unpleasant
at anv time, but particularly so after a long day’s ride. Wilson had left his
horse Chappo, standing, reins hanging, while he went to examine a cave nearby, and when he turned again, he had the pleasure of seeing the animal s tail
disappear in the distance. A large rattlesnake had crossed Chappo s path, and
forgetting in an instant his years of range training, he had headed lor camp and
safety, leaving the poor ranger to trudge wearily homeward, The sun had
disappeared behind the Rincon Mountains, and it was growing cold and dark.
Even now it was so dusky, that he nearly walked into a cactus in his path.
Suddenly he heard someone singing not tar away. Hurrying in the direction
of the sound, he came to a camp-fire. Twenty pack burros were staked near-by,
while a large Mexican sat by the fire, a dog, curled at his leet.
"Pedro Ruez,” murmured Stanley, “Hum, I knew he went to Mexico.
Anyway, I’m glad he does—I suppose he’ll bunk me for the night.
The dog sensed his approach tor he rushed out yapping, and Stanley only
saved his shins by calling, “Hey, Pedro, call off this pesky pup of yours.”
The Mexican started up with his hand on his gun, and a savage look on his
lace, then he hesitated a minute and suddenly whistled to his dog, as Stanley
sauntered over and sat down by the fire.
Pedro seated himself near, and fixed his keen black eyes suspiciously upon
his neighbor.
“Well,’’thought the ranger, “What are you so grumpy about?” and then
aloud, “My horse walked off, so you don’t mind company for the night do you?”

!i

:•

t.

P;
'

t!

ii ■&amp;.
■ll i- ■

ii
I;

•i'f
i:i

“No.”

He volunteered no further answer, and as there seemed nothing else to be
said, the two men sat in silence. The ranger gazed into the fire, but he was
aware all the time of the calculating gaze of the Mexican sitting across the
fire, his right hand in his pocket. In spite of himself, Wilson began to feel
nervous and before long, he got up and remarked, “Well, old chap, I’m tired,
so 1 guess I’ll go to sleep.”
Pedro motioned to a tent a few feet away, and still keeping his eye’s upon
the other man’s face, growled: “Sleep there.”
“Oh, all right, I’ll take this along,” and he reached for a blanket which
covered the packs.

1
-- •:

m

*

I

;i-5
V
;

S

a
.

1

-.5

»=.»

5

�j
2*1

!

i

;
i

i
■

D r l \\ h i r

The Mexican gave a leap, catching his wrist, and Stanley dropped the
cloth, but not before he had seen what was under it. Ammunition! Instantly
there came to his mind the headlines of the paper. “Two men arrested for
smuggling ammunition into Mexico.”
He turned quickly and looked at Pedro, who returned his gaze, his beady
eyes narrowed to mere slits. Without a word the ranger turned on his heels and
walked toward the tent, while all the way he felt the gaze of the Mexican upon
him.
Once inside the tent, Stanley stood for a moment irresolute, then sat down,
leaning against the canvas. Once again he seemed to feel the evil gleam in the
Mexican’s eyes, his sinister face lighted by the glow of the fire, and in spite of
himself, he felt a cold chill run up his back.
Suddenly, he seemed to feel a faint rustling sound, outside. He jumped
to the middle of the tent.
"Well, anyway, a stilleto can’t get me here,” he murmured, "If I only
had a pistol!”
For sometime he stood tensely, his ears strained to catch the slightest sound.
The silence of death was all around, and even though he stood in utter darkness,
he had the mysterious feeling of being watched. Again there was a rustling out­
side. A dog growled, and a muffled tone commanded him to be still.
Once more there was silence.
"I won’t stand here to be shot, at the pleasure of that greasy Mexican,”
Wilson murmured. Pulling open the tent flap, he crawled out and stood still,
his ears strained and every muscle tense.
The desert stretched for miles on either hand like a vast snowfield, while
far away the dim outlines of the mountains rose like spectres against the star
dotted sky. The weird howl of a pack of coyotes floated to his ears. Nearby,
the fire still smouldered, throwing flickering shadows like witches on the sands,
but Pedro and the dog were nowhere to be seen. His eye, following the sweep
of the desert caught sight of a vague silhoutte, of a man and a horse, moving
slowly toward the Mexican border, and he recognized Pedro Ruez in the man
crouched over the saddle.
"Well,” murmured Stanley, “I gue s the United States is rid of one smuggler
for good and all.”
Jean Muir, ’2.7.

�i

9 r l p lu r

•V

I
.&lt;

25

'.
%

IGittle SuH^trattmtH from tit? Suuuer ^rltnul

*•

■

N

■•:

'5

HOW I BOUGHT A CANARY
When I lived in Des Moines, Iowa, my mother and I went down town, one
day, to buy a canary. There were very many beautiful ones in the bird store.
There were pretty cages, too.
I asked the man, “How much is this beautiful roller?
He answered, “This is the finest singer I have, he is twenty dollars.
My mother said, “I think that Santa Claus will bring it to you.
Just then we heard the news boys calling on the streets outside the door.
Buy a paper! Camp Rodge to be abandoned!” It was true. We moved to
camp Lewis and Santa Claus forgot my canary. Perhaps he will remember it
in Portland.

§
:Y$
M

!

-

u
•I
ii

.

nAMERICAN LAKE
When I was at American Lake
I had lots of fun.
I watched the squirrels—
And fed the birds,
When I lived at American Lake.
I played in my swing—
And in my sand-pile, too.
And I watched the Snow Mountains.
All day long.

S
:;..

i; %
s..-

:

.

*5.

3
:

■

M a r v Burn Err— {Age &lt;9, 1931)

I

s

1

1

;
:
!
,

&gt;V=

:r

!££
;

�M

?

:1

.

!■ I
i
is

i
i
■

:

i

!|

i
I

;i

I 'HE first great event of the year in Athletics was the tennis tournament.
Miss Catlin’s School challenged the Hall. We put up two of our best
players, Susabeth Bruce and Catherine Martin. Nancy Nicolai and Mary Ann
Bishop represented Miss Catlin’s, and after two wellplayed matches won the
honors.
The Basketball teams were chosen amidst great excitement; the first team
is composed of the following players, Catherine Martin, captain and center;
Martha Hughes, side center; Lee Luders and Marjorie Pittock, forwards;
Gertrude Ireland and Katheryn Hennagin, guards.

i,

■

.

The second team is no less prominent than the first. The lineup is as fol­
lows: Hazelmary Price, captain and center; Doine Smith, side center; Helen
Shearer and Betty Sewall, forwards; Mavanna Sargent and Florence Volstoff,
guards.
On November the sixth, we played the first of a series of games with Catlin’s.
Both teams played brilliantly, and we came off victors after a hard struggle,
the score being twenty to sixteen.

■

'
:

J
i
'

There has been no hockey so far this hall on account of the delay in re­
ceiving the sticks, and because the weather has not been very favorable. We
hope to organize the team early in the spring.

�V!

i

3 r l \\ It t r

%

27

r'.
:■

'

'

%

c.

I

to
.

IS
K TOW I am not the kind of girl that talks, but, did you know: that keeping
^ order in the study hall has caused Bess Allen to lose her appetite,
that Hazelmary Price is trying to be a dignified senior,
that all the girls get a thrill out of Lee Luders,
that NVilletha Ritter is really working this year,
that the English note-books have turned into motion picture magazines,
that Miss Beede had a hard time keeping her dances straight at the old
girl, new girl dance,
that there is an ambitious lawyer in the senior class,
that we can no longer tell who is bow-legged,
that Bess Edwards is a budding genius, when it comes to making cartoons,
that Anne Wentworth is able to be with us again,
that Katy Martin is still our all-star athlete,
that Dorothy Haradon is becoming a great philosopher,
that Consuelo Hamor has begun to display unusual dramatic ability,
that it seems to be the style to yawn during class,
that there is plenty of soap and water for all those who fall into a paint box
before they come to school,
that we hope all the guilty ones will take the above hint,
that there is still a great deal of bobbed hair,
that we have a very nice school this year,
that everyone seems to like it better than ever,
that this will be about all.

f«

■

i!

I

!»
; “A*

3
■

m

&amp;

is
;

,vs
■

\
■

-

a

1

�|j

i

!
t
■:

1

!
I

M

1

,

&lt;

;

:
'they re riot }o rust_y d^te

1

Pan Toni 1 n e
A bo&amp;rde r

1

V

Do A* qe t
excite dj

It» only
Lunch
ho a »•

Wonder what
Wo.! limt* nintyoo lisK
nal•» llcnnajin fo f-ut
a lost Sign on me ITIy,
/^]bi4 sncS taxless Ha-dj
/
:v d..y pntwc b-t
I
i'-c 1 ooSeS a n ia t ly
0
/rent/1 booK,
o - .* r r gj-P, n shoes.
O'1/ v*.cll% shrSy oun^&gt;

■

'

i

the

Loata'nci^y'bu.'nd

l J u t g #T cleanedanJ
H« acI UlArjf
_ c am tv a nil
writ C t so'n«_/oot,:ih
_|Sontf op me. Ph«%vi
y

I

b

d

thin Ks about

77&lt;&lt;n1 noli* *
on me *b«ut h«rp«n
isn't OoinJ to do a
J bit y Oood, b-caior
"\ / noon«e«n reAcl thjl
b ut tf iVU are
/
s &gt;l\j, a t«.»j| v sln^inj V w A f 1 n 0. *5 h « n&lt; crrloi'njj
So*"«
° ou^ht 'to r A *
or d 01« d *•» m «l n 1 &lt;■* £
ircl Oh*
Pa 1 m#r rnriln
wcU^trlic T 00K
era ay. I'm
l.ul
krfpt n co_ ihilH
I’m amee sdsiO'blo
never sec
blackboard andnotad**!

I Unhl H«ml 3. tWy*«
to have se nior
it hi &gt; TlOO "i
poor v.ctum I I w ;» h
Thejeil have »t •"
r c r&lt; »M* I" *
while, J o I c ou lit
hnr all
II fl 1 e bi£ myJ
feriei I surety tiKe
1 h e Seniors.
___

iyi

r«
\
O
1
I

�•,

£

29

r-v

:

4*

-r:
$
■1

IS'
■

September 12
School opens to-day, and though we miss the graduates very much, we are
glad to see there are a great many new girls with us.
September
During the convention this month, we had several noted churchmen speak
to us in chapel. Among these were the Bishops of Alaska, Los Angeles and
Jerusalem.

Ii

September

A-'

Among the boarders there were three birthdays celebrated this month,
Lilly Thompson, Jane Knapp and Bernice Congleton.
September 2S
The old girls entertained the new, with an advertising masquerade, given
in the lower study hall. The room was appropriately decorated with Autumn
leaves and Virginia Creeper. Three prizes were given, the first going to DonnaJean Trumbell, as Cream of Wheat, the second to Katheryn Martin and May
Anne Sargent representing “The Gold Dust Twins,” and the third prize going
to Katheryn Hart, as Baker’s Chocolate. Katheryn Hennagin, dressed as
“Time to Retire,” was presented with the booby prize.

■II
1

'V

3

Y*
■

A

1

October 6
The tennis tournament! Miss Catlin’s School won both of the cups.

•' *31
$

1

$

K:
An

I

�I
V

I
311

i

;:

B r l It \ r

October
Donna Jean Trumbell, Isabel Johnson and Roberta Pittock, celebrated
their birthdays this month.

i

November 6

•:l

The first game of basket-ball, in a series of three with Miss Catlin’s School,
was played to-day and we won!1 The score was 20 to 16. We hope that the
next game will be as successful.
November S

!

i
.1

|

i

'i

■

i

.

!!

This week being music week an informal recital was held this evening in
the lower study hall.
November to
This morning at eleven, the annual celebration for Armistice Day was
held. A play entitled “The Spirit of Democracy” was put on by the elocution
and American Histon classes.

�I.
B11 ji Ip r

ry.

31

' }s
,

i

#■

r£
l

as
• !

1

:-j*.

I

S
w
•

..
..
;;

M

!i §
A great many of' our old girls are attending various colleges throughout the
country this Winter. Hazel Fairservice *20, Janice Parker 21, and Martha
Youlden are at the University of Washington.
Thvra St. Clair ’21, Frances Cornell ’22, and Margaret Boyer ’22 arc at the
University of" Oregon.

ij

:53'
2s
M

Catherine Overbeck ’22, Frances Spaulding ’22, Helen Ernst '22, Virginia
Pittock ’22, Janet Griffith ’22, and Hylah Fraley’ 20 are at Mills College.
Catherine Overbeck has been elected secretary of the 1* reshman Class.
]essie Smith ’20, Elva Mervy ’21, and Helen Van de Water 22, are at
Reed.

X
1

H-

'

' Hi
it

Laura Reed ’20, Medora Howard 22, and Esther Benson 22 are at O. A. C.
Phillippa Sherman ’22 is at the University of California.

Si

Virginia Edwards ’22 is going to Dana Hall.

! ^
ll:

Marian Farrel ’22 is attending Miss Spence’s School.
Charlotte Malboeuf ’22 is at Castillija.

:

1%

iX

1
;

. %
tv

r

•.•

: ;y;

�32

*-

3 r l \s It i c

i]

I

M

Helen Holmes ’22 is at Gaucher.

!'!

Conseulo McMillan ’17 is teaching High School at Yio&gt;lt, Washington.
Muriel Withers ’22 is teaching at Summer Lake

*

Ruth Jenkins ’20 is teaching at Salem, and Marian Jenkins ’20 is taking a
teaching course at Monmouth.
Vernita Watts ’20 sailed for Honolulu a few weeks ago.
Mrs. Heinerick Schmidt, Susan Green ’17, and baby daughter, Emily
Louise, visited relatives in Portland, during Septen ber.

;i

Among the volunteer workers at the Portland Free Dispensary are Mary
Helen Spaulding ’19, Janet House ’21, and Susanne Caswell '20.
Edith Marshall is attending art school this Winter.
Mrs. Leonard, Hazel Haines ’ 18, has returned to Portland lor the winter.
Mrs. Lcstes Wade, Lucille Brown ’17, was in Portland tor the summer.
Elizabeth DuMond, with her mother, Mrs. F. \ DuMond, has been in
Paris for several months. They will spend the winter in Italy.
Mrs. William L. Wood, Elizabeth Lambert ’90, is still in Arizona where
she has been for the last year.
Mrs. bred Strong and Miss Kate Holman are visiting in California.
Mrs. William Dudgeon, Martha B. MacLeav, of London, is being welcomed
to Portland after many years absence.
Two weddings of great interest were those of Doris Henningsen ’20 to
Severen Harkson and Harriet Walters ’22 to Nathan Thomas.

?

;

We extend the sincerest sympathy to Mrs. Evelyn Farrar Skinner upon
the death of her husband, Harold Otis Skinner.

�■?-

•S

i
3 r l p li i r

33

Q

I

lExrhaimrs

■s

' | "Ml* RK are a number of our exchanges which have nor yet come to us, but,
as it is early in the school vear we hope to hear from them, anti also, many
new acquaintances, before the next issue.

&amp;

y
2*
•i

The Delphic gratefully acknowledges the receipt of the following publications:

i

I

&amp;

'

The Garrulous Pine, Miss Catlin’s School.
A new paper to us. The short stories arc especially commendable for their
vivid descriptions. The abundance of verse shows that you have much talent
in that line. We hope to hear from you again.

\
I y

The Academia, St. Mary’s Academy.
Of the poems, "Peace He Still," is most worth) of praise. We compliment
you on your long exchange list.
The Sentinel, Harvard Military School, Los Angeles, California.
Your "school notes" are most interesting. I he whole paper is brief and to
the point. We hope you will come again.
■

Saint Katherine’s Wheel, Saint Katherine’s School, Davenport, Iowa.
"My Life At Saint Katherine’s," is an excellent theme. Your Calendar is
also delightful.

!

The Olvmpus, Olympia High School, Olympia, Washington.
An ideal high school paper. You are new to us this year, but we hope to
see you again.

\

: #

-K

I

?

Or
:

We acknowledge also: “The Cardinal,” Lincoln High School;
Kmerald,” University of Oregon; “The Oregon Churchman.”

'■

§

The Lens, Washington High School.
A good magazine with very fine editorials. Next time we hope to find an
exchange department.

1
S-

“The

I! ' $

IS

$
$
!
;

S3

$

�34

S r 1 ji lj t r

(Sifts tn thp
iiall
&gt;
s
»

SHORTLY before the opening of school in Scpten ber, a beautiful wrought
^ iron cross of Flemish design, was erected on the cupola of the chapel wing,
in memory of our late, beloved chaplain, the Reverend W A. M. Breck. The
cross is a copy of one brought from Coutrai in France, and is the gilt ot the
students, a large share ot the contribution coming from the class of 1922
The Alumnae Association has recently given the Hall an excellent gasoline
lawn-mower, thereby enabling our faithful Janitor to keep the large lawn, and
the school campus in fine condition. In addition to this useful and practical
gift, the Association has placed in the hands of the Sister Superior, a cheque for
three-hundred dollars. This is to be used for a marquise to be placed over the
front door. A handsome design in wrought iron and opaque glass has been sub­
mitted for approval and it is expected that the marquise will be in place before
the first of the year.
Two pictures of unusual interest have been added to the many beautiful
ones which already adorn our walls. One, “The Choristers,” is the gift of Miss
Mary Failing. It was presented years ago, to her mother by Bishop Scott, the
first missionary bishop of the northwest, and hung for many years in the old
Failing home. The other is a small but very beautiful photograph of a portrait
of Miss Catherine Wolfe, painted In- Sargent. It will be remembered that Miss
Wolfe and her father gave the land on which the original St. Helen’s Hall was
built.

�1

$.

I
0 e 1 p 1) t r

35

-

ri
&amp;

§&gt;rlmnl ®mtors
L OR the past two years, Bishop Sumner has offered an Honorary Day
Scholarship,’ for the pupil m the senior year who passes with the highest
marks, in six points, in the College Board examinations in June. Gertrude
Ireland won the scholarship this year.

;.rS

m.
'/?-*

\

VI

a

Si

*

I he school also offers a prize of one hundred dollars to the Senior who passes
highest in all the examinations required for entrance into a standard eastern
college. This year the prize was won by Catherine Overbeck, who completed
her preparation for Wellesley, passed creditably all the Entrance Board examinations, and received “Highest Rating” in English.

%

3

Roberta Doutv exhibited several landscapes, done in pastel, at the Salem
State Fair in October. One of these was awarded a blue ribbon, and one a red.
Incidentally, Roberta’s horse, “Romping Pea Vine” won a blue ribbon on the
same occasion.

ft
*

Anne Wentworth won the medal given by the “National Society of Colonial
Daughters,” for the best essay on a Patriotic subject. The Essay is printed
below.

r.t

tulip Arms (ttmtfrmtrr

£
'

:■■■

pHE world war brought such ruin, want, and suffering that the people deemed
it necessary to evolve some plan whereby future wars should be impossible.
America was the first to act. Since she had not felt the blow of war as keenly as
France and England she could more easily entertain. In the spring of nineteen
twenty-one, President Harding sent an invitation to all nations to meet at the
capitol of the United States on the twelfth of November. In his opening speech
he said:
“Gentlemen of the Conference, the United Stares welcomes you with un­
selfish hands. We harbor no fears, we have no sordid ends to serve; we suspect
no enemy; we contemplate or apprehend no conquest; content with what we

%

•T'-

£
!-

"=
&gt;

£

i
»
■

h
*
“

�!
'
*

'

;
:■

S

i

;
:
■

1

:

3G

0 r 1 \\ It t r

have we seek nothing that is a not hers. We only want to do to you that finer,
nobler thing which no nation can do alone.”
Each nation was represented by some of her most able men. Among the
most prominent delegates were: from England, the Right Honorable Arthur I
Balfour, Lord President of the Council. The most important of his many
offices have been those of Secretary for Scotland, Chief Secretary for Ireland,
Prime Minister, First Lord of the Admiralty. His philosophical temper makes
him “calm in crisis and unfussed in victory.”
Aristide Briand, Prime Minister, headed the French delegation. “No living
politician has snatched so many victories from so many defeats.” He has held
the office of Minister of Public Instruction and Fine Arts, Minister of Justice
and Cults, President of the Council and Minister of the Interior.
Japan’s delegation was headed bv Prince Tokueawa who is President of
the House of Peers, \i democrat in Ins views and actions, a member of no
political party, and a student of international affairs.”
It is an interesting fact that all the Chinese delegates were graduates of
American Universities. Dr. R. \ . Wellington Koo, former Chinese Minister,
is a graduate of Columbia and during Ins student days served as editor of the
Columbia “Spectator.” He returned to China in nineteen eleven and was
appointed Secretary to the Ministery of Foreign Affairs.
America’s representation included Mr. Charles Evans Hughes, who presided,
and represented the Administration; Mr. Cabot Lodge and Mr. Underwood
represented the Senate and the two parties in it; Mr. Elilui Root represented
the public.
It is unquestionable that men of such standing and ability can not agree
to relieve the world from heavy taxes and constant fear of war.
To many, as President Harding made his first speech on the opening day,
was made clear the significance of the two succeeding days—the burial of the
“Unknown Soldier,” who symbolized our grief over the sacrifices of the war
just passed; and the opening of the Conference which symbolized our hope of
making such sacrifices unnecessary.
The keynote of the whole Conference was sounded when Charles Evans
Hughes, the American Secretary of State, said:
“If we are to disarm we must do it.”
His suggestions were that the powers declare a ten year naval holiday in
which no ships for war be built and offering to scrap a large number of our battle­
ships completed and in the process of being built and that Great Britain and

�J

1

Dv1

hi r

.!
: %
$

g

37

Japan^do likewise, making the United States’ and Great Britain s ratio five
each to Japan’s three.
£yj 4 When news of this wonderful treat}' was flashed to all parts of the earth,
the whole world seemed to take on an entirely new view of life. The veterans
felt that thev and their dead comrades had not fought in vain and the world
would not have to go through long years of depression again.

a

•I w

'll'

Ifl

Ifi

I

f

I

“One shall prevail there at the Conference,
Where nations meet to draw the fangs of war;

'

4*

One shall prevail, but not by eloquence,
For he is silent as the strong ones are.
i

The mighty army of the sacred slain

i

Would rise and roam the earth and cry

I

‘Oh statesmen of the world, why did we die?
Why lie we here—we who held life so dear?’
This is the message that the ‘Unknown’ brings
Back from the world from those behind the veil
They will not dare ignore Earth’s honored one
There at the Conference he shall prevail.

»»

4:
I
%
■%

. 4■

■

S3
4.

1

'!:rf
&lt;-

i
i: 4
i: %

1

i.
:

—
V

�''
38

0 r l \s It \ r

I

i

'

(Halmhar, 1922-UJ23
Registration ot Pupils, September 8th and 9th.

!

1

The Fifty-fourth Year begins September 12th.
Thanksgiving Holidays, November 29th to December 3rd.
Christmas Vacation, December 15th to January 3rd.
Second term begins January 29th.
Washington’s Birthday, February 22nd, holiday.
Faster Vacation, April 6th to 16th.
Final Examinations, May 28th to June 1st.
Commencement, June 5th.

■

1

I;

■

�&amp;

—f

+—

m
m
i
■ j

We Ask You
To Patronize
Our
Advertisers

a

W
:;4a

i
1m

*

M

*(SS

; ^
i

a

:

A

PiS-

.

Ig
^S-

:!

s
$
;

•—-

u

C*&lt;

;

J a ^

■

S

a

$

—m—— *a — m— bi —

1 —• ta—u •

•GO — BO — QJ — BE — M-

Patronize Our Advertisers

—— 4.

3

Si
«

s

iT

H

�:

I

i:

t
i
■
i■
I

. r

■a------- ---- --------

dc — ra ——

K”—

**&lt;

-»“------- fl3
’

COiVi I&gt;I

C. G.

I

r

I
I
■r
I

------i

pa'

-• ■«

Aments

oi-

tt

^pleo^h

g

:
1
1.

I

I
I

.i
i
i■

i.

1

i

Established 1S70

I
I

EXCLUSIVE

i

I

!i
I

furrier

PORTLAND,

i

Portland’s
Oldest
Fur House

35z ALDER STREET
Near Park
Telephone: Main 4061

I

Compliments of
:
I
B
!:
I
I
Ir
l
G
It

;

I
I*
I
£
I

K

THE NORTHWESTERN
NATIONAL BANK

I

I

TheNorthwestern
IIBlNational Bank
33 53 31

aa-aa-i

Northwestern Bank Bld’fc.. Portland.O report

c

I
-

•J*«—- *■ — » — CP

'

:
I

■:

1,‘lffilis;!® 33 58 89

r

I
I
I
e
:I
I
I
.■

I
I
t
:I
I

li
mi
giSiSil 33 3?a 9!
nil ii f* m vt
HJj-U 11 MA 11

.
I.

ORKGON

:
I
I
i
I

1.

!I
!
3
I

■

I:
I
!
i
i
!

■

i
I
i
i

I
;
1

I

I

I
I
I

6

I

■« —w —Bl —M —M —W —.IP —g.. ■ ,M

X» — O ■

.n____ BO —o»—-------- a —u —U&gt;.

Patronize Our Advertisers

*

�i

i

.

------ 1

t——

M
'.vv

j

!
I

For Those IFho IFant Only the Best

“ Rue de la Paix ”
Chocolates

m
2s

E

"frtH

-A good book, a warm, cozy fire&gt; and a box of
Rue de la Paix—what wore could be asked.

;

U

jj

..
%

i

W

THEY'RE MADE IN OUR OWN CANDY KITCHENS

$8

lu^mnWoff &lt;6(So.

%

cJ"Merchandise of ^Merit Only

■i

W]

i S
e
$
Compliments of

.

&amp;
:

'

^lurtlaitb “Eibing jXcaiunttu

:V'C'

697 Johnson Street

&gt;%

ry;

1
MAIN 0973

HARRY M. Kir RRON

4-

+■

Patronize Our Advertisers

—
^—

es
h:
V

&amp;

�+—

!:

« —«o —cc----- m------ *t —oi — u------nr — tw — na — oa

THE

IRWIN-HODSON

■:

■

»i

COMPANY

i

PRINTERS
STATIONERS

&gt; «a—rxa —. ro

*a — m. — *a

n — oa — ia — om — b* — " — »

SMITH’S
FLORAL SHOP
Tommy Luke, Proprietor

"Your Florist”
!
!

Main 7215

141 |j Sixth

:|

Fink Studio

'.

Rubber Stamps

Character
Portraiture

rl
!

PERSONALITY and EXPRESSION

1

387 WASHINGTON STREET
Pittock Building

Fliedner Building
Washington Street at Tenth
Broadway 1545

OPTICAL GOODS
CLASS PINS
DIAMONDS
JEWEL R Y
WATCHES

::
f

1

Sales a)id Service

Staples the Jeweler
OPTOMETRISTS
266 MORRISON STREET
:
1

+

+■

Patronize Our Advertisers

�i ;- "

:m

■*

*

tz
■

£
3?
M
!?■-

► ti

&lt;ir«

:i H
;
■

ll
West Park

and

Washington Streets

n.
,

i!

Portland, Oregon

H,
■

1 -*•

F. L. Freeberg
Grocer
Lunches

and

Stationery

m
■

465 MONTGOMERY STREET
Main 7344

3

s

:

Ii

:
i

Olds, Wortman &amp;l King

7^

It

I1 a

Portland's Popular Department Store

!

$

OCCUPYING ENTIRE BLOCK

£

BOUNDED BV

MORRISON, ALDER. TENTH and WEST PARK STREETS
PORTLAND, ORE.

.
r-

: -

bL.

He gire S. 6? //. Green Trading Stamps’'

+•

m
r/C

*
Patronize Our Advertisers

-■

c«

:

a

�I
n

'

i

t

C3 —

CLARKE BROS.
f~ l_ o f=? i -s -r s
MOr?r? I SON STREET
UCTWEEN rOURIM ANO ClT TM

! i

.

Try our famous
J. C. Chocolates

:!

COFFMAN’S
152 Broadway
Near Morrist&gt;n

"e make all our own candies
t

PIANOS — PLAYKK PIANOS
PHONOGRAPHS AND RECORDS
G. F. Johnson Piano Co.

■

&gt;49 Sixth- Between Alder and Morrison
1

FLvrkkr'S Mark 1:1'
Prime Meats Only
I

169 Fourth St.

Main 09S9

FOR
YOUNG
WOMEN
Camel Hair Polo Coats.
Burberry Coats for General Wear.
Sweaters in Various Styles.
Silk Scarfs and Wool Mufflers.
Umbrellas and Riding Crops.

1

CHICK EN
HOT TAMALA
a)icl
CHIU CON CARNE
Scnrtt .ifternoon mut Evenings
We
Serve Special Lunches
lor Students from
10:45 A-M* to 4 i’*M.
Regular Meals Served from
7:30 a.m to 7:30 P.M.
FOUNTAIN SF.RVICK
ICF. CRFA.\I .01,1 SOFT PRINKS

K. S. ERVIN &amp; CO., Ltd.
Established /&lt;)Oi
Second Floor Selling Building
Sixth and Alder Streets

The Servrite
Main 1686

*•

T

Patronize Our Advertisers

I

:

= Si

410 Montgomery St.

�V

m

t

t

Yb

THINGS
n’
l»'

-m.:,
*

m

ONE of the really big q ucstions is
how to get the things we want.

W
Wk m

v-

%

The best way to get them is to
plan for them and save for them.

v • :/

Open a savings account at the
United States National, (a dollar
will do) and save a little each
month.

■

i

$

il
♦

"One nj the Northwest's great banks”

GTFie UnitedSlates
NationalBank,

fl •M

PORTLAND
OREGON
SIXTH STREET VAT STARK

ru

Established

■:

The name that stands Jor quality in
Good Things to Eat

Headquarters tor

ART STUDENTS

HI

Tempting Oyster and Crab Dishes

ii
—Seeking information on Oriental il
weaving and color blending.
In for- |
mation on colors gladly given.

Vr

Dainty Salads
Tender Steaks and Chops
Hot Chicken Tamales

Have you seen the many new im- j
portations brought by the Cartozian :
“Caravan” from Persia?

Fresh Homemade Pies and Cakes

We pride ourselves on the excellence and
variety of our delicious Fountain Ileverages
and Sundaes

THE

HAZFLWOOD
38S Washington

{

'
* ;N
' {

Cartozian Bros., Inc.
ONE PRICE ORIENTAL RUG
TEMPLES
393 Washington Sc. (Pittock Block)

BROADWAV

HAZELWOOD
127 Broadway

Portland, Oregon

a
+■

—&lt;

rti

j

I

,3&gt;
An

.
1

I

o
ii

Patronize Our Advertisers

'

i

�•i
I

jl
\

t

't

t

THE IDEAL
CHRISTMAS GIFT

! I

wear with wool hose
F OR
are these SLATER

I

oxfords of tan grained calf­
skin.

\

A Berg
Glove or Merchandise
Order
// Berg Glove or Merchandise Order
Sold for any amount
Good anx time

;

STAIGER’S
288 Morrison Street
Corbett Building

formerly known as Lennon's

THE FLYNN
GIFT SHOP

CHRISTMAS
GIFTS

?;

3

Morrison Street opposite Postoffice

GIFTS FOR ALL
OCCASIONS

■

Seventh Moor Northwestern Bank
Building
Morrison Street—Opposite Portland
Hotel

JAPANESE AND
OTHER PRINTS
PORCELAINS
FABRICS

JOCELYN FOULKES
PIANO

BERTHA
STUART
109 10th Street

Instructed in Leschetizky principles
by Malevine Bree in Vienna.
Coached in Modern Music and Inter­
pretation with Percy Grainger
in Chicago.

*

+■

Patronize Our Advertisers

�.
%
•:.v
----+

■

! S'i:

Knives

Saws

m

3

1t

SIMONDS MFG. GO.

s?
!

■^ISSfF

:I

f

1

si
26
■V

“T/ie Saw Makers”

X-

s=S
•T'%
San Francisco,
Cal.

Seattle,
Wash.

Portland,
Ore.

STEEL

HACK SAWS

FILINS

4

Compliments oj

(!l.

lEntst

S^“

i

!

t=T-

OJaitim (Go.

:
-S'-

BROADWAY AT WASHINGTON

PATRONIZE OUR
ADVERTISERS!

■i'-r

5-

1

Martin &amp; Forbes
Company

!

n

-■sy:

•:,c

FLORISTS

'W.

•;;4 Washington Street
Main 269, A-1269

Portland, Ore.

$
&gt; %-i

4«r.

Palro live Our Advertisers

j: aII
,i
: ■?'

i

���I

:

�;•
-

i

!
»- s -t AaZ

!

■

*

(■'

■

&gt;

I
e
m
-•

S

’

?\5
&lt;

I«a

&gt; VI

&gt;

&gt;r-.:

-----

'

&gt;

&amp;
ft-

V

■ :]i|*-y,

•r

..

;
i

-

:

'

u-

: ;n

5

c

%

•&lt;5

■

.

&lt;:
f

-•

-

c-

i
: &amp;"

»**

laH
:r- ’• •

-

:

■i

\

C
V

;

v

i.
-

�:! !

t1, i!.
k

:
.

■

i i ■wk
c
v:'■ " -

i 1 )
!•

•

'■

i

:I1 ^

i § Ip
M

-

-

'

/

■.

■

...

•

■

;
;

:■.■■■;

'

.

..

~

?

■

■.

:

:

:

■

••

:

1 •::

■■

5

£f.;. j-»-’

v
S:s £
■

-

■

%

■

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Oregon Episcopal School Yearbooks</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>This is a collection of yearbooks from the Oregon Episcopal School (OES). The bulk of the yearbooks are from St. Helen's Hall, with yearbooks also from the Junior College as well as Bishop Dagwell Hall. The title for the OES yearbook evolved from The Delphic to The Legend-Delphic. The title for the Junior College Yearbook was The Scintilla.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="4">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5">
                  <text>1921-1923; 1931-1995</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>Yearbooks</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="78">
              <name>Extent</name>
              <description>The size or duration of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="10">
                  <text>85</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="79">
              <name>Medium</name>
              <description>The material or physical carrier of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="11">
                  <text>bound volumes</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1298">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1299">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1300">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1301">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1302">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1303">
                  <text>Student publications</text>
                </elementText>
                <elementText elementTextId="1304">
                  <text>Teachers</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="23">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="24">
                <text>bound volume</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25">
                <text>The Delphic - Christmas 1922</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26">
                <text>School yearbooks</text>
              </elementText>
              <elementText elementTextId="259">
                <text>Students</text>
              </elementText>
              <elementText elementTextId="260">
                <text>High school student activities</text>
              </elementText>
              <elementText elementTextId="261">
                <text>Student publications</text>
              </elementText>
              <elementText elementTextId="262">
                <text>Teachers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27">
                <text>This is one of the oldest OES yearbooks, dated 1922. The yearbooks were published annually after 1925. Yearbooks from 1921-1968 were known as The Delphic and were created by St. Helen's Hall students attending in their high school years. St. Helen's Hall was an all-girls school that pre-dated Oregon Episcopal School. In 1969, the yearbook evolved into The Legend-Delphic with the addition of Bishop Dagwell Hall and male student attendees. After 1986 the yearbook branding begins to singularly list "OES" with a few volumes referencing "The Delphic" or "The Legend Delphic". Yearbooks helped to chronicle the school year's events and activities, in addition to listing each student and staff member.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28">
                <text>Oregon Episcopal School</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29">
                <text>1922</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="32">
                <text>oes_delphic_christmas1922-compressed.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="3" public="1" featured="0">
    <fileContainer>
      <file fileId="3">
        <src>http://archive.oes.edu/files/original/6b379d196dc3d15085be89278e56cb86.pdf</src>
        <authentication>fa1862ee07603ad8f1d1ac4411ddd106</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="92">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="244">
                    <text>���u

■

t

PRESS OP
LANE-MILES STANDISH CO.
PORTLAND. OREGON

’I

j

I:
*

r

'i
i
:

r

..
;;

if

f
:4

i

■■■

■

i

�/
/

❖
I

®elpf)tc

c

i

Cf)ri3tma£
1921

1

;
:
!

!
r

!
!

k

�Editor-in-Chicf

Marion Farrell

Literary Editor

Helen Holmes

Assistant Literary Editor

Catherine Overbeck

Kalendar

\ Philippa Sherman
I Virginia Edwards

Old Girl Notes

.

Virginia Pittock
\ Janet Griffith
/ Elizabeth Holbrook

Art
Exchanges

Margaret Boyer
\ Leah Estelle Rose
/ Margaret McAlister

Business Managers
Advertising Managers

1

I

n

.

( Frances Cornell
ji Helen Parker

�CONTENTS
Page
Editorials.............................. .
What’s the Use ................
The Hole In the Wall...........
The Welsh Kitchen........
Tartar of the Range.................
It Was Ever Thus....................
Sunset ....................................
Poetry Versus Football...........
Edwin Arlington Robinson. .. .
Among Us Students (Cartoon)
Kalendar .................................
Idlers Notice............
Old Girls’ Notes.....................
Exchanges ................................

7

12
14
15
16
17
18
20
24

25
26
29
31
33

(
;

�;
.

Df.lphic is published twice during the school
year. Contributions are solicited from all the students.
Literary communications should be addressed to the
Editor-in-Chief. Business letters and subscriptions to the
Business Manager.
Subscription: $1.00 a year.
VOL. 26

i

.i

;
j'
:
0
.!

:
='

'

DECEMBER, 1921

No. 2

�!

I

I
f.
.•I

3.

\

Eintmuala
^\T last to us of the class of Nineteen Twenty-two has been entrusted the
management of the Delphic—our paper and your paper. During
three long years, the magazine has played an important part in the lives
of us all. Each one of us has read the Delphic, most of us have praised
it, some few of us have criticized it, and the bravest of us have even
contributed to it. Of course, we have looked forward to the time in
which much of the responsibility should fall upon us; and, now that that
time has arrived, it remains to be seen whether we have spent our days
idly, in considering how fine a Delphic we should publish, or wisely, in
considering how to publish a good Delphic. We look to the under­
classmen for judgment, because the magazine is the property of the
school. We are merely caring for it until it shall pass into other hands.
In his opening address, Bishop Sumner expressed the duty that every
pupil should feel. She should consider herself in honor bound to do
nothing that might in any way reflect on her school, Each girl is not
merely a pupil here—she is a part of an institution that has stood the test
of over a half century. These years have not all been prosperous. There
have been years when the prospects for the future loomed up very darkly,
indeed. But, through it all, St. Helen's Hall has not once lowered her
standard of scholarship, even though it might have been at the cost of
failure.
There are two links that connect us with the world at large, The
Alumna? Association, which represents the glorious work of the school
in the past, and our Delphic. The paper is the exponent of the girls’
work at the present time. It shows the abilities of the girls both in
literary affairs and in other activities of the school. It is here, too, that
our school spirit must necessarily be reflected. Therefore, we the Senior
class of ’22, pledge ourselves to make this year’s Delphic full of school
spirit while not lacking in literary merit.

•3

■
■

�8

iD C l p \) l C

*:
/11 HE helpful speech is the one which touches a vein in every human
^ heart, the one which can lend instruction and comfort to ever)'
listener, not merely to a few. Such were the addresses given the girls
by Bishop Touret of Idaho and Dr. Micou, Secretary of the Board of
Religious Education of the Episcopal Church; for no emotions are more
universal than loyalty and reverence. What mind is there which does
not at some time think upon reverence, what heart which does not beat
with loyalty for at least one person or one ideal? Yet many are led
astray either by a false standard of loyalty or by something not godlike
yet called reverence. This happens when loyalty and reverence go not
hand in hand, when the one is not a part of the other.
These two keynotes of human life and society, loyalty, and rever­
ence, were the subjects for the two addresses. While the one dealt with
reverence alone, and the other with loyalty and reverence combined, to
me the two seemed as one. To be sure, there was no intention of sim­
ilarity. The manner of delivery and the thoughts were altogether differ­
ent in the two, yet in my mind they will ever be associated, Bishop Touret’s
speech as an introduction to Dr. Micou’s, which, in its turn, was a subtle
answer to the subtle question asked by the Bishop.
Bishop Touret spoke of the lack of reverence and of the excessive
use of slang during the present day. He humorously declared that every­
one must have a goat, but try as he might he could never see one; and,
therefore, was continually searching for the goat so often mentioned.
He touched upon the conceit of the day when he asked if we had had so
much experience that we could “tell the world.“ He remarked that,
wherever he might go he heard “I’ll say so,” “1 11 tell the world!” How­
ever as enjoyable and helpful the Bishop’s speech was, he had merely
come to bring greetings from St. Margaret’s school and to say a very few
words; and he left the remaining time to Mr. Micou.

flf

Mr. Micou spoke of two loyalties, the greater and the lesser. He
spoke of loyalty as a wonderful and beautiful thing in life if one knew
how to avoid conflicting loyalties, how to let the lesser give way before
the greater. He mentioned the different kinds of loyalty, first with
examples from everyday life, then with examples from the life of Christ
in proof of the truth of his statements.

.

•i

:

•i

He spoke first of loyalty for friends and of what a wonderful thing
it was. He declared, however, that where loyalty for one’s friends con­
flicted with loyalty for one’s school, the higher loyalty for school must

�ZD c l p fj i c

9

prevail over the lesser loyalty. He declared it no disgrace to report a
schoolmate if she had done something that might reflect upon the school;
and mentioned, for example, the policy of his own school, by which any
person who cheated or lied was not a gentleman and therefor was not fit
to associate with gentlemen.
He then spoke of the false loyalty; and, as an example from school
life, he gave the stadium to be erected at Berkeley, In that case a comparatively few students compelled the whole student body to give money
for years to come for a stadium when dormitories were needed. He also
mentioned, as an example of false loyalty in the state, the few agitators
who are trying to stir the people to a war with Japan. Then, as the
greatest loyalty possible to people of this world, he mentioned the loyalty
for the world at large shown in missionary work and in caring for the
poor. He quoted the words of Polonius to his son, “To thine own self
be true"; and remarked that to be loyal was to be true to oneself.
He spoke of the life of Christ as an example of the greatest loyalty
possible. He remarked upon Christ’s loyalty to His friends and quoted
His words: Greater love has no man than this, that he lay down his life
for his friends." He declared, however, that He sacrificed His friends
to His work. He mentioned His sacrifice of Judas, and recalled His
answer when told that His mother and brothers awaited Him outside the
temple in which He was preaching, “Who is my mother and who are my
brothers?” Yet as Mr. Micou remarked, His last thoughts were of His
mother, two of His last speeches from the cross concerning her. He
prepared for her future safety amidst His own sufferings. The speaker
then called to mind His loyalty to His ruler in His words “Render unto
Caesar that which is Caesar’s, and unto God that which is God’s. How­
ever. His loyalty for the world at large was His greatest loyalty, Mr.
Micou declared; because He drove the Jews, His countrymen, from the
court of the Gentiles when they were changing money there and pre­
venting the Gentiles from listening to the word of God.
In conclusion, he declared that if we had true reverence in our hearts,
every conflicting loyalty would straighten; the lesser giving way before
the greater.
M. B. ’22.

!

V

�10

lls
!

'

v

1

i

:

iD C l P IJ l c

^IjtjtAS t*iere ever a Western girl who did not, at sometime in her
scholastic career, secretly desire to finish her school-days at an
Eastern college? Perhaps the wish was made at a moment when she
received some test-paper bearing the much-coveted mark that is dis­
tinguished from all others by virtue of its altitude. Or—perchance the
■words of a speaker stirred her latent ambition.
The ambitions of St. Helens Hall girls stirred recently as Miss Morris,
registrar of Mt. Holyoke College and member of the College Entrance
Examination Board, talked to us and told some of the reasons why a
Western girl should take her college course in an Eastern school.
Miss Morris first spoke of the value of tradition. The traditions of
the lives and ideals of the men and women who founded the schools,
permeate and influence the life and spirit of these institutions to-day.
Afiss Morris gave Mt. Holyoke as an example. Founded in 1837, by Mary
Lyon, a New England school teacher, who believed in the importance of
■woman’s education and contended that the girl should be as well educated
as the boy, Mt. Holyoke still maintains the ideas of high education of her
founder and her ideals of democracy, sincerity, simplicity and desire for
service. Each year she sends from her halls women who are prepared,
by their education, ideals and religion, to lay numerous gifts at the Altar
of Sendee to Others.
The type of education offered by such a college, was said by the
speaker, to make its curriculum especially desirable. The courses are
purely cultural and allow no vocational work; thus they give the student
a general foundation of learning, which, while it gives a knowledge of
many things, prepares and fits for a specialized training. She further
remarked that every day educators were coming to believe more thorough­
ly in the preparatory work of a cultural course.
Small classes, and the close individual contact of professors and
students were mentioned as other advantages.
Miss Morris spoke particularly of the benefit of distance, and that
ft was worth while to go East to college because of the very fact that it
took one away from home. The student might then acquire a broader
viewpoint and avoid that aptness to become sectional. This fact has been
appreciated in every part of the nation, for the enrollment lists of Western
colleges have shown that an ever-increasing number of Eastern men and
women have sought their college training in schools distant from their
homes and accustomed environment.
It was pointed out that a woman’s college presented opportunities
for leadership and independence which the girl was denied in the uni­
versity where the men were the leaders and held the chief offices.

�Seiji fcic

11

.

But in order to preserve the standards of these schools, the student
must have certain subjects and possess the ability to continue her work
in deeper channels. Miss Morris stated that the College Entrance Exam­
inations had fulfilled their purpose satisfactorily and nearly always a
student who had the “content" and was able to express her knowledge,
had been found capable of carrying college work.
In concluding, Miss Morris advised the girls not to think of the
examinations as a barrier, but as a challenge to prove their fitness and
ability to receive a higher education. She expressed the wish that some
of St. Helen's girls might pass their college days in Eastern schools and
might become imbued with a love of learning for its own sake; that
some might investigate various branches of art, philosophy or science in
search of Truth.
L. E. R. '22.

OS) mum
REGON! To some that word means nothing. To others it conveys
a vague idea of space—a state, far out on one side of the country,
with no particular form or use, except that it always rains. To others, it
means so much that it makes their hearts warm when they hear the word.
To this chosen few, it represents a country, mild and fragrant. The
memory of the scent of the fir-covered hills makes their nostrils tingle.
The pungent odor of dewey grass seems to reach them, no matter how far
away they are. Even the warm sun seems to penetrate them with its
message of life.
In the heart of the state, at the joining of two navigable rivers, there
is a city—a town once—a city now. There, friendship is a little truer
and one can make friends without half trying. The sun is a little brighter
and a fresher breeze is blowing. In spite of the much-exaggerated rain,
the skies are a trifle bluer. In the heart of the city there is an atmosphere
of work and strife, as in every other gathering of human beings, but
there’s more of giving and less of buying, more of reaping and less of
sowing. Away from the bustle of the city in the residence sections, the
bonds of home are a wee bit tighter. The restful hills and snow-peaked
mountains guard and inspire every day.
This city is open to everyone, but may those who consider it their
home, ask that none enter it criticizing. May the world be its guest in
the future and may the people of the world learn to love it for its scenery
and true worth. But may they not harm or hurt it in any way.
Dorothy Haradon ’23.

,

�12

iD C l p !j l C

it !

LITERARY
Uliafii the lUu'?
&gt;

'!( JOHN MERCER, am leaving these trodden paths of men. At the end
-W t of the present month I shall be deep in the heart of Africa, where
I may find relief. During my boyhood, 1 was almost normal in all re­
spects. 1 participated in sports and enjoyed outdoor life, although scien­
tific reading claimed much of my attention. In my second year of
college I fell ardently in love with the daughter of one of my professors.
She, however, gave no response as she seemed to prefer the frivolous
chatter of my rivals to my serious and scientific discussions. My chief
rival happened to be a commercial student who was preparing for an
advertising agency and was very enthusiastic over his work. Much to
my disgust, Matilda seemed to enjoy his lectures on the art of getting
money through the “ad.” I was frequently a pained spectator of his
fascinating effect on the girl I loved, and as I watched the display of
interest with which she listened to his silly chatter about pamphlets and
posters, I grew to hate the mere thought of an advertisement
The worst shock of my life came when my rival married Matilda,
although I cannot say it was at all unexpected. It seemed to turn me
against the world and I found my companionship in the musty old volumes
of the school library. Here I spent most of my time reading anything of
technical or educational turn, but taking the greatest interest in Ancient
History. I mused upon the wonderful civilization of days long past that

-

!
!

i

't

i!

i

I

�2D c l p hic

13

compared so favorably with the sordid, narrow, money-grabbing races of
today. The ancients were philosophers and poets while we are a race
with one ideal—the gathering of the almighty dollar.
From this secluded life of college I was precipitated into the midst
of the environment 1 so despised. My uncle died, leaving me an immense
fortune, and a prosperous and growing business, which required my
particular and immediate attention. Here I was confronted with the very
phase of life 1 so hated As it rested on a foundation built up by extensive
advertising, 1 tried to swallow my foolish prejudice against commercial
life and conduct the enterprise personally. It was useless. Whenever
I read the proof of any of our numerous ads or placed my name on any
new advertising program, I actually shuddered.
The climax came on a combined business and pleasure trip to the
Pacific Northwest 1 had long looked forward to a trip on the famous
Columbia River Highway and my distress was almost unbearable to see
this wonderful stretch of natural beauty discredited at regular intervals
with enormous bill boards—yellow and red—extolling the virtues of the
very brand of pickles I was manufacturing. It was the last straw! To
think that I had so contaminated the beauty of nature by my commer­
cialism.
I returned to the East, converted most of my fortune into stocks
and bonds and attempted to lead the existence of a scholarly bachelor but
without avail. I was completely surrounded by advertisements. Aly
daily mail invariably carried inducements to invest in some oil drilling
scheme, or carried literature on chewing gum and shaving cream. 1
Tried traveling, but it was worse. There seemed to me no haven avail­
able from that sordid influence of commerce. My only enjoyment con­
sisted of the study of the earlier races of man. How often I longed to
live in those glorious years many centuries before Christ. In those days
the scholars and the teachers were held in regard, and the business that
existed was carried on in an orderly and neighborly fashion, as secondary
to the arts. It is too much! I have decided to leave this country to
make an extensive tour of the old world.
Six months later. I sailed on an obscure and unadvertised line, which,
however, was noted for its excellent service and appointments. On the first
day names of modern hotels of Europe were flaunted before me in the
smoking room. I dashed to my stateroom and appeared in public only at
mealtime. England and France were the same. Even the ancient canals
of Venice were lined with advertisements. All Europe appeared to me
as one immense bill-board. In Thebes, there was no relief. Hurriedly
1 departed to the burial ground of the Kings—the Pyramids. Here, I
thought, was a change, but on second glance I noticed a peculiar looking

7

i

«

�14

23 dpi; ic

object about five miles away-—an oil driller. My last hope was almost
gone. Dropping my eyes from the horrible sight I saw an odd looking
stone by my feet. Picking it up I was delighted to see one side covered
■with ancient hieroglyphics, I hurried home to translate this message,
in all probability some seer’s dictum, some gem of knowledge that had
lasted through the ages. Seizing my magnifying glass I deciphered
the writing with which 1 happened to be familiar. Imagine my horror
when 1 beheld:
“I. Murabi of Ur, maker of pottery, do proclaim the product of my
wheel to be of superior quality and can be bought for a lesser number
of rings of silver than the inferior products of my neighbors.”
I sail for home on the next boat. What’s the use of trying to get
away from the eternal "ad”?
Susabeth Bruce ’24.

(idu&gt;
Sinlc
tit tin'
Hall
&gt;
*
&gt;
/•||\NE day shortly after 1 had come to live on this earth, I was wandering down the road when 1 came to a high stone wall. I noticed a
small opening, and upon looking through 1 was dazzled by the brilliancy
inside. A great procession was passing slowly by, the most wonderful I
had ever imagined.
I saw Ancient Greece and Rome at the height of their magnificence
and splendor. Then again I saw them humble in their ruins. Peoples
of many nations passed by during the centuries and I recognized them
all, for the hole through which I looked was a magic hole sent by God
For man’s use. Long processions of proud kings and haughty queens,
shrewd statesmen, crafty politicians, daring soldiers, learned writers, and
famous inventors passed in review. I watched England and France and
Spain fight their battles in all ages past. America came last, the
youngest and the greatest. She appeared before my eyes, step by step,
from the discovery by Columbus, to the Great World War, and I even
caught a glimpse of her future greatness. Such men as America has
produced the world will never see again, but others will arise to take
rfieir places.
The brilliant procession had almost passed on when I tried to rise,
fc&gt;ut I found that I was old. I had spent many years in trying to fathom
the mysteries of the past. I had but partially succeeded. I saw a Spirit
shrouded in shadows coming towards me, and he closed the hole, took

�iD c l p \) i c

15

me by the hand, and pointed upward. Then I knew that only the Angel
of Death could take away the one great thing in life, the hole which
I had used—Education!
Florence Niles ’23.

A Mflslt mtdrnx]

"-Wte.

Tjj HE kitchen in the home of a prosperous Welsh family had lately
been the scene of bustle, but now it had settled into the peaceful
quiet of the Sabbath morning. The windows were hung with simple,
white curtains and in each a fuschia bloomed. The old grandfather clock
in the corner slowly ticked the hours away, The red tile floor was decorated with stain made from the green leaves of the wild dock. Hung
on the four walls, which were painted a delicate green were four Sheffield dish covers of various sizes.
In one corner was a large cupboard on whose shelves were platters
of blue willow ware. The table, chairs and three-legged stool had been
scrubbed until their unpainted surfaces were snowy white, The fireplace was the most striking object in the room, Over the hearth was
a large mantlepiece on which stood brass candle sticks, small copper
kettles and pewter plates. The slate floor in front of the hearth had
been darkened with soap and then decorated with scrolls done in white
chalk. The grate had been shined with coal tar until it almost dazzled
the eye. On either side of the grate was a stand for kettles or pots, and
behind each stand stood an iron lamb. They had been polished until
the wool on their iron sides shone like silk, In front of the grate was
a large iron fender and the iron stool which stood beside the hearth had
been scrubbed until it looked like steel. On one side was a set of
fire irons.
The roast turning slowly on the jack sent forth the promise of a
delicious dinner. The fire burned brightly and the flames leaped up as
if they were trying to touch the jack, which stood about five feet from
the floor. The old iron kettle sang cheerily on the hearth.
The noon day sun threw its slanting rays on the chimney corner where
the big black and white manx cat sat blinking his sleepy eyes. From
without could be heard the voices of the happy family returning home
from church.
Catherine Deyette, ’25.
!

I

�16

iD C l p Ij l C

(Tartar of tlu' Statute

!

§
’t

•I!

{

r

s
I
-■

^ij[N the cold, white paradise of Oregon’s majestic mountains lived the
“Nomad,” a wild sorrel horse who knew no master. Through his
veins the sporting blood of his fathers perpetually coursed its grand
circuit, whipping to foam his mad love for a race. This heritage had
come down to him from his grandfather, ‘Happy-Go-Lucky,' the undis­
puted King of Tartar Turfdom, who had gaily galloped to victory for
many seasons.
Years before, the father of the Nomad, toiling over the old Oregon
Trail, had broken the straps that bound him to man and civilization, and
had come into the heritage of his predecessors, the unshod tartars of
the range. Now in the heart of the Nomad, pulsed the hot. impetuous
blood of the idol of Epsoms Downs, and the stars seemed to tell him of
another world, a world that he had never known. As he paused in
his grazing on the mountain slope, with his nostrils dilated to inhale the
fragrance of the night air, he was not the Nomad, not a nameless horse,
but Happy-Go-Lucky who stood there, Happy-Go-Lucky in the full glory
of his youth and strength.
A strange thrill went through him, as the wind bore from out of
the timber, a wailing howl, the cry of a wolf pack, gone mad in the
dead of winter. He was free—free as the breeze that lifted his tangled
mane. No bit was in his mouth, no shoes were on his hoofs, He was
free to race. From the bluff on which he stood, he could see them run­
ning neck to neck, a snapping, snarling, howling mass of fur-clad fury,
as they rushed into the natural moonlit arena below him.
There was a long drawn-out snarl, a snap, and the fangs of one
wolf sank into the flesh of his running mate, and the demons of their
hearts were loosened. The remainder of the pack circled around them.
Into the ring of death, leaped the grandson of Happy-Go-Lucky! And
so they fought—the snapping, snarling wolves and the wild, enraged
stallion. Sharp fangs sank into the sorrel throat. He reared, then
frantically broke for safety, and the race was on.
Never before had the old moon seen such a spectacle as the race
of the Derby King’s grandson and the mad wolves. Over the rooted
aisles of the forest, thundered the unshod hoofs, with death in relentless
pursuit. Then side by side they ran. With a burst of speed the Nomad
gained an inch. Panting, he reached the edge of the cliff towards which
they were racing, and with a proud toss of his head, he hurled his huge
body into the vast obscurity of the abyss.
The baffled wolves peering into the lake beneath them saw a splash

�ZD c l p ij i c

17

of water. Only a streak of silver moonlight marked the path in which
he swam. There was a gritting of snow and sand as he reached the
opposite shore, and as he stood on the bank, wet and exhausted, he was
Happy-Go-Lucky, the king.
Cecilie Applegath, ’25.

lit Una iEttn* (Uinta
(ftLLEN MONROE fastened his coat more firmly about him and drew
his warm, fur-lined gloves over his hands. They were beautiful
hands, with the long, graceful fingers of an artist. Pulling his cap firmly
down on his head, he stepped out into the storm, and turned towards the
beach. It wasn't far a distance of only two or three blocks. The wind
was blowing quite hard from the south, but to Allen it was merely a
friend challenging him to leave the comforts of the studio-cottage and
come out and help fight with the world. The mist was coming down quite
heavily. It was almost a rain. Upon reaching the beach, Monroe stopped
a moment to ponder upon the course he should take, and after some hesi­
tancy decided to go up the beach, south. How characteristic of him to
take the more difficult path, to battle against the wind rather than be
pushed!
He had spent a trying day in the studio. Until last night, the weather
had been ideal, and he had spent the time roaming about the woods, up
and down the beach, sometimes sketching, sometimes really painting,
sometimes just lying, watching fleecy summer clouds float across the
blue heavens. He had many friends among the guests. He had been
with the tiresome society girls all day, listening to their silly chatter
and watching their flirtations with the other chaps. They disgusted him.
"Aren’t there any sincere women in the world? he asked himself,
as he strode up the beach. “Do they all think of themselves only? Did
all the real girls die with the last generation?”
Only the seagulls heard him, but they weren’t polite enough to
answer. Perhaps they didn’t know, Out here on the beach with nothing
around him but the great, angry, gray waves, the gray sky, the sanddunes, it seemed as if there were only happiness and beauty in all the
world! How great it was to be out in this expanse, alone! But—was
he alone?
Something seemed to be moving down the beach, coming towards
him. Surely, nobody else had come out on a day like this, as he had

i

!

I

r
.

�18

f,

JB c l p fj i c

done, just for recreation. Yes, somebody had—for the somebody was a
vivacious looking girl, walking rapidly. The wind blew her skirts daintily
about her. Her hair was a mass of curls. When she drew nearer,
Monroe could see the soft, damp ringlets around her forehead. They
had rebelliously blown out from under her bright red tarn, and were
peeking up at him. Around her was wrapped a long, gray cape which
seemed to fade into the gray backgound.
“If only I could catch that on canvass,” gasped Monroe.
What a
picture! Those curls, the cloak, the sea, the sand; everything gray,
broken only by the splash of bright red of her tarn, her cheeks, and her
lips! Here is a real girl!” thus he mused, as she approached. “What a
relief! No nonsense here! I began to think there didn’t live a girl like
this except inside the covers of a story book—!”
He stopped in the middle of his meditation. Here she was beside
him. Hastily, she drew out a hand from the folds of her dress. She held
something which she dabbed over her face. Oh! how horrible! How
disconcerting! A powder puff!
M. L. F. ’22.

■i •

;

0mtsrt
33 EEP in the wooded valley of the Severn, lived a little Mercian maid
with only her grandfather for a companion. Their home had been
the dwelling of their ancestors, whose religion and customs the old man
still revered. He had brought the girl up to be a heathen as well. How­
ever, there was something of beauty in the worship of these two for the
sun and moon. They knew no higher diety, so following a natural
tendency, they knelt each morn and eve to the glory of light. The old
man loved to tell the stories of his people’s power in the day of the great
Penda, and his little grand-daughter, Aelia, patiently heard him. She
granted his every wish, and endeavored with devotion to make him happy.
Her duties were many, and among them was the task of driving
home the swine at dusk. One day she discovered two were missing, and
while searching them out, she spied a man beside the river bank. He
was kneeling in prayer and Aelia wondered at this. The sun was neither
rising nor setting, so that the girl’s curiosity prompted her to approach
the stranger. He did not see her until he had risen. Then, as she drew
back in fear, he extended his hand, and his kind face reassured her.

}•'

ir

!
i

�/

19

iD C l p \) l C

-

“And from where may you come, my little maid?’’ he asked in his
quiet voice. Aelia, somewhat abashed answered that she had lost her
swine.
“May I not help find them?” he offered. She timidly assented,
and together they set out. Gradually, as Aelia’s confidence returned,
she began to ask questions. Why had he knelt there beside the river
before sunset? The man then realized that she was a heathen, and
began to explain very simply the one God of all.
“He is always watching over us e’en though the sun be set said
the man as he finished the story of Christ. Having found the lost
swine, he bade her goodbye.
,
“I am Father Caedda,” he said, “and I will come again soon.” That
night there was a new light for the mind of Aelia. She dreamed of
Heaven and the angels about the “Throne on High.”
As time went on. the priest and the girl became great friends, though
she dared not tell her grandfather of it. One day, Caedda, whom we
know as the blessed St. Chad, heard that the old man was very ill.
“Some one must go to him,” he said and accompanied Aelia to her
grandfather’s bedside. Caedda saw that the man was very near the end,
and lighting his darkness by reading to him “Our Lord’s Prayer,” the
priest won his consent to be baptized. The rite was barely performed
when he peacefully closed his eyes for the last time.
After a Christian burial of her grandfather, Aelia went with Caedda
to his home. She became as his own child and grew up to beautiful
womanhood.
Few, when they read of St. Chad and his removal from the North­
umbrian see, remember the happy life of the good man in Mercia or his
inspiration at sunset.
V. E. ’22.

I'

.p

“A garden is a lovesome thing, God wot!
Rose plot,
Fringed pool,
Ferned grot—
The veriest school
Of peace; and yet the fool
Contends that God is not—
Not God! in gardens! when the eve is cool.”

1

&gt;

�20

ZD c l p tj i c

Prn'tru uprsitH JfmitlutU
j|T was a beautiful day in mid-October, and the Harvard campus was
alive with boys coming from the athletic fields. Two. in particular,
■were noticeable from the greetings which they received on every side.
However, Percival Rodney Philips, commonly known as Rod,” and his
chum, Jim Banks, were not genial as usual. They were engaged in con■v'ersation.
“Well, Rod,” remarked one of them, "What's the matter? Has the
professor been digging into you?”
"Wait until you see the letter,” was the only answer he received.
They walked on in silence and made their way to the room they shared.
Rodney took a letter from the desk and, handing it to his friend, dramatically remarked:
"Read, mark, learn, and inwardly digest.”
Jim Banks read the letter, then tossed it upon the table saying,
&lt; m
Can’t understand much of it, but I guess it's alright.'
"Alright,” Rodney whistled, "What about me?”
Jim smiled, "I told you not to write all that trash about your poetry.
I^et this serve as an example unto you—”
“Well, what else could a fellow do? He wrote to me hoping that
I was a—a—a—What was that phrase? Oh! I have it, A child of the
muses, nourished by literature and art’.”
Jim grinned. "Percival Philips is a very poetical name. I’m going
to gym. Adieu.” He bowed low and departed.
Left alone, Rodney re-read the letter.
“My dear Nephew Percival,” it ran. "Your letter arrived bearing com­
fort to my troubled breast. Yea, my dear boy, my heart was heavy within
me; for 1 feared me that, in my inconquerable zeal for contemplation and
st lady, I had not taken sufficient thought concerning you. It brings sweet
peace to my mind to know that you are beloved of the Muses and that
you have a great distaste for that most vulgar of games, commonly
known as football. Of course, its roughness would offend your sensitive
and poetical soul. I desire—nay, I command that you send me one of
th g poems which you have composed. Farewell, my boy, may the Muses
protect thee.”
Rodney sighed. Since he had known anything, it had been Uncle
Percival Rodney Philips this, and Uncle Percival Rodney Philips that.
He had taken his first steps to the tune of it, he had worked and played

!

■

*

�iD c 1 p fj i c

21

to the tune of it. For him, there had been no buga-boo man, no sand
man, no Santa Claus; but merely Uncle Percival Rodney Philips. Rodnew knew very little concerning this uncle except that he had spent his
life in England and had devoted himself to study. Rodney had been
left in his care upon the death of his parents; but, heretofore, only the
shadow of Uncle Percival had clouded his happiness. Everyone else
had worried the boy with tales of his Uncle Percival Rodney Philips and
his riches, but the uncle himself had not troubled him. He had merely
sent him money, far too much money for a boy of his age. Now, he
had taken it into his head that his nephew must be a poet, and, Rodney,
the captain of the football team, knew absolutely nothing of poetry.
Rodney, however, was not the one to worry very long over any­
thing (at least not until it was time to worry). Accordingly, he threw the
letter upon the table and went to practice “that vulgar game commonly
known as football
Several days later as he rode to town, Rodney was accosted by a man
of middle age whom he had seen about the campus.
"Well, boy," he remarked, “You are a good player. Keep it up and
you will be captain next year, too.”
Rodney shook his head. “No chance. That old crank of an uncle
who is sending me here has taken it into his head that I've got to be
a poet.”

“You a poet!” the man laughed, “Write to him and tell him that
you are not poetically inclined.”
That’s just the trouble. I told him that I wrote poetry all the time,—
thought it would please the old fellow. Now he wants me to send him
one of my poems.”
“Urn,” the man looked grave. Then his face lighted up. “I have
it, I—er—I used to be somewhat of a poet myself. Suppose I give you
one of my poems?”
Rodney looked at him incredulously.
“I mean it. You can send it to the old man and he’ll never know
the difference.”
That would be great. But suppose he wants a whole collection? * *
“You have to take a chance. It’s a fighting chance, at least.”
Rodney hesitated. “If the old man weren’t such a crank I wouldn’t
do it, but—0 shucks, why shouldn’t I?”
“No reason at all that you shouldn’t. I’ll bring you the poem in a.
couple of days.”

/

�22

The poem was delivered according to the promise. Rodney read
it over. It seemed pretty good even to his unpracticed mind.
“It is pretty romantic/’ he confidently remarked to Jim. It begins
11 ke this,
“She dwelt among untrodden ways
Beside the Springs of Dove”
and it ends like this:
“She lived unknown, and few could know
When Lucy ceased to be;
But she is in her grave and 0!
The difference is to me!”
11 is the end that I am afraid of.”
“Never mind,” said Jim reassuringly. “Poets are always mushy.
"The professor will think that Lucy was your nurse or your Sunday school
teacher.”
Accordingly, the poem was mailed together with a letter which cost
both Rodney and Jim one whole afternoon of genuine labor.
“The old man seems to have a pretty good opinion of my letters,
anyway,” Rodney remarked with a touch of pride, “He fell for the
first one.”
The following days were busy ones, and. in the excitement of the
football rush, Rodney forgot Uncle Percival Rodney Philips for a time
(only a time), That gentleman was speedily brought to his mind by
the following cablegram:
Dear Nephew Percival:
The poem which you sent me, as yours, is, as you doubtless know,
one of Wordsworth’s. I perceive that you are a liar; and, what is much
worse, know nothing of the poets. I shall sail for America to-morrow.
Rodney was both angry and worried, “Nice little joke to play on
a fellow,” he told Jim. “That man is probably laughing about it yet.
The professor will arrive just before the big game, I won’t be able to
play and we’ll lose.” (Rodney wasn’t conceited, he was merely selfconfident.)
However, the day of the big game dawned, and still no Uncle
F^ercival. Rodney felt that it was his last game, If it had been a
question of money alone, the boy would have told his uncle to mind his
o v/n affairs; but he realized that he owed the old gentleman everything
he had, and he did not like to go against his wishes, Therefore, he
played as he never had before; and won a great victory over the rival
school.
4 «

.

iD C l p ij l C

�1

2D e l p fj i c

23

The next day the summons came, He went to the hotel reluctantly;
and, it must be confessed, a trifle fearfully, You can not blame him
when you consider that, since his first steps had been taken, he had
heard ‘Uncle Percival Rodney” from morning until night.
The man whom he met surprised him somewhat, He was distinguished, but not scholarly looking. Rodney’s first thought was that
he would have made an excellent quarterback.
‘‘Well,” said Uncle Percival, “What have you to say for yourself?
“Nothing,” answered Rodney looking into his eyes, ‘T did wrong,
and I am sorry.”
The old gentleman’s eyes twinkled, “Well,” he remarked putting
his hand on the boy’s shoulder, "if you always play football as well as
you did yesterday. 1 suppose I will have to forgive you.”
“Did - did you see the game?” faltered Rodney.
I came to America for the sole purpose of witnessing that very
game. Don't look so puzzled and I shall explain myself. My time in
England has been spent in racing horses, not in studying. You wonder
why I did not come right out and say so. My father wished me to be
a man of letters. 1 went abroad to study, but went astray. My father
died, and I never seemed to think it necessary to inform my relatives
of my occupation. To be truthful, I disliked children; and 1 thought
that it would be much easier to neglect you as a scholar than as a breeder
of race horses. A short time ago, my conscience began to trouble me—
rather late, I confess. 1 determined to find out what sort of boy you
were. And 1 did. Oh. Rodney, that letter”—the gentleman laughed
heartily. “It was so apparent that you knew nothing of poetry that I
decided to play a bit of a joke on you.”
“Then you had that man give me the poem,” Rodney interrupted.
“Certainly not. Do you mean to tell me that you allowed someone
to give you a poem?”
“I thought he composed it.”
“It i&amp; very clear that you know more about football than poetry.
However, 1 believe I know who gave you the poem. I met an old friend
of mine here. He said that he had been watching you. He didn’t
mention the poem; but, if he has not changed a great deal since I last
saw him, he was the one who did it.”
Rodney smiled good naturedly. “Well, Uncle Percival,” he began.
“Don’t call me that,” roared that gentleman. “To name a boy that
was just another one of Dad’s foolish notions. Call me Rod."
M. B. ’22.

r*

t

.

�24

33 c l p Ij t c

lEiUuitt Arliiigtau Hulunsmi
jpDWIN ARLINGTON ROBINSON is one of the foremost of the modern American poets. One cannot speak of his works in detail, as they
are so numerous. He has published some seven volumes of poems in
all. Robinson’s poetry, unlike that of several other prominent American
poets of today, shows throughout, the effects of a good education, His
sketches of men are very true to life and all of his works are written in
elegant verse. In short, Mr. Robinson is considered one of the most
finished poets of today.
Throughout the first of Air. Robinson’s poems there was a decided
pessimistic tone but in his later works he seems to have gotten away
from this. Mr. Robinson has a power of terse imagery which not many
people possess. Oftentimes only a line will draw a ghastly picture if we
allow our imagination to wander. This gruesome tone, however, is
merely a suggestion and not an explanation.
In ‘'The Master ”, a character sketch of Abraham Lincoln, Mr. Robin­
son has excelled, for he seems to have come nearer to the man than in
any of his character sketches. One almost believes he knew personally,
the man whom he has pictured there. This cannot be said of his sketch
of Napoleon or that of Theodore Roosevelt; the sketch of Napoleon is
especially poor. Mr. Robinson does not seem to have understoood the
man at all as his sketch is not of the man about whom we have read so
much in history.
In many of Mr. Robinson’s poems there are references to his earlier
life and to his home. They seem to have had quite a great influence
on his work. His sketches too are said to have been written of people in
fiis home town. The poem “Archibald and Isaac’’ in the collection called
Captain Craig” is said to be part of Mr. Robinson’s autobiography.

i

;;

« €

.
■

1

Mr. Robinson is still a youngish man and many of his critics think
tliat he will yet produce better poetry. He has tried his hand at plays
fc&gt;ut so far he has not been very successful along that line. However, his
poetry is of the kind that will last, especially is this true of one or two of
h is better poems.
Lucy Spittle, ’23.

■

‘

1

�r\

HONG U5 STUDENTS
the
lunch
Y\our
I -BY |

Bftsnu r

%^OftRPER
’HOUIJMS

P»XPH.T

owrw TMRCfcCiwi-’
T«h.\E NPNES t oowV

W,TH VA

VliNT OUT TO DiNt
X N is f&gt;"* P^TO.

COUClMRmS

0} f\ Piece of
CSotoLoTe crkeI

WoNOC,}
Lt7TO R TMIVKS |y«OUT

ZTE7
'~:i' :: '■ 1 1

Th«T hoiscf
XVi a tia. looH
ftu TKt
»YlS

m
1

i%0mm
/

THE -B089EQ

THT\EE .WHO ?

7

THIS thf.'7

CorAA Eo»h,N«x
-T««,nn.Vj nt .n\ e»* rn
*.PuL*R&gt;X h,^t’S ft vAft NO
t O Ml Kq[ «*»T iv\
W»u
a*fv,
Oi&gt;»E -

IS TftKEN

—

■

t V£R THUS

l

YX i\UL

OV

"V vNO\.

�S C l P ii

26

KALENDAR.
September 13—
Sing a song of school days;
For school has begun,
September’s clear and cool days
Give promise of much fun.
But though we like the good times,
Our duty we’ll not shirk,
(And as 1 do for these rhymes)
We’ll get right in and work.
“Loyalty to friends”
The Bishop told us all,
“Is great, but greater even still,
Is loyalty to the Hall.”
September 20—
A worthy lecture was delivered here,
To bring the long expected hope more near,
Of a cathedral, for a nation strong;
And pictures followed all the plans along.

�I
iD c l p fj i c

27

September 27—
For Nina., Jane, and Kay,
We did the honors gay.
A birthday cake, of Becky’s mold
We trimmed in brown and gold.
October

f

6—
Short fluffy frocks, beribboned curls,
Candies, crackers, baby girls,
Fat Teddy Bears and good games, too,
The Old Girls’ party for the new.

October 13—

i

The boarders all went out,
Oh! what a joyful shout!
For Robin Hood, in line they stood,
And worth their while it was.
Ociober 17—
With reverence deep, we paid respect
To our Beloved Father Breck.
Shades o’ Pascal! What a fuss we made,
O’er everything from map to weather vane.
Our Physics class, one sunny day, had paid
A visit to foretell the rain.
October 27—
Now Hallowe’en is near,
A birthday, too, is here;
With cats and rings, we combined two things—
A party for to stew.
And honored guests we had,
To make the witches mad—
For not to see the aged three,
Our Martha, Pearl, and Jean.

i

�2S

5B c l p \) t c

November 8—
A visitor from an Eastern school has come.
And with her brought a message, bright for some—
“The golden value of experience reapt
From colleges in old tradition steept.”
November 10—
For those who gave us all they had to give,
That wars should cease, and peace forever live,
A solemn service was held here today
And trees, their memory shall ever stay.
November 14—
The quarter now is done
The Seniors worked,
They did not shirk.
And the banner now they've won.
November 19—
We find we have some rising critics among us. Margaret
Boyer, Elizabeth St. Clair, and Barbara Clark won prizes in the
book review contest held by J. K. Gill.
November 23—
Some girls packed their bags and left the town
To see their folks and to eat turkey brown.
.

November 28—
During Music Week Mrs. Chapman presented Catherine Hay
in a recital at Library Hall.

f

{.

••

�29

iD C l p \) l C

-7

a

-

a

c

ms

6

f1

L4A

?
V,
,

s
if

'v

‘O’

V v"

-r

{

f'c 5 3

3l7i

s7-

vIMuOT

7

I

f

■SO A pj
'

'I &lt;\&lt;*

«. .n IU I »i

S In - &gt; \ ,((

..&gt; -»v.v-

Halt, Ye Idlers, and notice!
That everyone seems glad to be back at school.
That the Senior class is larger than it has been for many years.
That we have some new teachers and pupils.
That we welcome them warmly, and hope they will learn to love the
school as we do.
That we have a new bell for our fire signal.
That we all like to hear Kay laugh because she seems to enjoy it.
That all the Seniors are not perfect, and sometimes descend to the
lower floor.
That studying seems to have singed the butterflies’ wings.
That Laboratory Days for Physics are becoming very popular.
That we all find writing serial stories in English interesting.
That we have a real live composer of music here.
That a great many girls have been heard quoting Macbeth. What
has come over them?
That our hocky players are fast becoming professionals.

!

!

'
.

�30

53 c l p fj i c

*i
f

.

That on Armistice Day, some new shrubs and trees were planted on
our grounds.
That the Seniors won the banner the first quarter. Congratulations,
Seniors.
That Helen Holmes and Catherine Overbcck are very busy with the
Delphic
That all the girls enjoyed themselves at the “Baby Party.”
That our board in the Study Hall has the apearance of being a lost
and found column.
That we couldn’t find any thread or cord strong enough for the tenth
experiment.

m
£
i

Cf-

*

�31

2D c l p ij i c

_____0__6

.supgiu I
i a i

t

1—1

s

L

©ssms
E

I

i

IWir&gt;n vrijorN

Several of St, Helen's Hall graduates are enjoying college life at
Reed this year. Among them we find Margaret Johnston ’19, Jessie
Smith '20, Janet House ’21, and Elva Mervey ’21.
Marion Jenkins ’20, is teaching school at Coquille, Ore., and we
hope she is enjoying the trials of a teacher's life.
Ruth Jenkins ’20, is studying at the Oregon State Normal school
at Monmouth this year.
Virginia Thatcher '20, and Evelyn Thatcher ’21, are attending Pacific
University at Forest Grove.
Eleanor Simpson ’20, is planning to spend the winter in California
with her mother.
Janice Parker ’21, is attending Miss Kirk’s school, preparatory for
Bryn Mawr.
Mary Helen Spaulding ’19, is at home this winter and is planning
to spend much of her time on music.
Harriett Breyman '20, is back with us again as a P. G. Harriett
certainly must be attached to the Hall.
Barendina Gardiner '19, and Martha Gardiner were visiting in Port­
land with their mother not long ago.
Inez Chambers ’18, is spending some time abroad in England and
France. Just at present she is studying the violin at the London Con­
servatory.
Hylah Fraley ’20, is again enjoying the college life at Mills. Hylah
is now in her Sophomore year.
Anna Barker ’13, spent the summer in California.

i

■

i

i*

�32
p

iD c l p hi c

i

■

Nadine Caswell ’17, spent much of her time at the Portland Fruit
and Flower Mission (Day Nursery) during the summer. This winter she
is taking an extension course at the University of Oregon, and is also
doing welfare work.
Ethel Waite ’15, was recently married to Mr. Graham E. McConnell.
Jane Auterson ’13, was married to Mr. Grady E. Bollinger, October 29.
Those who know Mrs. G. T. Paine (Ada Otten) of Berkley, Cal., who
graduated from the Kindergarten Training class, will be pleased to hear
that she has a little son.
Mr. and Mrs. Harold Dekum Gill (Amy Robinson) 15, are being
congratulated on the arrival of a daughter, October S.
Laura Reed ’21, is studying at the Oregon Agricultural College.
Oorvallis, this year.
Dorothy Carpenter ’21, Helen Winter 21, and Thyra St. Clair 21,
are at the University of Oregon.
Mr. and Mrs. F. W. Heilman (Alice H Collier '05), are being con­
gratulated on the arrival of a daughter, Suzanne Elizabeth, born Sep­
tember 29.
Mr. and Mrs. Herbert Ehricke (Jennet Hancock ’17) have a little
son, Herbert, Jr., born October 26.
Miss Roberta Powell was married to AAr. Charles A. Dwyer, Octo­
ber 26.
Hazel Fairservice ’20, is attending the University of Washington.
Hazel spent the week-end visiting the Hall not long ago.

i

i|
i

!l '
■

f

i

i
.
1

b &lt;•

�I

y

fe&gt;
!

►
►

'

i

i

txrlutiuuvs
Many of our exchanges have not yet come to us, but, as it is early
in the year, we hope to see them again and to include them in our next
issue.
"The Johnannean" from St. John’s school is an excellent number,
and especially commendable is the essay on Friendship. Your pictures
are good, but why do you not have more stories?
“The Academia” from St. Mary’s Academy contains a great deal
of fine poetry. "An Old Timer’s Tale” vividly depicts the spirit of
the Indian.
“Ogontz Mosaic” from the Ogontz School has an abundance of good
material. Your story, "Seaweed,” is quaint, and your poetry is worthy
of praise.
We acknowledge: “The Academia” St. Mary’s Academy; “The
Johnannean” St. John’s School; “Ogontz Mosaic” The Ogontz School;
“Oregon Churchman” "0. A. C. Barometer ”
We acknowledge communication from: The Year Book of Miss Ran­
som’s School; The Wheel of St. Katherine’s School.

i

.

�34

iD c l p \) i c

6

(Ectlintiiar 1021-1422

Registration of Pupils, Sept. 9-10.
The Fifty-third Year begins Sept. 13.
Thanksgiving Day and Succeeding Friday,
Nov. 24-25, Holidays.
Christmas Vacation, Dec. 16-Jan. 3.
Second Term begins Jan. 30.
Washington’s Birthday, Feb. 22, Holiday.
Easter Vacation, April 17-24.
Decoration Day, May 30, Holiday.
Commencement, June 6.

;

(
u i•

.

■

i

�&lt;T

+■

J

We Ask You
To Patronize
Our
Advertisers

»

\
.v
oa

7.

I

'1

:
:

i:
I
r

:
=

:i

i'U

1l

i
—.&lt;—«•—■

*
'

I
II —M —M —H —II

—..—..—..—..—..—..—•&gt;

I

=
♦

• I
&gt;

�I

i

The Store For

:
:

I

:
I
■

EVERYBODY

!

:
!
!
!
:

=
z

I

:
!
.i
!
!
:

!
:i
I

:i
I

I

I

I
■

I

EST.

i

-

mjTm of mfcmsTMs smir

!
!

1

!

i

:i

:I

i
!

!
!

!
!
:i

:i
:

I

a

I

-I
I

I

I

■

1

PORTLAND RIDING ACADEMY

:I
Harry
!
i
4.-------i

697 Johnson Street
M. Kerr on

I

:

Main 973

i

i
PATRONIZE OUR AD V !•' ItT ISIC RS

�T

+-

!

i

p

-

i

PORTLAND, ORE.

I
West Park and Washington Streets
Portland, Oregon

who's your
hosier?
J

Charles F. Berg
Morrison Street
Postoffice opposite

+

m

The Flynn
Gift Shop
Seventh Floor Northwestern Bank Building
Morrison Street — Opposite Portland Hotel

GIFTS FOR ALL OCCASIONS

PATRONIZE OUR ADVERTISERS

1

�•J-

■+

THE

IRWIN-HODSON

flowers

COMPANY

Morrison Street
Opposite Corbett Bldg.

PRINTERS
STATIONERS
i

Fink Studio

j

Character
Portraiture

Rubber Stamps

PERSONALITY &amp; EXPRESSION

:

Flietlner Building
Washington Street at Tenth
Broadway 15-15

3S7 WASHINGTON ST.
Pittock Bldg.

JONES’ MARKET
FOURTH AND ALDER
TELEPHONE—MARSHALL 1; AUTOMATIC 5G2-S1
I

The Market of Cleanliness and Sanitary Surroundings

JONES’ QUALITY MEATS
Fresh and Cured Fish in Season
Milk-Fed Poultry
ALSO
That Famous Skamokawa Butter
We Deliver

Cash or Credit
■

' »■ ■

M

PATRONIZE OUR ADVERTISERS

II —1| —II

------*

�+

+'

J
COMPLIMENTS OF

C. G. APPLEGATH

Established 1870

EXCLUSIVE FURRIER
OREGON

PORTLAND

352 ALDER STREET
Near Park
Telephone Main 4061

Portland’s
Oldest
Fur House

(Quarter Million Dollar
Jewelry Sale!
J

The entire stock with but few exceptions reduced
From 25% to 50%

i

i

F. Friedlander Co.
Established 1870
310-312 Washington Street
Between Fifth &amp; Sixth
---------- II------------------------------ ------------------ -- ----------------------------------------------------- -- ----------------—H

.

i

i

4

:
:
:

-4

PATRONIZE OUR ADVERTISERS

;

�------ 1
I

*
s

At Your Service

F. L. FREEBURG
Across ilie Way
LUNCHES
FRUIT

CONFECTIONS
STATIONERY

Oregon
Eilers Music House
r

il
ffe

Formerly

GRAVES MUSIC CO.
Oldest established music house in Oregon
A seven-story building for music and musicians

ENTRANCE

5g| 287 WASHINGTON STREET

m

BELOW FIFTH STBEET

Talking Machine
Headquarters

Lane-Miles Standish Co.

i

Specialists in School Printing
u

1

At the sign of

the Mayflower

309 Oak Street, Portland, Oregon
• ■ — o ■ —■ —tl — M —II —"

PATRONIZE OUR ADVERTISERS

!

—--+

�Vocal and Dramatic Studios of

GEORGE A. NATANSON
ElGHTBENpPUBUC

AgCE|RGIVBN DV,™P.LSr LAST SEASON.

LARGEST MANAGEMENTS.^^
Studios 706-5-1-3 Eilors Building

^

USE BUSH PHARMACY
Corner Eleventh &amp; Montgomery Streets
Phone Main 3322
PORTLAND

OREGON

Try our famous
J. C. Chocolates

COFFMAN’S

We make all our own candies

Near Morrison

152 Broadway

WINK’S HARDWARE
14th &amp; Washington Streets
Service and Quality

PENDERGRASS
MARKET
448 Washington St.

BRING THIS AD
and you will get a
10% reduction on
any Jantzen Peter
Pan Sweater at

l

DODSON’S
We Deliver

146 Broadway

“Say It With Flowers 99

KEYSTONE

NIK LAS &amp; SON
Florists

+

f

CONFECTIONERY
&amp; CREAM STORE

“The house of unexcelled
floral service14

We carry a fine line of Candies,
Ice Cream, Sodas, Bakery and
Lunch Goods, Periodicals, Etc.

403 MORRISON ST.
Phone Broadway 2876

Cor. 23d and Washington Sts.

Phones Main 2916, A1S31

PATRONIZE OUR ADVERTISERS

■

.•
I
:

�f

+■

!

Smiths
Flower
Shop

L.

er
&amp; Company

:

Thomas Luke, Proprietor

i
i
i
I
:I
I

“ Your Florist 99

I

Staple and Fancy

1411/2 Sixth

Main 7215

GROCERIES

The Breyman
Lea I her Co.

Telephones:
Main 9432—A-4432

LEATHER SHOE FINDINGS
SHOE STORE SUPPLIES
SHOE MACHINERY

166 FIFTH STREET
Portland. Oregon

Phone Main 7108

:!

!
!
1
:
:I
:
I

N. E. Cor. Second and Oak Sts.
Portland, Oregon

r—PIERCE
AT a time when the public demand has developed un-lV- mistakably for enclosed cars of new proportions
and an even greater utility, the introduction of a com­
plete line of Pierce Arrow and Wills-Sainte-Claire en­
closed drive models constitutes a notable contribution.

CHAS. C. FAGAN CO., INC.
Distributors

Pierce-Arrow and Wills-Sainte-Claire Motor Cars

;
I

s

J

I
i

I

l.

t

+
PATRONIZE OUR ADVERTISERS

�1

*

+■

-

School Books

Marlin &amp; Forbes
Company

Bought, Sold and Exchanged

FLORISTS

HYLAND’S
BOOK STORE

35-1 Washington Street
Main 269; A 1269
Portland, Ore.

201 FOURTH STREET
Between Taylor and Salmon
Red Front

!
:I
!

»

I
I:

!
i

-

::
!

!

s
A Complete Line at

:

Multnomah Photo Supply Co,
131 Broadway
:
WE CUT STONES
SPECTACLES SCIENTIFICALLY FITTED

es
Trade

]the|
Mark

Jeweler
MANUFACTURING

JEWELER, WATCHMAKER
AND OPTICIAN
326 MORRISON STREET, PORTLAND, OREGON

I

*■

PATRONIZE OUU ADVERTISERS

I

�+----9

Parker’s Market

t
:I
:I
•I
I

A Little Shop Means Little Rent
Few in Help Means Little Spent
Little Spent in Running a Store
Means Attractive Prices Inside the Door
—Roycrofter

■

Prime Meats Only

i

M. L. Smith

i

Main 9S9

Jewelei—Watchmaker

169 Fourth St.

Heilig Theatre Bldg. Main 1184
193 BROADWAY
Portland
Oregon

:
I
::
:i
!
i

HOOVER’S
Bakery and Lunch

:
I
I

G a r r ig u s
Hat Shop

■

!
!
I

Main 2700

454 Washing! Oil

IMPORTED DRESS
ACCESSORIES
for

!

Young Women

• f

Camel Hair Polo Coats.
Burberry Coats for General Wear.
Sweaters in Various Styles.
Silk Scarfs and Wool Mufflers.
Knitted Skirts.
Umbrellas and Riding Crops.
Box Cloth Spats.

■

3S9 ALDER STREET
Near Tenth
Portland
Oregon

:
3

I

i

There is something very human nbout
Oriental Rugs. Not machines but
nimble fingers created them. Love of
beauty and pride of workmanship
guided their forming. Traditions and
fancies are fixed in their colors and
patterns. Students and home-makers
are cordially invited to study and enjoy
our display of Eastern weavings. Any
information or service we may render
is a pleasure.

i

:i
:
I
I:
:
:

■

i
K. S. ERVIN &amp; CO., Ltd.
Established 1901

.

!
I

Second Floor Selling Bldg.
Sixth and Alder Streets

Cartozian Bros.
393 WASHINGTON STREET

:
:
I

Portland, Oregon

+----PATRONIZE OUR ADVERTISERS

I
------- *

i

�+—

what will you give?
-below we suggest a few items that will be appreci­
ated on December 25th.

books—
the gift that draws a never-failing appreciation.
There are many new novels that they haven’t read.

fine stationery
in many unique and dignified styles.

art novelties—
such as book-ends, polychrome candlesticks and lampstands, parchment shades, Pohlson and Rust-craft
novelties, etc.
AND MANY OTHERS

The J. K. Gill Co.
Third and Alder

i

+
PATRONIZE OUR ADVERTISERS

�•• ——

—

-i-

n------ ■«

_

■ • — •«

buescher

BAND—ORCHESTRA INSTRUMENTS
Bacon

fine violins

banjos
TRY US I-OR SHEET MUSIC
Large Selection—Classical, Popular

PIANOS

VICTROLAS

SEIBERLING-LUCAS MUSIC CO.
Near Washington St*

125 4th St.

MARIE GAMMIE
Russian School of Dancing
TOE DANCING
A
SPECIALTY
Private Instruction by Appointment
Studio, Fourth Floor Filers Music Bldg.
Telephone Main 8038

i-

FAILURE TO
ENJOY STUDY
May be due to
need for glasses.
Examination
of your eyes
will determine
the matter
definitely and
if you do not
need them, we
will frankly tell
you so.

Sweet Grass Baskets
Myrtle Wood Boxes
Hand Painted Satin and
Straw Baskets
When you buy “Hazelwood” you
secure the best there is in candy

(

HAZELWOOD
Confectionery and Restaurant
3S8 WASHINGTON ST.
127 BROADWAY

Floyd F. Brower, Mgr.
115 Sixth

I

Delicious Chocolates, Caramels
and Homemade Specials
DAINTY GIFT PACKAGES
in a variety of sizes and shapes

COLUMBIAN
Optical Company

+----- "

Hazelwood Candy

. —n

f ' —

■»&gt; — '!■■■■&gt;«

■»!' ■»

'■&lt; 1 ■ ■ ••

I

■■•«■■■ l#jl

PATRONIZE OUR ADVERTISERS

«••
;
I

�*

ERNST’S CANDIES
Are popular both in price and quality
SPECIAL SALES
EVERY DAY

TRY OUR
WEEK END
SPECIALS
Fresh crisp Pea­
nut Brittle,
15c per lb.
Our regular 75c
Chocolates,
49c per lb.

Large Assortment
of

FILLED BOXES.
BASKETS,
ETC.
for the
HOLIDAY
TRADE

i

Oil. HOW GOOD
Ernst's Fountain
Drinks
Hot Sundaes and
Many Other
Delicious Dishes
Served From
Our Fountain

\

We specialize in
our
20c, 25c and 30c
LUNCHEONS

Broadway &amp; Washington
Eleventh &amp; Washington
Factory. 64 &amp; 66 N. 23rd St.

!
—H —II —M — H —II—il—II—»« — M—II —U —II —

PATRONIZE OUR ADVERTISERS

-

!

I

�----- +

*--------

i!
!
!
I

!
i
1

I
I
I

Rue tie la Paix
CHOCOLATES

Now $1.50 Pound
Delicious French Chocolates—as you like them—made in our own
daylight candy kitchen of the purest of ingredients, and oh, how
unusual! That's why we’re telling you more about them—that is
why people as far away as New York and Florida send to LipmanWolfe’s for their candy. For while you and your girl chums ate
them last year with much acclaim, you re going to enjoy them much
more this year.
They’re better than ever, and there are many more delicious pieces,
all with intriguing centers. And besides, best of all, this year they re
only SI.50 pound.
SWEETS BOOTH, STREET FLOOR

j

o.

1

I

!

.
j

C/ Merchandise oP cJ Merit Only

!
!
I

i
I

Milk and Cream
Butter and Eggs

!
I
!
I

I

i
4--

f
|
j
j
t
:
[

PORTLAND
DAMASCUS MILK CO.
Marshall 4000

!

You find Style, Comfort, and
Quality in each and every pair
of Walk Overs. Our shelves are
full of the New Patterns that will
appeal to you, including the new
square toe Oxfords and Strap
Pumps with prices within reach
of all.
$6.50 to $10.00

I
i
1
)
I

WALK OVERS

24TH &amp; WASHINGTON STS.

Walk Over Boot Shop
Broadway at Washington

—+
PATRON1ZE OUR ADVERTISERS

�r 6 *j

■

jCT

'

,3

t*

V

I
■

■
'

■

'

i;

i '!

■

&gt;r*'v

:V-:.

■

■:

■■

.....;,V\

■

V:

"V...- . •

&amp;

V-

-^
■

■

. :

3

d$£r:x

-

:

.

t,:'.

• f.

' =1111181811
"

m&amp;M.1 ■
i.j?

W

;
■

�j:

.
■

•-

■

.
••

........... ,

■

1 I

“ *

m

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Oregon Episcopal School Yearbooks</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>This is a collection of yearbooks from the Oregon Episcopal School (OES). The bulk of the yearbooks are from St. Helen's Hall, with yearbooks also from the Junior College as well as Bishop Dagwell Hall. The title for the OES yearbook evolved from The Delphic to The Legend-Delphic. The title for the Junior College Yearbook was The Scintilla.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="4">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5">
                  <text>1921-1923; 1931-1995</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>Yearbooks</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="78">
              <name>Extent</name>
              <description>The size or duration of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="10">
                  <text>85</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="79">
              <name>Medium</name>
              <description>The material or physical carrier of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="11">
                  <text>bound volumes</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1298">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1299">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1300">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1301">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1302">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1303">
                  <text>Student publications</text>
                </elementText>
                <elementText elementTextId="1304">
                  <text>Teachers</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="34">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="35">
                <text>bound volume</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36">
                <text>The Delphic - Christmas 1921</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37">
                <text>School yearbooks</text>
              </elementText>
              <elementText elementTextId="38">
                <text> Students</text>
              </elementText>
              <elementText elementTextId="39">
                <text> High school student activities</text>
              </elementText>
              <elementText elementTextId="40">
                <text> Student publications</text>
              </elementText>
              <elementText elementTextId="41">
                <text> Teachers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42">
                <text>This is one of the oldest OES yearbooks, dated 1921. The yearbooks were published annually after 1925. Yearbooks from 1921-1968 were known as The Delphic and were created by St. Helen's Hall students attending in their high school years. St. Helen's Hall was an all-girls school that pre-dated Oregon Episcopal School. In 1969, the yearbook evolved into The Legend-Delphic with the addition of Bishop Dagwell Hall and male student attendees. After 1986 the yearbook branding begins to singularly list "OES" with a few volumes referencing "The Delphic" or "The Legend Delphic". Yearbooks helped to chronicle the school year's events and activities, in addition to listing each student and staff member.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43">
                <text>Oregon Episcopal School</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44">
                <text>1921</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="45">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47">
                <text>oes_delphic_christmas1921-compressed.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>School yearbooks; Students; High school student activities; Student publications; Teachers</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="4" public="1" featured="0">
    <fileContainer>
      <file fileId="4">
        <src>http://archive.oes.edu/files/original/c5203e947b09c919d6c0833368264428.pdf</src>
        <authentication>cb86c5f5d470099bf382bdfc21b609c9</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="92">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="245">
                    <text>!v

:

i-

\

' t,

&gt;

:

••

’

■; ;

.

! '1 !
■

■

’•*

i

; ■'

-K . ■

.! .

.
.

.

.

• ^

-i
i

|pf^

i I#
ty % •

■

.

Hiita
I

Ifr

:

■

’■.

�•:

®1 S " ■

■

\X;

ifrm

!

' *- &gt;!

nii
1?

v‘1 * ii-W. I'Or
*£

;

yk\M.

fOs*,
t, i ' •

■

-•*

ym
im*
i : &gt;

\j

BfiJ#;:’;Mi -Mi
i

:•

5 &gt;• L

|f|

;• ;v-;V:v .

j.

?

fi
if

,

;

4
M.

•.:
n.

■

■

'

■mm - M'-MM.r

;.'M

l

//f

.
'.i

f;l i'jj
%

i

ni ■ .

:

Ml.

■

UliH-

i-M-P
:

;

(

■M

yy

t

fA

■r* I Vi
:

:Mr

■

i. i,
•

.•}•••••

ifi

MUJ

p-

a.|

;

fill
I
I
■«i siipiwf

liftiWg..
!!

.!

iiii i mil

is
■-

'.

-

f f

li«P m

V

&lt;

8*

;

i
&gt;K

.r

,

'

\

■

; f

K.

V.
■

'
!
;

»i

•it
i:
■

. -

mSk JHh
-i. ’

yv

:

' '

n r: ff- if.fii;

'-f-fl.ilhiff-'

a

»
&amp;

;

�. .

.

:

; -v Xh
•

�m
!

i

:

8
• .

r

rj
.

I

••

»•

'

I

�»

I

�'
.

ta

. :

if

&amp;

&amp;?

m

«

A &gt;i
!
-v
Prinfed by
The Conger Printing Company
Portland, Oregon

|g

i

!!

i

8

i.

i:

.
!
:

i

&amp;

'M

�Srlyljir £&gt;taff
Editor-in-Chief

Margaret Spencer

Literary Editor

DoROTHV HaRADON

. Bess Allen

Assistant Literary Editor

Pearl Biehn
Kalendar

Virginia Hull
Jean Muir

Old Girl Notes

Consuelo Hamer

Art
Exchanges

Dorothee Scarborough
Gertrude Ireland
Bess Edwards

Business Managers

Advertising Managers

/

Hazelmary Price

X

Lillian Luders

�p
VM

;J/AV

»T

Si
-

!

'
1
i

m.
m

■

PAGE

I

i=2

7"9

The Graduates
Editorials..........

11

The Return of Gabriel. . .

l5

A Drop of Dew

l7

Sir Launce and Lady Lenore

18

Captives of the Storm........

19

Tahiti......................................

21

A Quest for Happiness

22.

An Italian Garden

23

:• ";v

.

The Mermaid

24

A Class History ..

25

The Class Will

26

Class Prophecy

27

Athletics..........

31

The Kalendar.

3-

Exchanges. . .

3^

Old Girl Notes

38

To My Alma Mater

40

si

If
pv

1

I
; ip

s

s

&amp;

£3

j; P-‘Y

! Pp
1
!•

p:-

S

«

im

�Delphic is published twice during the school year.
students should subscribe.

All

Literary communications should be addressed to the hditorin-Chiet". Business letters and subscriptions to the Business
. Manager.
Subscription, $1.00 a year.
VOL. 27

June, 1923

No. 4

�-M
*&gt;

S&gt;S
i

W'
■Mr*
—

Wl

i1

1

M

•S’JZ.**'

r-*$

I

W:

‘?y

mm

ill
• (~-~Z

!:

Bess Allen
Gertrude Ireland
Frances Weller

Anne Wentworth
Willetha Ritter
Virginia Hull

Lillian Luders
Dorothy Haradon
Florence Niles

I

i

i!

w¥

■

•!

i

6 -

:r

��%

*7UK

.

i

Xs
—

SI

p•••'.
i

{

i

I

m
ts£&gt;.

v

g#

!
■

v

s?

azk

i

l

'

8

I

Kg
£«
.
;
Bess Edwards
Margaret Spencer

Pearl Biehn
Hazelmary Price
Margaret Newbegin

Dorothy Scarbrough
Consuelo Hamer
Jean Muir

m
:

■

i
a-:
■

&amp;
$

��7“

£

Drl phtr

□rv':

11

r

rv

•?'?
; %
; cJ

&gt;3

VA

£r
cx.

«=**&lt;

;ii

liiiitorials

■S Ip
• i

U

N

IHIL DESPERANDUM,” never despair! Only two words, but how
deep and inspiring their meaning. We cannot think of them as mere
words. They should challenge us, when we are down-hearted and discouraged,
to renewed efforts, as they would brace the homesick, lonely wounded soldier
or bring hope to the poverty stricken and helpless.
We, the class of nineteen hundred and twenty-three, have chosen this
phrase, as our class motto, and, although we are not lonely wounded soldiers,
nor poverty stricken and helpless, we feel that “nihil desperandtim" is necessary
to the success of our lives, as we leave our work here to take up the larger duties
and responsibilities before us.
Each one of us has been placed in this constantly changing world for a pur­
pose, and it is our privilege as well as our duty to discover and fulfill our niche
in life. Education is given us in order that we may more easily achieve this.

i i

.

a

m
m
r;-

q
NS

m
\

I
y-'r

.

q
'&lt;?II

�12

13 r l p 1) i r

We can readily appreciate how society and government might be plunged
into chaos and this old world skid out of its course, should a generation grow
up without any purpose in life. People without a purpose prove a burden to
others, or hinder their spirit of progress. It takes zeal and determination to
tollow a definite course in life, disregarding all obstruction and it is when we
meet such obstruction, that we need the inspiration of "nihil dcsperanduni."
W hile we should not treat our mission in life lightly, we must not feel that
only great things are worth while, for the common tasks must be done.
Philips Brooks says: "1 do believe the common man’s task is the hardest,
ahe hero has the hero’s aspiration, that lifts him to his labor. All great duties
are easier than the little ones, though they cost far more blood and agony.”
Many times we find our studies and every day tasks tedious and tiresome.
Sometimes we are even inclined to feel that we are wasting our time worrying
over Geometry, French, or Physics, but these very things, small as they may
seem, might be of the greatest future importance.
Education points the way to success, but success does not necessarily mean
conspicious achievement, we too believe that:
“He has achieved success who has lived well, laughed often and loved much;
who has gained the respect of intelligent men and the love of little children;
who has filled his niche and accomplished his task; who has left the world better
than he found it, whether by an improved poppy, a perfect poem, or a rescued
soul; who has never lacked appreciation of earth’s beauty or failed to express
it; who has always looked for the best in others and given the best he had;
whose life was an inspiration, whose memory a benediction.” With such a
picture of life and it’s possibilities before us, we would be sluggards indeed,
could we not feel the inspiration of our motto "Nihil Despcrandum."

t.vprrtniui txyrrtaui
TOURING the last few years a great deal has been said and written of the
young people of this day and age. Men and women have studied them,
and serious thinkers have written books and articles about them; and these have
all practically condemned the younger generation as immoral, unfaithful to
themselves and dishonest to others,—in fact, everything they should not be.
One of the many reasons for these charges, people have asserted, is that young
people have grown away from the Church, and no longer “walk in the paths of
righteouness.” It would be sad indeed if this were to be permanently so, and

�r^-

\

■

0 11 p 1| i r

f|

13

what seems to me a very beautiful and hopeful answer to this fear is the following
ing poem, taken from a volume entitled: “Marlborough and Other Poems:

-

From morn to midnight, all day through
1 laugh and play as others do,
I sin and chatter, just the same
As others with a different name.
And all year long upon the stage
I dance and tumble and do rage
So vehemently, I scarcely see
The inner and eternal me.
I have a temple I do not
Visit, a heart I have forgot,
A self that I have never met,
A secret shrine,—and yet, and yei
This sanctuary of my soul
Unwittingly I keep white and whdc.
Unlatched and lit, if Thou should’sc Care
To enter or to tarry there.
With parted lips and outstretched hands,
And listening ears Thy servant stands,
Call Thou early, call Thou late
To Thy great service dedicate.
This exquisite expression of a young man’s communion with God, and his
thoughts of death was written by Charles Hamilton Sorley while he was in active
service in the Great War. He was born at Old Aberdeen in May, 1895, and was
a student at Marlborough from 1908 until 1913 when he was elected to a
scholarship at University College, Oxford. During the Long Vacation he went
to Germany as a student and observer; but when the war broke out, he returned
to England and joined the Suffolk Regiment. During the last months of his
life, from May 30th to October 13th, 1915, he served in France, and was killed
in action near Mullock. In his poems, he has given us a glimpse of his inmost
self; and surely if an average boy could express himself in a manner so humble,
devote and conscientious as Sorley has done, we may hope that the greater parr
of the young men and women of to-day must be traveling on the right path,
although perhaps they themselves realize it as little as he did. He was evidentlv
like all young men of the present age—popular, fond of amusement, gayety and
fun. It is quite clear that he was not over-devotional, for as he himself declared.

£:&amp;
si

■

I

: %

s-

i

a
m

£3

51

m
m
m
g
I m
vs:
•

B

#

m
m

:-!Sc

■:rc=
' &gt;r

i

&amp;
! i\vl\

HI
S3E

�14

'

3 v l j: I) t r

he did not often pray or join reverently in the services of the school chapel.
Still, without knowing it, he had kept his soul pure and clean from all selfish,
worldly things. His soul was ready at any time if God should choose to enter
there; and he was prepared to enter the Eternal Kingdom whenever His Maker
should call. When the call of the War came to Sorley, almost unconsciously, he
found his religion; and it proved to be a strength, guide and comfort to him in
all he had to endure. In the earlier years of his life, Sorley’s religion had been
hidden away and it was not until he felt a great need for it that he found it. As
a soldier entering the field of death, he knew that he might be called to enter
Eternity at any time, and consequently he looked for some source of guidance
and comfort in his peril. In his last months on this earth, he lived in the fear
and love of God, doing good deeds for others, and as a true servant of Christ,
he declared himself dedicated to His service.
Perhaps many of the unthinking young people of today are like Sorley.
Perhaps, under the apparent insincerity, there is a spark of the true and unspotted soul, ready like Sorley’s to be kindled to generous self-sacrifice. Perhaps
this younger generation, too, in years to come will find their joy and comfort
in the service of Our Blessed Lord.
In looking forward to the future, we may fairly hope, as Ruskin said, that
“the charities of more and more widely extended peace are preparing the way
for a Christian Church which shall depend neither on ignorance for its con­
tinuance, nor on controversy for its progress, but shall reign at once in light
and love.”
—V. P.

(Liljr 0rath nf 23ialjnp Uinttlr
' I 'HE death of Bishop Tuttle, the Presiding Bishop of the Episcopal Church,
on April 17th, is a great bereavement to all who knew him, and indeed to
the whole Church. He was greatly loved by all his fellow-bishops, the clergy,
and laity, who looked up to him as a father and wise guide. He had visited every
diocese, and was at home in every part of the Church. He was as the patriarch
of the whole Church, and he considered its members as his family. Portland
was honored in having him for a guest at the General Convention last September,
and many people will remember his kindly face and tall commanding figure.
May he rest in Peace.

�.

D r l p It i r

4
M

13

1

1

«=4s

Pi
V-

a

»■

■t

[

5)/^r?l(C)

a

z^v4pL

;

£w

I

,j\

m

%

LITERARY

A

min' SU'turu nf (Saltru'l
A tinv, thatched cottage nestled among the fertile hills of Brittany. An
ancient oak, towering above the low root, shaded the door-step. I his was
the house of a shepherd, Gabriel Petard. The family Petard had owned the
homestead for over a hundred years, and in this time, little change had taken
place, in the home or the lives of these worthy people.
Gabriel drove his sheep to the same rich pastures that had fed the flocks
of his grandfather, and at nightfall, locked them in the mossy shed; but never
before had the family been so prosperous. Gabriel was a hardy man, and his
wife, the rosy cheeked Marie, was a most thrifty woman, Her tarts were noted
far and wide, her bronze kettles shone, and Pierre and the little Marie were never
without clean pinafores.
“1 am indeed a happy man,” thought Gabriel, as he watched his wife scatter­
ing crumbs to the fowls flocking about the doorstep, while Pierre, clinging to
his mother’s skirts, laughed with glee to see the hens rushing together from all
sides. Gabriel spoke his thoughts aloud to the old grandfather, who sat by the
fire, gently rocking with his foot, the cradle wherein lay the little Marie. 1 he
grandfather crossed himself reverently. His eighty years had taught him to
call no man happy. Gabriel sighed. He wondered why it was that he found
himself saying so often, “I am indeed a happy man.”
Even as he lay gazing at the still blue sky above him, his flocks grazing
quietly about, he found himself saying, '‘But I am content.”

2$
i|

m

i

.

'S.

'S-----

r-■=&gt;=&lt;
-—

:

§1

!

fi

»

£
v

I
i

1

3
A

Eg

1■ llA

�I
ic

311 p li i t

Once it had been otherwise, but that was before he went to Paris. Gabriel
hated Paris, the rattling carts and noisy streets had dismayed him. He had
felt lost and longed passionately for the quiet of the hills, the calm, still, night,
and the little church in the valley, whose bells rang out so clear on Sunday
morning. What a change a few words can make!
Gabriel was sitting at a table in an inn, listening with credulous ears to a
soldier’s tale of war and sudden wealth.
“Well,” said the man as he arose, “You’d make a fine soldier.”
Gabriel had felt a thrill of joy. He had always been proud of his mighty
muscles. Even after he returned to the hills and watched his flocks, the phrase
kept recurring to his mind.
“Pierre,” he said one evening, as he watched his son sitting on the floor,
with a huge bowl of porrige in his lap, "Pierre, how would you like to be a soldier
when you grow up?”
“Do not say such a thing,” his wife had exclaimed in a sharp voice. Gabriel
sighed again.
Then came the crisis. Gabriel was returning from a neighbor’s. It was
rather late; all the stars shone calmly above him, and he whistled stoutly as
he hurried along. When he came to the top of the hill at the foot of which lay
his peaceful home he stopped for a minute, smiling as he watched the light
shining hospitably in the window and thought of the family awaiting his return.
Then he started, frowned, and said aloud. “No, I wish I were at the wars.”
Prom that moment he knew he would not stay. At first he fought against
the thought. Then, he argued with himself. He would get rich, and Marie
should have a golden necklace, Pierre would go to the city to become a great
doctor, and they would build a new barn.
“Anyway,” he said, "I would come back.”
One day Gabriel jumped up from the ground, ordering Piff Paft', the old
dog, to guard the sheep. For a long time Piff Paflf lay, watching the flocks
grazing quietly about him. Dusk fell, and the evening star appeared. Piff Pafi*
drove the sheep home alone, for the shepherd had gone to the wars. But the
wars do not always bring wealth, even to a sturdy soldier with great muscles
and a keen eye, and the years skim by with a dazzling swiftness.
Once more the church bells pealed joyously over the hills of Brittany. A
group of women hurried along, in fresh linen caps and aprons. I hey passed an
empty cottage, whose windows were beaten in by many winters and long neglect.
Grass was growing along the once smooth walk, and poking through the boards
on the doorstep. The peasants walked more slowly as they passed.

�%
17

3 r 1 \j Iji r

■m

:■

“Oh, ir has changed so, since Marie left. Only Piff Paff an&lt;l s'x rnanS&gt;
sheep are left. \o one had the heart to drive the old dog off, whispered one
woman, shaking her head.
“Mother!” cried a little boy, pulling his mother’s apron, and pointing toward
the cottage, “who is that one?”
“Nonsense, child, no one lives there!”
“But 1 saw him on the door-step.”
The woman, turning, hurried back to the mossy gate and gazed up the path
to where an ancient oak shaded the entrance. There on the doorstep, with bent
head, sat a man in a faded uniform. An old dog crouched at his feet.

H
.
...
■

W,

m
:

;!

*
i

—Jean Muir, ’23.

A 0rnp of 0riu
Said the Heavens blue
To the rose so new
“I send you, my love,
A drop of dew
Wear it, my dear,
In your sparkling hair,
Wear it, my love,
You are marvelously fair.
When night has returned
I shall take it again
’Lest you lose the wee
Drop of my love—
And then,
When morning has opened
up wide her eyes
I shall send you again
That dainty surprise
And, my love, my rose,
I’ll confide to you
’Tis a diamond ring,
Not a drop of dew.
Rut when you fade and wither, dear,
You’ll find that diamond then a tear.”
—Nancy Bonham, ’26.

.

i

g
II

m

tier
S3
&gt;s

Kf

^4

m
t

!

'v

\

m

i

N ^ N_

&amp;

■:

.v'-: &gt;^i

M-

a

�18

3r

1) i r

§&gt;u* iCamirr attin IGaiig Hjpum*p
{With apologies to Sir Thomas Malory)
TD IGH1 merrily did the good knight, Sir Launce, bravest of all the good
^ King Roberts Oblong I able, ride forth underneath the greenwood tree
in search of some adventure. And anon, as he pined, from out the gloomy
wood came the cry of a maiden in sore stress, and Sir Launce plunged his
spurs into his steed and dashed forward to her aid. And he came upon a maid­
en passing fair, weeping and wailing, bound fast by cruel fetters.
And the good Sir Launce did loose her chains and set her up afore him and
right merrily did ride away.
The maiden, whose fair beauty already enchained his valiant heart anon
as he did first gaze upon her, did relate her fortunes in this wise: I bethought
me,” she said, speaking in a voice wonderous sweet, "that I should hie me to
yon fair fields and gather me a fair nose-gav for my betrothed, the good knight
Sir Garain, who doth love the flowers as my face.
“And when I had come to the greenwood I did espy a knight resting against
a tree. I knew him not, for his visor was clasped. Thinking no harm, 1 did
bid him good morrow. Whereupon, he did seize me right vigorously and did
gird me to this same tree under which he rested, with passing cruel tetters;
speaking in a most unknightly manner: ‘Let your rescuer ride yet deeper into
this gloomy wood and accost me at yon red tree, at the walls of yonder blue
castle.’ So saying, he departed.”
When the beauteous maid had done her tale, Sir Launce heaved a great
sigh to think so fair a maid of such virtuously lovely grace should be the lady of
another, and right sadly did he vow his should be the Holy Order when he had
avenged the damsel, of his heart.
And Lady Lenore did look upon Sir Launce’s manly face all perplexed with
heavy sadness, and verily she did marvel that a knight ot such wondrous fame
and prowess, should be so mournful. And the Lady Lenore did speak with the
knight of sadness and did cheer him in his gloom, saying: “Wherefore so sad,
fair sir, yonder stands the errant knave who bound me thus. Approach!”
And the lady did bind her colors upon his arm, and Sir Launce did come
upon the wronger of his lady love, and did speak boldly and say: Sir stranger
Knight, thou didst harm shamefully yonder fair lady, who is my lady love
if ever knight had a lady whom he did love, therefore look you well tor I shall
surely do her vengeance an my name be Sir Launce of King Robert’s Oblong
Table.”

�£
Y-r
D r 14J li t r

,

19

He encountered the knight and did smite him right heartily, so he did fall
heavily as one dead. Arising, the stranger did smite Sir Launcc until he did
tall, whereupon he would have advanced and sent him from the world, but the
sun did gleam on Sir Launce’s shield reflecting in the other’s eyes until blinded
he gazed upon Sir Launce as one dazed by magic. Then lightly did Sir Launce
pursue the battle, oft in peril of his life, but happily he did escape. And right
tiercel' did the battle wage until even-tide and the sun did sink to the west­
ward.
And the twain were sore wounded unto death; so weak were they in doing
bloodshed each could scarce stand, and anon Sir Launce gathered his fast waning
strength and smote the knight a resounding blow, and the knight did fall upcn
the earth, groaning heavily. Sir Launce did unlace his corslet to slay him, and
the kright did so plead for life that the good Sir Launce yielded to his entreaty.
The maiden then did draw nearer, and perceiving the strange knight with
his visor opened, did know him to be her betrothed; and right heavily did she
bemoan his treachery, and did fall upon Sir Launce weeping sorely. Then did
Sir Launce give her cheer professing his passion for her, and right gladly did the
Lady Lenore become his bride.
And they did hold a fair feast, that very even, good to see with much merry
making, which did last many days. And they did summon King Robert and
the Oblong Table to the feast.
Here endeth the tale.
—Bettv Parry, ’26.

(Eaptiura nf tljp

f
/-

&gt;V.-

rm

:ir

.

1
I

m
!•

(A true story)
1 I 'HE worst snow of many years occurred in the early part of January, 191S.
■*- My three eldest brothers had enlisted in the army, in December, leaving
my youngest brother Jack, my mother, and another old couple who were working
for us, to look after the ranch. Jack could not help very much, as he left every
morning at seven o’clock for an eight mile ride into school, returning about
five p. m.
But, to continue, on this particular day, when Jack rode off, the sky was
dark and stormy, and the snow, all ready falling, continued all day. When Jack
got home that night, there were several inches of snow on the ground, and it
was still coming down heavily.

i
1 o-;-r*.

m
7%

i.y/0

? r

:•I :

p

!
.

•i

I
■

1

�I
211

D r I p li t r

By the next morning, there was over half a foot, and it was hard traveling
for the horses. The day passed quickly, as there was plenty to do. Five o’clock
came and passed, but brought no cheerful shout from Jack, who usually heralded
h:s arrival in that way. Six, seven, and finally eight o’clock came and went,
and still he did not come. The telephone was silent, and we knew the wires
were down somewhere along the line. Our nearest neighbor, quite a half a
mile away, knew nothing of our plight. Mother and 1 sat up that night, and
kept a fire going in the big fire-place, hoping every minute to hear Jack’s foot­
steps at the back door.
What a sight met our eyes the next morning! Snow everywhere! Our
barns and pig pens were over a quarter of a mile from our house, and there
was six feet of snow all the way down the trail between the two places.
You may be better able to imagine what it was like, when I tell you that it took
mother and the old man, alternately shoveling out a path, and carrying big
pails of food for the eight or nine pigs, from eight in the morning until two in
the afternoon to get to the barns to feed the animals. Besides the pigs, which
were pedigreed Berkshires that we did not want to lose, there were our big work
team, two buggy horses, a colt, a cow, and I don’t know how many chickens and
ducks to be attended to. In addition to this, our water for drinking and cooking
had to be carried up in pails, from the big irrigation ditch, some distance from
the house.
About seven o’clock it began to get colder. By morning the trees were
covered with ice, and the snow was crusted over so that in some places one
could walk upon it.
About one o’clock that afternoon, mother and I were down at the barns,
looking after the horses, when we heard a shout, and up the trail came Jack
and his chum, leading their almost exhausted horses. I hardly waited to speak
to them, but rushed to the house to help Mrs. Hatfield get a hot dinner ready
as quickly as possible.
Over the dinner table, we heard their story. It seemed that Jack had not
been able to get home at all the first night, and could not even get word to us
that he was all right. The next day, he and his chum started out early in the
morning, but were only a mile away from the ranch when their horses became
exhausted, and they had to stay over night at some neighbors. The next morning
it took'them more than three hours to reach home.
After they had rested a little, the two boys went out and shoveled off the
roofs of the house and barns, as we were afraid that the weight of the snow
would cave them in.

�33
TxV.
0 r l p It i r

/

21

a

%
A few days later we had a silver thaw, which lasted for some time, It was
rather dangerous to walk about, but coasting was great fun, and while the snow s
crust lasted, Jack had many tumbles and a great deal ot sport trying to put to
use a six-foot pair of Skees, which he had made earlier in the year.
—Isabel Shetkv, ’25.

a
m

(Ualitti
rT"\AI 1ITI is often called the “Queen of the Southern Seas.” From this little
island, one may hear the booming of the surf on the coral reef and see the
black outlines of the island Moorea to the West, and the cool green mountains
behind the little city of Papeeti.
On entering Papeeti the coco-palms, along the beach, seem to wave a
welcome. And, oh, how calm and peaceful it all is.
Papeeti, the largest city of Tahiti, lies sheltered among the mountains.
Along the beach runs a broad avenue, bordered by palm trees. If this avenue
could speak it would have much to tell, of the different peoples that have de­
lighted in its cool shade.
At about five o’clock, looking towards Moorea we see a sunset that is so
unspeakably beautiful, we wish we had the artist’s power, that we might at
least attempt to reproduce its beauty.
As its colors slowly fade, leaving faint traces of rose and blue in the sky,
darkness falls suddenly, for the South Seas have no twilight. The evening air
is balmy and soft, and everyone comes out to enjoy it, as the loveliest portion
of the day. If we sit near the edge of the lagoon, the only sound to be heard
is the incessant flip, flop, flop of the fish.
When at last weariness drives us to our hotel and to slumber, our last con­
scious impression is that of the booming of the surf on the coral reef. We may
be awakened by mellow voices, and the notes of a ukelie or a guitar, underneath
our window. It is only a few of the natives, however, singing their native songs.
If we wish to enjoy Tahiti to the uttermost, we must forget all wordly things
and give ourselves up to the beauties of Nature.
—Marjorie Andrews, ’27.

■

m

m
ss

91

s' a

mm

r

!

-

If

m
a

1

::s

M

•;

£1

iff!

m1

�I
22

S r l v li i r

A (fpupst far llfappinpss
TN the middle ages, Toledo was a great city. From her majestic heights she
looked proudly down upon the country round. The great city of Madrid,
scarce a dozen leagues away, was as nothing to her in age and might, and im­
pregnable fortifications. She was old, old, even when Labienus first saw the
Pyrenies, old when Julius Caesar sent his legions to Spain. The history of
Toledo was great, as great as the old city itself. It had been the scene of many
a battle and many a romance; a city of proud and ancient name, and proud
and ancient families.
During the first years of the sixteenth century, when Philip of Austria
was ruling in Castile, one of the greatest nobles in all his realm, was Senor Don
Rodrigo de list avan, grandee of Spain.
It was twilight hour, and the suns last rays fell on the Sagus flowing quietly
between verdant banks. On the bridge of Alcantara, stood two youths, one
gazing down into the fast darkening waters of the river, the other looking to the
west to catch the last glimpse of the golden sun as it sank behind gaudy clouds.
When even the clouds had lost their color, he sighed softly and turned to his
brother.
“Felipe, my brother, what think you of my plan?”
“Ah Hernando, I do right well agree, but father, what of him?”
“Our sister will stay with him to comfort his old age, but we are men and
we cannot stay within our father’s walls forever. We must seek our paths in
the world, I am for the New!”
“Then, Hermatio, let us go to him and ask his blessing.”
The boys turned slowly away from the quaint, old bridge, and trudged up
the hill. After a short walk, they neared a huge castle, built upon a cliff high
above a river bed. The dim candles sent feeble rays through the high and
narrow windows. As the boys approached, the draw-bridge fell with a surly
clang, and a moment later, a man mounted on a richly comparisoned horse,gallop­
ed through the lowered bridge and down the road. The boys turned wonderingly and watched the cloud of dust until it died away beyond the Alcantara. It
was the King’s courier. Then Hernando and Felipe made their way hastily
to their father’s presence. He greeted them with a preoccupied air. A girl
sitting in a recess of a window looking sadly out at the deep river, turned at the
sound of their voices. Her long hair, black as midnight, hung loosely over her
shoulders. Her dark eyes held a wistful look as she saluted her brothers. She
was the Senorita Dona Mercedes, the proud and lovely daughter of the old
Duke, sought after by prince and noblemen.

�II

&amp;

3 r l y hi r

n
xk

23

i

S
m

The father’s voice trembled with anger as he related the contents of the
message brought him by the courier, His rich estates were coveted by the
wicked and deceitful favorite of the King, Senor Don Garcia de Gillardo. He
hoped to find peace in Spanish Possessions in America.
A Spanish galley sailed out of the Bay of Cadiz into the blue waters of the
Atlantic. The four voyagers stood in the stern of the ship, watching the land
and the city recede in the hazy distance. With a sigh, the Duke turned to his
daughter and said kindly,
“We have left the old life and the old world behind.”
There was a deal of meaning in the simple statement, and to Mercedes it
spelled death-of-happiness-of future hopes. She sat far into the night, looking
into the dark east, her thoughts in the beautiful land she was leaving, per­
haps forever.
She thought of the old castle, the red roses in the garden, the
perfumes of the flowers, the sparkling of the waters, and her mind dwelt long
on a certain moonlit balcony, the faint strumming of a guitar, and a dark-eyed
lover.
Manx weeks later, the same proud galley, glistening in the sunlight glided
into the welcoming harbor of San Diago. Here the old Duke and his family
were kindly received by the pious old monks of Cien Fugus. And thus in Cuba,
began the new life of the Estavans, afterwards called Stevans.

m
■i£f

a

m

m
s;

$1

—Florence Niles, ’23.

An jJtalmu (Harden

•

-

AN ITAI IAN GARDEN
■

L

ET us look into a very old Italian Garden. The time is late Autumn and
there has been no rain since June; but a large, dark cloud in the south
promises that the drought will soon be broken. Everything is dry, and hot, and
silent. The leaves of the grape-vine, clinging to the limestone wall, have
shrivelled into a dull rust color. The grapes themselves, which the heat has
spotted with brown, resemble the brown and white speckled spiders that run
among them. A lizard basking in the sun, stirs uneasily, as if he realizes that
winter will soon be coming. A tap at the wall and a scorpion, its nippers open
wide, comes running out in great anger. Twisted old olive trees are dropping
their leaves, and fig trees are bent with fruit. The myrtle vines offer their black,
glossy lucious fruit, and pulpy red love apples lie under a hedge of aloes.

'
I
!

S

m
m

G-

1

m

■m
1 s=

:

■i—

�I
2*1

3 r l ji It t r

In one corner beneath an ilex tree, two girls are sitting, on a stone bench
carved to represent crouching lions. They are typical Italian girls with smooth
olive skins, dark hair, and glowing eyes. One of them, looking over the garden,
seems to see something more than mere nature.
“See, Bianca,” she says. “The red-ripe pomegranites are splitting and
falling to the ground. They are still beautiful, but no one wants them now.
That is the way it was with the duchess. She was very beautiful, but she was
not crafty, and delayed too long. In Italy one must make the best ot summer.
Look! how the butterflies hover around that yellow rock flower! They will soon
go to some other, however, and leave it to die alone. Duke Alessandio is popular
now, but his favor will soon pass. Only that old olive tree remains unchanged,
Here'comes the wind and the rain. We
that must be the Church
must go! Hurry! See how it bends the poplars! They are the Italian people,
and the storm the battle of ambitious kings!
—Gertrude Ireland, *23.

®lir fHerntaiii
Alone, afar, on a mossy rock,
Where the sunkissed wavelets play,
A lovely mermaid with golden locks
Sits all the live long day.
Her pearly hands play a golden harp,
Her silvery voice sings high
And her sparkling eyes with lashes long
Are turned to the blue, blue, sky.
And one may come to this beachy strand,
To look for the mermaid fair,
But wander and search as ever you like
You will never find her there,
For whenever she hears a human tread
Back into the sea she goes
And her lovely figure glides from sight,
Where to? Ah—no one knows.
And then again on this mossy rock
Where the sunkissed wavelets play
There is nothing left of this mermaid fair
But a glimmering glint of spray.
—Nancy Bonham, ’26.

�23

Dr1phxr

I
®g

rm

i

vp

A Class history
AN ACROSTIC
Now the mighty class of twenty-three,
In the beginning was just little me.
New lands the old Hall did acquire.
E’en to new buildings did aspire
To which they straightway moved en masse,
Enrolling five names to this illustrious class,
Entrancing Anne, enthusiastic Lee, ethereal Dot, energetic Peggie.
Noble Florence, Senior Council’s head
To Blackstone in secret yearning to be wed.
With nineteen twenty came Bess and Pearl,
Each in her way a most superior girl.
Now in nineteen hundred and twenty-one
T„ us a group of nine did come,
Youthful Dot and giggling Gert,
The vivacious Virgie and Frances alert
Happy Hez, Margaret, and Connie,
Right merry Willetha and Bess the bonnie,
Even though many, in this we are all
Ever one, in devotion to St. Helen’s Hall.

aa
a
M
m
m

1
m
m

a

ear
*2S

:fl

m

—Jean Muir, ’23.

i

m
m
§

m
mm
y

�I
iG

Dr1phir

Slip (EUiaa Will
V\/E, the class ot nineteen hundred and twenty-three, being untouched
v * as to sanity by the weight of our responsibilities, do here give and bequeath
our goods and chattels.
To the class of twenty-four we leave some of our dignity and our best wishes.
To our sister class, the Upper-fours, we leave our love and sympathy, and to
the unaccountable, giggling freshmen, we leave a portion of our poise, and the
remainder of our dignity. Finally, we, the individual members of the class,
leave our treasures as follows:
1, Bess Allen, do hereby leave my precious, obedient nature to Irene Brix.
I, Pearl Biehn, do leave my highly developed love (?) of athletics to Nancy
Bonham.
I, Bess Edwards, do leave my pleasing manners to Marjorie Pittock.
1, Consuelo Hamer, do hereby bequeath my undaunted nerve to Julia
Bradley.
I, Dorothy Haradon, do bequeathe my gentle voice to Martha Hughes.
I, Virginia Hull, do bequeathe my gentleness to Virginia Zan.
I, Lillian Luders, do leave my skill in translating Caesar to Catherine
Martin.
I, Gertrude Ireland, do hereby leave my scholastic honors to any successful
candidate of the coming generation.
I, Margaret Xewbegin, leave my demureness to Dorothy Statter
I, Jean Muir, do leave my wit to Evelyn Meyer.
I, Florence Niles,leave my wide reading knowledge to Margaret McKern.
I, Hazelmary Price, do bequeathe my pep to Catherine Hart.
I, Willetha Ritter, do bequeathe my worried countenance to Sheila Maloney
I, Dorothee Scarborough, leave my immense vocabulary to Mildred
Vaughn.
I, Peetjie Spencer, leave my diligence to Elizabeth St. Claire.
I, Frances Weller, do leave my sunny disposition to Florence Yolstorff.
I, Anne Wentworth, do hereby close this testament by leaving my absolute
dignity to Helen Paddock.
Signed, Margaret Spencer.
Approved, Dorothy Haradon.
Bess Allen.

�IS:
B v l jj h i r

m$

ar

dlasa Prnpljrnj

m

t was an early morning in mid-summer when the Hercules, the most fully
equipped of hydroplanes, left the harbor of San brancisco to circumnavigate
the globe. The sun had risen and was just penetrating the heavy' fog when the
Hercules, now a dot on the horizon to the few spectators was instantly' swallowed
up in the reflection which the sun was already casting on the water.
The four hundred passengers were in the best ol spirits, as travelers a 1 way’s
are on the first day’ of their journey.
“So far, so good” was about all that could be said about that trip for it
seemed that no sooner had they lost sight of the Golden Gate when things beg an
to go wrong, first one thing and then another. 1 he pilot, “Dot Scarbarough,
was blamed for the most of it, for she did not get up until time to start and
consequently did not look at the engine. Whether or not Dot was responsible
the Hercules was marooned on the Island of Acacia, as to where this island
was, no one knew, only that it was “somewhere in the South Seas.”
Being marooned may be either pleasant or unpleasant. This particular
group of people chose to make it pleasant, so they proceeded to become better
acquainted. A voung woman, described by the others as being “Real nice look­
ing,” seemed to be in charge of the affairs. A committee of elders decided to
look into the source of her power. Someone recognized her and called her a
Miss Haradon, the mayor of a small town in Iowa. After being reminded that
she was not in her own little town, Dorothy Haradon was found to be very
congenial, She already knew some of the other passengers for her companion,
Jean Muir, was a well known novelist and poet, who seemed to be tracing many
old friends from among those present.
They were walking down the beach one evening, admiring the exquisite
beauty of the tropical scenery, when they saw a lonely figure standing near the
water, and upon drawing nearer they recognized the profile of Anne Wentworth,
their one time class president, who had since married an English ambassador
and was pulling the strings of European politics. Anne had always been diplo­
matic.
A young cartoonist was noticed sitting under a tree making caricatures
of various people. She had spent the most of her time thus engaged since her
arrival. Jean Muir was given one of the small cartoons and remarked how it
resembled the art of Bess Edwards, a cartoonist of Portland. Several days
later they were informed by Virginia Hull, the society Editor of the Oregonian,

m

Pf

I

mi

m

9 ►

m

i

Z frl

m

At

m
m

Vf?

■M
&gt;

\\

-

�1
20

3 r l ji li t r

that the artist was the very same old Bess they used to know, who had married,
but was still pursuing her career in Portland.
The beauty of the island could not forever interest the people and
even the lazy tropical breeze which brings with it a desire for rest, could not
subdue this pleasure loving company. (Someone suggested that they put on a
play, something they all knew, one of Shakespeare’s tragedies was chosen.)
The leading role was played by Consuelo Hamer, a famous tragedienne, whose
name was on the lips of every theatre-going American. The part was enacted
unusually well but “Connie” had not learned her lines. It was due to this
carelessness that Virgie Hull recognized her as a member of the class of ’23 of
St. Helen’s Hall. Virgie was determined to gather every particular of news on
the island for the Oregonian, so she energetically went in search of any others
who might be interested in Journalism, and was immediately introduced to
Miss Spencer, editor of “College Life in America.” Had they not known each
other somewhere? Surely, for to each other they looked familiar Of course!
Peggy Spencer had been the editor-in-chief of the Delphic and had been so
popular among her class-mates, but this popularity had not left her for she was
welcomed by all her friends as enthusiastically as ever.
The eight young women, who had at one time been fellow students at the
“Hall” organized an Alumnae Club, the purpose of which was to discover the
whereabouts of the old friends in the states, and to locate any other who might
be on the island. In the first meeting the present positions of Willetha Ritter and
Bess Allen were discussed. Willetha, who sacrificed a musical career for mar­
riage, was spending the summer abroad, with her husband, and Bess Allen, de­
termined never to be claimed in marriage, became chaperone to the boarders
at the Hall, but her love of music predominated to such a degree, that she re­
signed her position and began teaching piano.
It was not until two weeks after the society was formed that Florence
Niles was located on the island. She was enjoying a debate with another lawyer,
and, as usual, she was winning. Florence had been nominated Circuit Judge of
Oregon, but as her own law office was more profitable and interesting, she re­
fused the offer and was continuing to practice in her own firm.
Later the club held a second meeting in which they spoke of Lillian Luders,
who had become international golf champion. How fortunate! Lee always
did look well in sport clothes. And Hazelmary Price, the former yell queen of
S. H. I I., was spending her time touring the states, mainly of the east, address­
ing the High School students on “School Spirit, Pep and Enthusiasm.”

�D f I p 1| x r

2U

One evening, just as the sun was setting, a ship was discovered coming
nearer and nearer the island. It came as one drawn by a magnet, never wavering
from 1 ts course. At last the exiles were to be freed, by an American vessel.
As they boarded the “Dolphin” there were never more grateful people.
On the homeward journey, the sole complaint was that they did not go fast
enough; and needless to say, any news which the other passengers had heard
was eagerlv taken in by the party from the long lost “Hercules.”
The two things for which the “Dolphin” was famous were; her jazz or­
chestra, and her classical concerts. The club formed on Acacia was delighted
to find Pearl Biehn giving piano concerts every evening, while her rival, Margaret
New begin, directed the jazz orchestra in the ball room, each competing for the
largest audiences.
,
Among the passengers on board were Frances Weller and Gertrude Ireland.
1 rannie had become a great lover of children while boarding at the Hall, and
was then manager of a large toy shop. Her knowledge of children was only
excelled bv her love for them. The greatest psychologists gathered around her
to learn from her experience with children, what they could not find in books.
Gertrude Ireland was the president of the University of her native state; but
she often found it difficult to maintain a serious countenance before her students
because of that fatal habit of giggling, never quite conquered while at school.
And so it is that everything comes to something, even the class of nineteen
twen tv-three.
—Dorothee Scarborough, ’23.

c

c
3/
-fe• -

&amp;
.

&amp;

%

£

a

i
When these Seniors
Of St. Helen’s Hall
Do leave us soon
For good and all,
We’ll remember each
Not by her name
But by the thing
Which won her fame.
Bess Allen by her intellectual ability.
Pearl Biehn by her complexion
Bess Edwards by her artistic ability,
Consuelo Hamer by her style,
Virginia Hull by her kind heartedness,

£
P:
V:

h

?r~
r

=

�:n

33 11 \t Ij \ c
Dorothy Haradon by her argumentative temperament.
Gertrude Ireland by her sense of humor,
Lillian Luders by her athletic ability,
Jean Muir by her power to make us laugh,
Margaret Newbegin by her reliability,
Florence Niles by her honor,
Hazelmary Price by her smile,
Willetha Ritter by her daintiness,
Dorothee Scarbrough by her chatter,
Margaret Spencer by her hair,
Frances Weller by her dimples,
Anne Wentworth by her profile.
r

�.1 II

6

Iw

%

a

i?

i

a
m
a?.
D

l RING the regular basket ball season, the various class teams played
each other, and the cup was won by the Upper IV Form.
The season was closed recently with two games played with Miss Gatlin’s.
Relore Christmas, one game was played, which we won. bor various reasons,
the next was put off until April, some six weeks after we had ceased practicing.
The game was played at the Hall, and the Catlin’s team won at a score of
eithteen to twenty. Then it was necessary to play a deciding game. This
was played a few days later at Miss Catlin’s court. Our opponents won this
game also. Despite the loss of two of our best players, Martha Hughes and
Catherine Martin, the team did brilliant work.
Tennis matches are in order now, and the two courts are filled at every
period during the day. The entries have been posted, and a goodly number of
both beginners and Seniors have turned out for singles and doubles. The
courts are in good condition, and the weather is certainly favorable. 1 here is
some very keen rivalry displayed, and everyone is looking forward with great
anticipation to the finals.

4‘B

M
$0

m\

—Florence Niles, ’23.

j

&amp;

as
KV.
•&gt;

-&gt;■

..'v.Vi
■i:*-:C

a

�I

December ijth
The Glee Club, under the direction of Mrs. Smith, gave a delightful concert.
The program consisted ol:
. . Lyties
{a) My Honey
.
. Marker
(b) Lullaby
. . .
Glee Club
Matris
Martis

(rt) Dreaming Rose
(b) Morning .
Glee Club

Macdole ell

Piano—“Elfin Dance”
Bess Allen
{a) Sanctus
............................
(b) The Night Has a Thousand Eyes
Glee Club
Reading—“The Italian in England” . .
Florence Niles
(a) Cradle Song
(b) The Land o’ the Leal
(r) Little Orphan Annie
Glee Club

. Buck
Rogers
Browning .
Norris Lyties
. . Boltivood
. . Thomas

�.

Piano—March Grotesque
Pearl Bieh.v

!

■ii

33

S £ 1*1 fj t f
S i n ding

(a) Kirconnel Lea—Old Scottish Border Melody,
Sweet Heart, My Song is Done .
. Sims, Lyncs
Alma Mater.
Glee Club

m

a?

The three weeks following the Mid Year Examinations, have been marked
by various activities.

a
%

February 1st
A dance given at the Portland Heights Club was greatly enjoyed by the
older girls and their friends.

Si

Si
'

m

February St/i
Two little plays, one in French and one in English, were presented by the
children ol the Lower school. “Le Bal Masque gave the children an excellent
opportunity to display the progress they had made in French conversation, and
they presented many pretty pictures in their fantastic masquerade costumes.
Gladys Goodman played the role of Madame Lionet; Ardeane Henningsen,
Madame Reville; Susan Sargent, Odelle; Johanna Jenkins, Germaine; Catherine
Briggs, Simoine; Margaret Benson, Suzanne; Virginia Strowbridge appeared as
Jeannette, while Elizabeth Barbur impersonated “Une petite Parisienne.”
The English play, “The Cuckoo Clock” was very well acted. Those taking
part were: Catherine Briggs and Blanche Stabler, as the two elderly aunts;
Ardeane Henningsen as “little Phil’s mother;” Julia Abraham as Dorcas;
Dorothv Hughes as Griselda, Elizabeth Henderson as the old Dutch mechanic,
and Patricia Lamont as little Sybilla; Sally Reed as “Master Phil” and Elizabeth
Berger as the Cuckoo.

1

1

February 12th
Lincoln’s Birthday was observed with fitting exercises of a patriotic nature.
After the singing of “America” and the Salute to the Flag, recitations were
given: “The Gettysburg Address,” by Catherine Martin; Whitman’s “Oh
Captain, my Captain,” by Consuelo Hamer; and the famous Lincoln letter by
Bess Allen. Essays on Lincoln were read by Dorothy Scarborough, Edna Ellen
Bell, Catherine West, Evelyn Meyer, Analeane Cohen, and Cornelia Ireland.
The program closed by the singing of the “Star Spangled Banner.”

SrJ#

Csi

si

es-

m
«

P

£f

m

I
I:

Pi
A&gt;

AT

�I

3S

3rlyhtr

February 22nd
We all had a good rest from the trials and tribulations of school, Washing­
ton’s Birthday.
April ytli
A Latin play was given by one of the First Year Latin Classes.
April 6th to 16th
Easter Vacation. The ten days were enjoyed by all.
April igth
“The Knave of Hearts” was given by the Expression Class. The leading
parts were taken by Willetha Ritter, as Lady Violetta; Donna Jean Trumbull,
as King Pompdebille; Lillian Luders, as the Knave; and Dorothy Scarborough,
The other parts were taken by Catherine Hennagin,
as the Chancellor.
Catherine West, Florida Kissling, and several ot the children from the Lower
School.
April 20th
The second basket-ball game was played with Miss Catlin’s school and
they won by a score ot 18 to 20.
April 24th
We all went up to Miss Catlin’s school and the teams played the third
game. It was a stiff game and the girls worked hard, but Miss Carlin s won
the silver cup by a score of 6 to 23.
April 26th
Sister Superior gave a party for the boarders under sixteen years ot age.
The music was furnished by the older boarders.
May 15th
The new girls entertained the old girls with a picnic at the Meyer s summer
home on the Sandy river.
May ijth
The Seniors were entertained by the Juniors with a luncheon at Mrs.
Henderson’s on the Highway.
June 1st
The Senior English Play, “The Princess” was given, Dorothy Haradon
took the role of the Princess, Pearl Biehn, the Prince; Elizabeth Edwards, the
King (the Father ot the Prince); Bess Allen as King Gama. Hazelmary Price as

�.
*

i

53 11 p if t r

ms
fl

35

Arac, his son; Gertrude Ireland as Florian; Lillian Luders as C&gt;ril, Dorot ec
Scarborough as Lady Blanche; Willetha Ritter as Lady Ps\che, Margaret
Spencer as Melissa; Virginia Hull as Violet; Consuelo Hamer as Charlotte,
Florence Niles as the Portress. The students were Jean Muir, Ann Wentworth,
A musicale was enjoyed after the English play.
and Frances Weller.
June 2nd
\I. Hulin’s French Class presented “Le Bourgois Gentilhomme.’ ’Those taking
part were Virginia Pittock as Monsieur Jourdain; Anne Wentworth as Madame
Jourdain; WiUetha Ritter as Lucile; Consuelo Hamer as Cleonte; Edna Ellen
Bell as Nicole; Jean Muir as Dorante; Pearl Biehn as Doriemene; Dorothy
Mielke as Covielle; Doine Smith as Le Maitre de Musique; Catherine West as
Le Maitre de Philosophic; Nancy Chipman as Le Maitre de Danser; Marjorie
Pittock as Le Maitre D’Armes; Frances Weller, as Le Tailleur and Catherine
Mart as Le Garcon, and Bess Allen and Lillian Luders as Les Deux Laquais.
A program was given by the Glee Club and pronounced a great success.
June jrd
The Right Reverend Walter T. Sumner preached the Bacchalaureate
Sermon at St. Stephen’s Pro-Cathedral.

.

m

m
i

s

m
If

i

June 4th
The Lower School helped to make Commencement week a success by giving
The Sleeping Beauty,” in French, and Thackery’s, ‘‘The
several little plays.
I

Rose and the Ring,” etc.
June 4th
The Senior Prom, which is always anticipated with pleasure, was a great

ar»

success.
June jl/i
The Commencement excercises were held at I rinity Church. I here were
seventeen Seniors who graduated this year. The program was even more
attractive than before.

Pi-

i

!

m
m

Jf

■

JS
:

iVS

I

I;
u

:

M
CC-4

B
•Vft

j
■

'

�S p l p 1) i r

I

'"THE Delphic acknowledges with thanks, the receipt of the following publi■*- cations:
The Johannean, Si. John’s School, Mountain Lakes, N. J.
The stories were very clever, but why no cuts or pictures?

■

The Columbiad, Columbia University.
Of the issues we have received since our last publication, your “Philosopher’s
Number” was most interesting and thoughtful. “Fundamental Phases of Logic”
was especially commendable.

I

The Academia, St. Mary’s Academy.
Your poetry is always delightful.

&lt;

Ferry Tales, Ferry Hall, Lake Forest, Illinois.
Your paper is well written and lively.
The Sentinel, Harvard Military School, Los Angeles, California.
We missed your criticisms of the Exchanges in the Christmas issue. The
story entitled, “A Ride in the Night” was very good.
Rensselaer Polytechnic, Rensselaer Polytechnic Institute, Troy, N. Y.
You are new to us, and we hope you will come again, for, from your paper
we can see that you are a very active school

�D v 1 p I? i r

37

-

Saint Katherine’s Wheel, Saint Katherine's Hall, Davenport, Iowa.
In your Easter number, “Appreciation ot Marion Crandell, was certainly
of a type which should excite admiration in all readers.

■

/
2=

The Scroll, Washington Seminary, Washington, Pennsylvania.
Y our cuts are the best we have found in any of our exchanges, and we are
interested in your traditions.

■jg

/

The Blue Prin t, The Katherine Branson School, San Rapheal, California.
Your advertising managers must be “live wires.” Y our stories have good
descriptions.

'TvC

*2=

The Blue Pencil, Walnut Hill School, Natick, Massachusetts.
The Blue Pencil is a new magazine to us; its editorials are well worth while,
anti its stories are most entertaining. We hope to see you again.
The Cue, Albany Academy, Albany, New Y’ork.
A fairly good issue. We hope you will come again.
We also gratefully acknowledge “The Olympus,” Olympia High School,
Olympia, Washington; “The Oregon Churchman;” “The Mills College
Bulletin,” Mills College; “The Emerald,” University ot Oregon.

| ;d

l

E
!
i

as
:.t.

I

¥
r®

�311

\ &gt;fISS Caroline Flanders, ’91, and her sister , Miss Louise Flanders are
-^■L traveling in Europe- They "'ill return in June.
Mr. and Mrs. J. L. Riddell (Ethel Malpas, ’16) have moved to Los Angeles
with Patricia and Joan, where they will make their home
Laura Reed, ’21, is attending Business College in Portland.

11
!

!
='

Mrs. Curtis Strong (Alice Henderson, ’72) has returned from a winter in
California.
Mr. and Mrs. C. A. Dwyer (Roberta Powell) are being congratulated on
the arrival of a son, born IVI arch 5th.
Helen Ballard, ’18, was married April 18th, to Lieutenant Carroll Weldin,
U. S. N., ’20.
Eleanor Simpson, ’20, is interested in Commercial Art, and is now in a
Brack Art Shop in Los Angeles.
Martha and Bernardinn Gardener, ’19, are living in Santa Barbara.
Eola Richards, ’12, is living in Los Angeles.
Mrs. Ernie Theron (Muriel Kyea) is also living in Los Angeles.

�li

S * 1 v Ip r

3!I

V-

2=

Mrs. Canby has recently returned from abroad and is living in Boston,
where Major Canby is stationed.

■■

%
;&lt;

Mrs. J. C. Ainsworth (Alice Hcitchu) and her daughter Katherine are
traveling abroad. They spent Easter in Rome.

i-

There is a new arrival in the family of Mr. and Mrs. Gorrill Swagart (Donne
Wilde, ’17), a baby boy.

I

Mrs. Robert Warrack (Alice Crawford, 86) has recently returned from a
visit of several months with her daughter in Coranado.
I ’aith Newton, ’19, has started a kindergarten in Wallace, Idaho.
Nadine Caswell, ’17, is visiting Mrs. Clift Cornwall (Elizabeth Huber) at
Short Hills, New Jersey.

i

.

s

&gt;3

a

A recent wedding of interest was that of Lucile Pfaff and Louis William
Jannsey.
Adelaine Kendall, ’17, is traveling in the east.

i

=
aB

m

Wrap

m
■

�•in

0 r 1 ji 1) i r

Cl^o fftit Alma iHatrr
Dear school, within your quiet walls
I walked, and little knew of grief or care.
You sheltered me from all the knocks
The world can give, with wisdom rare.
You led me thru impressionable years
With kind, farseeing thought and love.
Ah, sometimes how 1 long to hear
That sweet-toned bell clang from above.
And as its tones fall on the morning air,
To chapel two by two we go,
I never will forget those early prayers
Like cooling draughts they seemed to o’er me flow.
Oh glorious school, St. Helen’s Hal),
Your truths and rites surround me still,
Your voice a benediction, when the world
Restless and torn refuses what God wills.
I pray that God, who gave you birth,
Will hold you far too dear to have you put aside
By those who know so little of your worth,
So little of your influence far and wide.
Oh glorious school! St. Helen’s Hall!
I love you and shall always pray
That you will stand erect and tall
Thru all the ages, till the Judgment Day.
—A. B.

�■

1=
T?i\

---- «4*

v n—

-&gt; Av=

t—

%r

We Ask You
To Patronize
Our
Advertisers

A
ii
:

m
m
•. _
V

S

.

t5^

-»
is

P&amp;-:

(

&amp;3S

«

3

v«?r
\V*

V .

m

!

8
is
t.c
T

w
i

+■

'

+

a

yz
I

-V'

v-&gt;

�f

■—

The Proper Gift
For Graduation
can be found in some one of our departments.
BOOKS—
The always appropriate gift and the one suit­
able to all tastes.
FINE STATIONERY
in many new and unique styles.
ART NOVELTIES—
such as book-ends, polychrome candlesticks
and lampstands, parchment shades, Pohlson
and Rustcraft novelties, etc.
A THOUSAND OTHER SUGGESTIONS
at

The J. K. Gill Co.
Fifth and Stark Streets

+

4~
Patronize Our Advertisers

�■a —a —

amm

—f

M

m
m
-f

PA:

Compliments of

a
iI

&amp;v.

m

The Quality Store
of Portland

m
igj

iaf
M
4

A Penny a Day

* “ V.

•irff

a;.■

WILL PAY FOR A

'hL

Safety Deposit Box

;!*

a

AT THE

PORTLAND TRUST COMPANY OF OREGON

!

SIXTH AND MORRISON STREETS
a

A safe place for insurance policies, abstracts, deeds, mortgages, notes,
bonds, jewelry, money, heirlooms and all valuable letters and documents.

8
i

m
is

Why risk your valuables when the expense is so small

%

I ;Lf
—*

•|«n —b — on----- ta —tsa-

Patronize Our Advertisers

m

s
Im

;?2

J

i'.Vi’j

�I
f—

: — oo — a — an------- a.

■—t
I

s

:
I
I
:!
i

I
I
I
S
I

s

COMPLIMENTS OF

C. G. APPLEGATH

3

Established 1870

EXCLUSIVE FURRIER
PORTLAND,

OREGON

I
1
I.
I

Portland’s
Oldest
Fur House

352 ALDER STREET
Near Park
Telephone: Main 4061

Compliments of

THE NORTHWESTERN
NATIONAL BANK

I&lt;
.
I

1

:
I
I
1
I
1
I
1

1

Jf 1 S
j'l’jjS w‘4 53 sa
'IIItiw*M 33 33 B

siiiaTheNorthwestern
3j§f National Bank
mi

NorthwesternBankBldg.. Portia nd.Oregon

:
I
I
I
I
e
I
I

.
1I
I

I

■

4—

■« — r- — nc — WJ —10 — ru------- in — cj--------t

Patronize Our Advertisers

�£g

m
m
§

+
For Those Who Want Only the Best

.

•

:

“ Rue de la Paix ”
Chocolates

i

m
sm
mm

—A good book, warm, cozy ftre, and a box of
Rue "de la Paix—what more could be asked.
THEY’RE MADE IN OUR OWN CANDY KITCHENS

jumnan^ofie cO OO.

m

cTMerchandise of e/ Menl Only

■■

?*(

m
§1
Hi
m

Compliments oj

florflattEi luhiinj iWimuu

s

697 Johnson Street

S

a

MAIN 0973

HARRY M. KERRON

+

+

-a
a

Patronize Our Advertisers

I

i

�+
THE

IRWIN-HODSON

SMITH’S
FLORALSHOP
Tommy Luke, Proprietor

COMPANY

44

PRINTERS
STATIONERS

Your Florist”
Main 7215

141 ! j Sixth

Fink Studio
Rubber Stamps

Character
Portraiture
PERSONALITY and EXPRESSION

387 WASHINGTON STREET
Pittock Building

Fliedner Building
Washington Street at Tenth
Broadway 1545

OPTICAL GOODS
CLASS PINS
DIAMONDS
JEWELRY
WATCHES

Sales and Service

Staples the Jeweler
OPTOMETRISTS
266 MORRISON STREET
+

+Patronize Our Advertisers

�V: s

,+

+

m

&amp;

■~&gt;4
:

o

y%k

a

G$o-tet£\qf£J*-i
West Park

and

I

Washington Streets

Portland, Oregon

F. L. Freeberg

vf

Grocer

m

Lunches

and

Stationery

465 MONTGOMERY STREET
Main 7344

ff

Olds, Wortman &amp;l King

IP

Portland's Popular Department Store

S3
=
:
S'v

OCCUPYING ENTIRE BLOCK
BOUNDED BY

MORRISON, ALDER, TENTH and WEST PARK STREETS
PORTLAND, ORE.

II

// V j'/K 6". 6? //. Green Trading Stamps ?

+

+"
Patronize Our Advertisers

m
•to

i

�+

t
• For All Social Occasions •

*iSa=3i

GREATEST VARIETY-FINEST QUALITY

Try our famous
J. C. Chocolates

CLARKE BROS.
F" l_ &lt;0 F=? I -S5&gt; T -S
MOr?r? I 5 O N STREET
BETWEEN FOURTH ANO FIFTH

COFFMANS
152 Broadway
Near Morrison

We make all our own candies

PIANOS —PLAYER PIANOS
PHONOGRAPHS AND RECORDS
G. F. Johnson Piano Co.
149 Sixth—Between Alder and Morrison

Parkers Market
Prime Meats Only
169 Fourth St

Main 0989

FOR
\OUNG
WOMEN
Camel Hair Polo Coats.

PATRONIZE OUR
ADVERTISERS!

Burberry Coats for General Wear.
Sweaters in Various Styles.
Silk Scarfs and Wool Mufflers.
Umbrellas and Riding Crops.

K. S. ERVIN &amp; CO., Ltd.
Established /go/
Second Floor Selling Building
Sixth and Alder Streets

+•—"—

• ■ —m—■—m—n

n—bo -

Patronize Our Advertisers

�•+

t-“—

aa

THINGS
ONE of the really big questions is
how to get the things we want.
The best way to get them is to plan
for them and to save for them.

m

Open a savings account at the
United States National, (a dollar
will do)and save a littlccach month.

B
m
m

"One of the Northwest's great hanks"

m

cjjjQ UnitedSlates
National Bank

i

jpf
l£YW*

OREGON
PORTLAND
SIXTH STREET Z/JT STjQR/C

Established ipc6

*
1

!
!

Headquarters for

ART STUDENTS

The name that stands for quality in
Good Things to Eat

— Seeking

information

on

weaving and color blending,
Tempting Oyster and Crab Dishes

1

Oriental
Infor-

mation on colors gladly given.

Dainty Salads

Have you seen the many new im­

Tender Steaks and Chops

portations brought by the Cartotian
‘CaTtnarr” from Persia?

Hot Chicken Tamales
Fresh Homemade Pies and Cakes

Cartozian Bros., Inc.

ll'e pride ourseizes on the excellence and
variety oj our delicious Fountain Beverages
and Sundaes
I

ONE PRICE ORIENTAL RUQ
TEMPLES
393 Washington St. (Pittock Block)

THE

HAZELWOOD
38S Washington

BROADWAY

HAZELWOOD
127 Broadway

Portland, Oregon

+

+‘

Patronize Our Advertisers

,

�, -- *1*

t

Compliments of

PORT FOOTWEAR
for Every Occasion
Formerly known as Lennon's

Morrison Street opposite Postoffice

STAIGER’S
288 Morrison Street
Corbett Building

THE FI YNN
GIFT SHOP
GIFTS FOR ALL
OCCASIONS

BERTHA STUART
Interior Decoration

Seventh Floor Northwestern Bank
Building
Morrison Street—Opposite Portland
Hotel

JOCELYN FOUL ICES
PIANO

152 Twelfth Street
Broadway 8718

Instructed in Lcschetizky principles
by Malevinc Bree in Vienna.
Coached in Modern Music and Inter"
pretation with Percy Grainger
in Chicago.

+

*«Patronize Our Advertisers

�—■t

t

m
|

Knives

Saws

ggl

S3*

SIMONDS MFG. CO.

M

1

hm&gt;

“The Saw Makers”
San Francisco,
Cal.

Seattle,
Wash.

Portland,
Ore.

STEEL

MACK SAWS

FILES

i

Compliments of

GL J. Joist

i
i

QJaitbu•s&gt; (do~

£ &gt;

BROADWAY AT WASHINGTON

op--:.'.

m

PATRONIZE OUR
ADVERTISERS!

*3
r3?a

Martin &amp;c Forbes
Company

m
Y

FLORISTS
354 Washington Street
Main 269, A-1269

p

Portland, Ore

I

--- +

+------Patronize Our Advertisers

me

•3

its
%b

���mm

X1

't

* K*.
ti% Vi

•

$-

'•

&gt;5

• V-'-V.

TO

Y;-..

-I
:

kismsi

�■

‘. ii v4i

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Oregon Episcopal School Yearbooks</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>This is a collection of yearbooks from the Oregon Episcopal School (OES). The bulk of the yearbooks are from St. Helen's Hall, with yearbooks also from the Junior College as well as Bishop Dagwell Hall. The title for the OES yearbook evolved from The Delphic to The Legend-Delphic. The title for the Junior College Yearbook was The Scintilla.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="4">
                  <text>Oregon Episcopal School</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5">
                  <text>1921-1923; 1931-1995</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6">
                  <text>All rights are reserved by Oregon Episcopal School.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>Yearbooks</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="65">
              <name>Conforms To</name>
              <description>An established standard to which the described resource conforms.</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Describing Archives: A Content Standard (DACS)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="78">
              <name>Extent</name>
              <description>The size or duration of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="10">
                  <text>85</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="79">
              <name>Medium</name>
              <description>The material or physical carrier of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="11">
                  <text>bound volumes</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1298">
                  <text>Students</text>
                </elementText>
                <elementText elementTextId="1299">
                  <text>Junior colleges</text>
                </elementText>
                <elementText elementTextId="1300">
                  <text>Junior college students</text>
                </elementText>
                <elementText elementTextId="1301">
                  <text>High school student activities</text>
                </elementText>
                <elementText elementTextId="1302">
                  <text>Student activities</text>
                </elementText>
                <elementText elementTextId="1303">
                  <text>Student publications</text>
                </elementText>
                <elementText elementTextId="1304">
                  <text>Teachers</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="48">
                <text>1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="49">
                <text>bound volume</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50">
                <text>The Delphic - Commencement 1923</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51">
                <text>School yearbooks</text>
              </elementText>
              <elementText elementTextId="52">
                <text> Students</text>
              </elementText>
              <elementText elementTextId="53">
                <text> High school student activities</text>
              </elementText>
              <elementText elementTextId="54">
                <text> Student publications</text>
              </elementText>
              <elementText elementTextId="55">
                <text> Teachers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="56">
                <text>This is one of the oldest OES yearbooks, dated 1923. The yearbooks were published annually after 1925. Yearbooks from 1921-1968 were known as The Delphic and were created by St. Helen's Hall students attending in their high school years. St. Helen's Hall was an all-girls school that pre-dated Oregon Episcopal School. In 1969, the yearbook evolved into The Legend-Delphic with the addition of Bishop Dagwell Hall and male student attendees. After 1986 the yearbook branding begins to singularly list "OES" with a few volumes referencing "The Delphic" or "The Legend Delphic". Yearbooks helped to chronicle the school year's events and activities, in addition to listing each student and staff member.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57">
                <text>Oregon Episcopal School</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="58">
                <text>1923</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59">
                <text>All rights are reserved by Oregon Episcopal School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="61">
                <text>oes_delphic_commencement1923-compressed.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>School yearbooks; Students; High school student activities; Student publications; Teachers</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
